斯坦伯格

The Ballet's audience has had the opportunity to experience a vast repertoire, including works by Septime Webre. David Parsons, Kathryn Posin, Agnes de Mille, Glen Tetley, Val Caniparoli, Trey Mclntyre and Twyla Tharp.

剧团为观众提供了众多的芭蕾节目，其中包括著名音乐家的作品，如：塞浦坦姆-韦伯，大卫-帕森斯，凯瑟琳-鲍森，阿格尼斯-得-密欧，戈兰-塔特雷，沃-卡尼帕罗里，崔-麦柯尼泰勒和瓦拉-塔铺。

We'll split into pairs and search, and don't forget, be gentle with Potter until we've got the prophecy, you can kill the others if necessary -- Bellatrix, Rodolphus, you take the left, Crabbe, Rabastan, go right -- Jugson, Dolohov, the door straight ahead -- Macnair and Avery, through here -- Rookwood, over there -- Mulciber, come with me!

大家两人一组分头搜寻，记住，在得到预言球前不要对波特动粗，如果需要，其他人都可以杀掉——贝拉特里克斯，罗道夫斯，你们去左边，克拉布，拉巴斯坦，去右边——加格森，多洛霍夫，去正前面的门——麦克尼尔，还有埃弗里，在这里找——卢克伍德，去那边——穆尔塞伯，跟我走！

Bernstein argues that our experience of art today is conditioned by the loss of the truth-function of art: with the growth of modern science and technological reason, art is relegated to a separate and autonomous domain of the aesthetic.

伯恩斯坦主张，今天我们的艺术体验受到了失真的艺术功能的制约，随著现代科学与技术理性的成长茁壮，艺术被贬抑为一种分离的、自成一格的美学领域。

In addition I have used the unpublished diaries of Fedor von Bock,Erhard Milch,Erich von Manstein,Wilhelm Leeb,Erwin Lahousen,and Eduard Wagner－whose widow allowed me to copy some two thousand pages of his private letters.Christa Schroeder,one of Hitler's private secretaries,made available exclusively to me her important contemporary papers.Julius Schaub's family let me copy all his manuscripts about his twenty years as Hitler's senior aide,as did Wilhelm Bruckner's son.

另外，我还使用了从未出版的费多尔·冯·博克，埃哈德·米尔希，埃里希·冯·曼施坦因，威廉·李伯，埃尔温·拉霍乌森和爱德华·瓦格纳日记——瓦格纳的遗孀允许我复制了两千页的他的私人信件；希特勒的私人秘书之一克丽斯塔·施罗德给了我一份独家的她当年的重要文件；尤里乌斯·肖布的家庭则让我复制他当年身为希特勒高级副官的二十年内所有的原稿；威廉·布鲁克纳的儿子也这么做了。

"He could well have been the most nearly perfect violinist of his time," Harold Schonberg concluded in The New York Times, in the wake of Milstein's death on December 21, 1992. Jascha Heifetz had a more electrifying technique, but there were those who considered him, rightly or wrongly, too cool and objective.

&他应该就是他那个时代最接近完美的小提琴家了，&米尔斯坦去世（1992.12.21）后，哈罗德*勋伯格在发在纽约时报的文章中最后说道，雅沙*海非兹有更能放电的技巧，但总有人说他太冷淡太漠然，无论他们这样讲是对还是错。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。