斯劳

Then Priam, descendant of Dardanus, spoke, saying,"Hear me, Trojans and Achaeans, I will now go back to the wind-beaten city of Ilius: I dare not with my own eyes witness this fight between my son and Menelaus, for Jove and the other immortals alone know which shall fall."

&听我说，特洛伊人和胫甲坚固的阿开亚人！我准备马上回家，回到多风的伊利昂——同阿瑞斯钟爱的墨奈劳斯拼斗。宙斯知道，毫无疑问，其他不死的神明也知道，他们中谁个不能生还，注定了要以死告终。&

Also Sprach Zarathustra is also the title of a symphonic poem by Richard Strauss, composed in 1896 and inspired by the book. It is best known for its use in Stanley Kubrick's 1968 film 2001: A Space Odyssey (which is postulated to have also been inspired by the book, at least in part).

查拉图斯特拉如是说》也是理查德施特劳斯的交响诗的题目，写于1896年，由同名的书得到灵感，斯坦利克比克于1968年的电影《2001：奥德赛空间》就用了这首交响曲（至少也是部分地受到这本书的灵感）。

In another recent paper that he coauthored with Paschall, Straus writes that previous research has found that even after you control for parental education and occupation, children of parents who use corporal punishment are less likely than other kids to graduate from college.

在最近另一篇他与帕斯凯尔共同执笔的文章里，斯特劳斯写道，早先的研究发现即使你调整父母的教育和职业，那些父母进行体罚的儿童与其他孩子相比可能很少从大学里毕业。

In another recent paper that he coauthored with Paschall, Straus writes that previous research has found that even after you control for parental education and occupation , children of parents who use corporal punishment are less likely than other kids to graduate from college.

在与帕斯科尔近期合著的另一篇论文中，斯特劳斯写道：先前的一个研究发现，即使惯用体罚的家长在受过亲职教育后有所克制，其小孩与其他的孩子相比还是不那么容易能够从大学毕业。

Against the extremes of the atonal experimentalists, the Franco-Russion school of eoclassicists dominated by lgor Stravinsky( 1882 - 1971) and also including R.

跟无调性音乐探索者的极端作法相反，以斯特拉文斯基(1882-1971)为首包括施特劳斯在内的法、俄新古典主义乐派及法国&六人团&反对19世纪浪漫主义音乐，继续回归传统。

"Against the extremes of the atonal experimentalists, the Franco-Russion school of eoclassicists dominated by lgor Stravinsky( 1882 - 1971) and also including R. Strauss and the French group Les Six continued in a more traditional vein in reaction to nineteenth-century Romanticism."

跟无调性音乐探索者的极端作法相反，以斯特拉文斯基(1882-1971)为首包括施特劳斯在内的法、俄新古典主义乐派及法国&六人团&反对19世纪浪漫主义音乐，继续回归传统。

Today, Spanish architects have growing influence throughout the world, as well as on Iberian peninsula, as a recent exhibition at New York's Museum of Modern Art amply demonstrated. The roster of twentieth-century and contemporary Spanish singers is impressive and well-known, among them Victoria de los Angeles, Montserrat Caballe, Alfredo Kraus, Teresa Berganza and, of course, Placido Domingo, who is also claimed by Mexico.

无论是在利比亚半岛，还是纽约现代艺术博物馆都充分证明了西班牙的建筑家们在全世界拥有越来越大的影响力。20世纪和当代西班牙歌唱家的名单也可谓是群星璀璨，有维多利亚&德&洛斯&安赫莱斯、蒙茨克拉特&卡巴耶、阿尔弗雷多&克劳斯、泰瑞莎&贝尔甘札，当然，也少不了多明戈。

In 1991 she founded Irma Boom Office, which works nationally and internationally in both the cultural and commercial sectors. Clients include the Rijksmuseum Amsterdam, Paul Fentener van Vlissingen (1941-2006), Inside Outside, Museum, Boijmans Van Beuningen, Zumtobel, Ferrari, Vitra International, NAi Publishers, United Nations and OMA/Rem Koolhaas, Koninklijke Tichelaar, and Camper.

她的客户有阿姆斯特丹市立美术馆、保罗·范特内尔·弗利辛根(1941-2006)，内外、波伊曼·凡·布宁根博物馆、克劳斯亲王基金会、奥地利Zumtobel 集团、法拉利、维特拉国际集团、NAi Publishers 出版社、美国、OMA/瑞姆·库哈斯、Koninklijke Tichelaar Makkum、日内瓦阿加汗基金会；西班牙看步集团、马略卡、纽约现代艺术博物馆、伦敦耶鲁报、纽约Bard Graduate Centre。

They are: Idi Amin, of Uganda, now enjoying life as a guest of the Saudis; Jean-B del Bokassa, of the Central African Republic, known to the people of that country as the Ogre of Berengo; Wojciech Jaruzelski, the Soviets' Polish puppet; Nexhmije Hoxha, who (with, until his death, her husband, Enver) ruled Albania for nearly fifty years; Jean-Claude Duvalier, who got run out of Haiti in 1986; Mengitsu Haile Mariam, the Marxist-Leninist dictator of Ethiopia; and Mira Markovic, the wife of Slobodan Milosevic, who is currently on trial in The Hague for crimes against humanity.

他们是：乌干达的阿迪·阿明，现在作为沙特阿拉伯的客人依然在享受生活；中非共和国的让-贝德尔·博卡萨（Jean-B del Bokassa），以&食人的皇帝&而著称于这个国家的人民；沃依切赫·雅鲁泽尔斯基，苏联在波兰的傀儡；涅奇米叶·霍查，她统治了阿尔巴尼亚近五十年的时间；让-克劳德·杜瓦利埃(Jean-Claude Duvalier)，1986年出逃海地；门格斯图·海尔·马里亚姆，埃塞俄比亚的马列主义独裁者；和米娜·马尔科维奇，目前因为反人类罪被海牙法庭审判的斯洛博丹·米洛舍维奇的妻子。

Engeny Nesterenko was born in Moscow and completed his studies at the Rimsky-Korsakov Academy of Music in St. Petersburg under Professor Vassily Loukanin. In 1970 he won first prize and a gold medal at the International Tchaikovsky Competition and that same year made his debut at the Bolshoi Theatre in Moscow.

叶甫根尼·涅斯切连科出生在莫斯科，在圣彼得堡的里姆斯基--科萨科夫音乐学院毕业，师从瓦西里·劳卡宁教授。1970年他在国际柴科夫斯基比赛中获得一等奖和金牌，同年在莫斯科大剧院举行他的首演。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。