斜桁帆

A small fore-and-aft sail hoisted abaft the foremast and mainmast in a storm to keep a ship's bow to the wind.

斜桁纵帆升在前桅和主桅后面的小纵帆，在风暴中用来保持船头顶风

A small fore - and - aft sail hoisted abaft the fore mast and mainmast in a storm to keep a ship's bow to the wind.

斜桁纵帆升在前桅和主桅后面的小纵帆，在风暴中用来保持船头顶风

A small fore - and - aft sail hoist ed abaft the foremast and mainmast in a storm to keep a ship's bow to the wind.

斜桁纵帆升在前桅和主桅后面的小纵帆，在风暴中用来保持船头顶风

A small boat used for fishing,sailing,or coasting and having two or three masts,each with a lugsail,and two or three jibs set on the bowsprit.

小帆船用于捕鱼，航海或沿海贸易的小船，它有两三个桅杆，每个桅杆都有斜桁四角帆，在船看斜桁有两三个三角帆

A small boat used for fishing,sailing,or coasting and having two or three mast s,each with a lugsail,and two or three jibs set on the bowsprit.

小帆船用于捕鱼，航海或沿海贸易的小船，它有两三个桅杆，每个桅杆都有斜桁四角帆，在船看斜桁有两三个三角帆

A small fore - and - aft sail hoisted ab aft the foremast and mainmast in a storm to keep a ship's bow to the wind.

斜桁纵帆升在前桅和主桅后面的小纵帆，在风暴中用来保持船头顶风

A two - mast ed sailing ship,square - rigged on both mast s,carrying two or more headsails and a quadrilateral gaff sail or spanker aft of the mizzen mast .

双桅横帆船有两根桅杆的帆船，每个桅杆上都有横帆，载有两个或更多的前帆和一个四边形的斜桁帆或在后桅的尾部装有后樯纵帆

A two-masted sailing ship, square-rigged on both masts, carrying two or more headsails and a quadrilateral gaff sail or spanker aft of the mizzenmast.

有两根桅杆的帆船，每个桅杆上都有横帆，载有两个或更多的前帆和一个四边形的斜桁帆或在后桅的尾部装有后樯纵帆

A rope, rod, or batten along the upper side of a yard, gaff, or boom to which a sail is fastened.

天篷支索吊在帆桁、斜桁或木桁上面的绳、杆或压条，用来收紧帆

Any of several parts of standing rigging strengthening the bowsprit and jib boom against the force of the head stays.

艏斜桁撑杆，艏斜桁撑杆支索一种直立索具，用以加固船首斜桁和船斜帆桁，以抵御船头支索力量

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。