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After aborative reading of The civilization of the Renaissance in Italy, I think Burckhardt's conception of the history had full-bodied Zeitgeist, and the Zeitgeist incorporated as following: new type of concept of modern nation; the individualism which was doughty, dealing with concrete matters relating to work; and the elegant humanism custom.

在对《意大利文艺复兴时期的文化》一书进行精心研读之后,本人认为,布克哈特用他的文化史观去分析研究意大利文艺复兴时期的历史,并概括出了这一时期的时代特征:新型治理的近世国家理念;刚强、务实、天才的个人主义;纯美、信达、雅致的人文习尚。

The Renaissance is an age which calling and bringing up the giants, The hero motif in the literature of this age have also immediately taken place of tremendous change: The hero images in the literature at that times have break through the traditional molding pattern of divine nature hero , The angle of view has changed from the divine nature heros to giant heros:For example, Pantagruel writed by Rabelais, Hamlet writed by Shakespeare and Quixote writed by Cervantes, They are the outstanding delegates of he hero type of giants in the giant epoch.

文艺复兴时代是一个呼唤与造就巨人的时代,这一时期文学中的英雄母题也随之发生了巨大转变:这一时期文学中的英雄形象突破了传统神性英雄的塑造模(来源:ABCd8论文80网www.abclunwen.com)式,把视角从神性英雄转向了巨人英雄身上:比如拉伯雷笔下的庞大固埃、莎士比亚笔下的哈姆莱特以及塞万提斯笔下的堂吉诃德,他们是文艺复兴时期巨人式英雄的杰出代表。

Must not the only fruitful renaissance be the one that reawakens the impulse of the Cartesian Meditations: not to adopt their content but, in not doing so, to renew with greater intensity the radicalness of their spirit, the radicalness of self-responsibility, to make that radicalness true for the first time by enhancing it to the last degree, to uncover thereby for the first time the genuine sense of the necessary regress to the ego, and consequently to overcome the hidden but already felt naivete of earlier philosophizing?

在近代,对一个完全有活力的哲学的渴望,已经引起了一个又一个文艺复兴,唯一富有成果的文艺复兴难道不就是唤醒笛卡尔式《沉思》的推动力吗?——不是要用那些内容,不这样做,而是以更大的强度去重新实现这些精神的彻底性、自身负责的彻底性,通过提升到最后的程度上去把彻底性第一次真正实现,于是去第一次揭开必须回退入我思『ego cogito』的真正含义,最终去克服早期做哲学的朴素性(——这已经被感到了,但依然隐藏着)。【英p5/3,德p47/2

Focused on the second symphonic poem of Lizt' s Tasso: Whine and Triumph in this paper, the theory and method of appearance analysis are used, the composition is analyzed and expatiated and concluded from the point of view of theme material, music structure and handling, and appearance result, then the duality corresponding relationship of the content and format is abstracted, so are the characteristics of the virtual and real handling of captions and appearance.

塔索是文艺复兴时期的最后一位诗人,他的去世标志着文艺复兴时期文学的结束。作为宫廷诗人,塔索的一生非常悲惨,他曾因精神失常被监禁七年,晚年甚至在意大利到处流浪,然而他的人生地位却是崇高的。塔索的坎坷经历和凄惨的命运感动了他的许多朋友和信徒,他们还准备为他戴上光荣的桂冠;也激发了歌德、拜伦等著名诗人的艺术想象,他们分别为他创作了戏剧和诗歌—《塔索》。

After the Renaissance and classical art oil paintings, the ancient Greeks to the present, and a rational first time the scientific spirit with the combination experienced a revival of ancient Greek art of the Third Rome, the climax, that is, beginning in the 14th century to the realism of Renaissance painting scientific language model, the 17th century, Poussin and the cause of the birth of norms Institute, to begin in the second half of the 18th century, the third revival of classicism, construction and improvement of Western oil painting reproduction of classical rational language system.

文艺复兴及其之后的古典油画艺术,把古希腊人本主义、理性至上与时代科学精神相结合,经历了对古希腊罗马艺术复兴的三次高潮,即开始于14世纪的文艺复兴运动对写实绘画语言模式的科学化,17世纪的普桑主义导致学院规范的诞生,到开始于18世纪下半叶的第三次古典主义复兴,建构和完善了西方古典理性再现油画语言体系。

This paper analyzes the western social structure and points out the transformation from faith to ration evolved the mode of thinking and measure of value. In the Renaissance, it is Christian culture that is the source of thought. As a result, what European Renaissance Literature reflects is Christianized humanism and society in turmoil.

西方世界从信仰维系方式向理性维系方式的变动,使得文艺复兴运动时期的思维方式和价值尺度主要是取自基督教文化的思想资源;而文艺复兴时期出现的文学则是表现了基督教文化影响下所形成的人文主义思想,反映了大变动时期的社会现实。

This renewed contact with all the knowledge marks the beginning of a period in Europe known as the Renaissance, which means "re-birth of learning."

重新接触所有的知识,标志着欧洲一个崭新的历史时期——著名的文艺复兴时期——的开始。文艺复兴意即&学问的再生&。

This renewed contact with all the knowledge marks the beginning of a period in Europe known as the Renaissance, which means "re-birth of learning."

这一重拾前人知识的做法标志着欧洲一个崭新的历史时期——著名的文艺复兴时期——的开始。文艺复兴意即&学问的重建&。

It's a portrait of his mother and it looks like a 16th- century High Renaissance or Northern Renaissance portrait of a famous person in their own landscape holding their attribute -- in her case, a plant.

& &这是他的母亲画像和它看起来像一个16世纪的文艺复兴或北高文艺复兴肖像名人在自己的景观举行的属性-在她的情况下,一家工厂。

The thesis purposes to read Shakespeare's Queen Margaret in the context of Renaissance: Renaissance women writers appropriate biblical female characters to reconfigure the traditional virtues; in addition, Shakespeare, influenced by a diversity of Renaissance historiographies, devises his own history plays in which he lets his women articulate and exert their influence upon their male counterparts in comparison with Holinshed's Chronicles.

本论文试著将玛格丽特皇后置於文艺复兴时代的脉络下探讨:於第一章,一方面藉由几位文艺复兴时代女性作家之作品,观察她们如何挪用圣经中的女性角色、重新定义传统女性美德之内涵;另一方面,受到当代史料编纂多元化之影响,莎翁亦写出能够呈现自己风格的历史剧,尤其是在与何林塞之编年史(Holinshed's Chronicles)的版本比较之下,发现到莎翁历史剧中的女性不但能够发声,更进而影响其他男性角色。

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