斯坦斯特德

It was in their defiant, but generally short-lived (short-period), European expatriation (throwing away of their American nationality) that our leading writers of the Twenties learned to think of themselves, in the words of Gertrude Stein, as the "lost generation".

正是在他们那抗争性的，而总的说来又是短暂的侨居欧洲期间，二十年代我国的那些主要作家开始认识到自己一一用格特鲁德。斯坦的话说一一就是所谓"迷惘的一代"。

Simplicity criterion is a very popular criterion for scientific hypothesis choice.Two theories are proposed when the criterion is used to solve the grue problem.

例如 ，克里普克认为："问题不是古德曼关于归纳的……而是维特根斯坦关于意义的……"〔1〕更多的讨论者径直把它看作"新归纳之谜"。

In particular, 2003 saw a single performance of Tristan und Isolde, also a first for the Asia region.

值得一提的是，2003年该乐团还上演了一场《特里斯坦和伊索尔德》，这在亚洲地区也是史无前例的。

After 'Tristan and Isolde', music was to be changed forever.

自《特利斯坦与伊索尔德》之后音乐永远地发生了改变。

Schoenberg's 'Remembrance' is doing the same thing as 'Tristan and Isolde' but it's doing it from the other side of a psychological ocean.

勋伯格在他的《回忆》中所作的是与《特里斯坦与伊索尔德》中同样的事情，只不过它来自于心灵之海的彼岸。

Tristan and Isolde's passion could well be the fruit of substance abuse, of a love potion they drank unknowingly.

特里斯坦和伊索尔德的激情很可能是滥用上瘾药物的结果，或者是他们无意间喝下的春药造成的。

The human body, Ludwig Wittgenstein once declared, is the best picture we have of the human soul.

路德维格韦特根斯坦曾宣称，人的身体是人的灵魂的最佳图画。

Born in 1860 in the Belgian seaside resort town of Ostend, Ensor (whose fame as an artist at home is surpassed only by that of René Magritte and Hergé, the creator of Tintin) painted his coastal surroundings with a sure, naturalistic hand.

安瑟尔（作为一名艺术家，他在家乡的名气仅次于玛格丽特和丁丁的作者埃尔热）于1860年生于比利时奥斯坦德的海滨度假小镇上。他用自己的双手描绘出了海滨的周边环境。

Seeing himself as a messenger of the future, he ceased concertizing in the late 1840s to devote himself to composition and furthering the work of progressive composers. In the 1850s he wrote many of his most ambitious works, including A Faust Symphony (1854) and the piano sonata in B minor (1853). In 1865, abandoning hope that Princess Caroline de Sayn-Wittgenstein would marry him, he took minor church orders.

李斯特自视为未来的使者，在1840年代晚期停止了音乐演奏而专心作曲，并进一步影响了革新派作曲家的作品。1850年代，他写了许多最具野心的作品，包括《浮士德交响曲》（1854）和《B小调钢琴奏鸣曲》（1852-1853）。1865年他放弃了与赛因－维根斯坦公主成婚的希望，接受教会次级的神职职位。

She had considerable experience as a juror that had served on the panels of Marguerite Long, Busoni, Maria Callas, Arthur Rubinstein, Robert Casadesus, Paloma O'Shea and Rachmaninov International Piano Competitions, among others.

在担任评委方面，她也拥有极为丰富的经验，她曾在玛格丽特·隆，玛利亚·卡拉斯，阿图尔·鲁宾斯坦，罗伯特·卡萨德絮，拉赫马尼诺夫国际钢琴比赛等赛事担任评委。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。