文艺复兴时期盛期

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起，包括诗篇对唱式唱法的传统溯源；第二章讨论文艺复兴时期的威尼斯，包括政经情况，及艺术、玻璃工艺、马赛克艺术的简介；第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型，及盛期的主要作曲家，包括：威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利，及巴罗克早期的孟特威尔第…等复合唱作曲家的风格；第四章整合前三章的论述，由实际的复合唱作品，讨论「立体声」的音响效果、合唱团的编制、织度问题，以及诠释及指挥上会遇到的问题。

Aesthetic ideas during the booming time of Italian Renaissance are represented by Leonardo da Vinci, Michelangelo Bounaroti and Raffaello Sanzo, who have shown great personalities in their artistic creation, thoughtful inspiration and wisdom triggered by their idea clashes, and whose creative achievements and aesthetics have laid the foundation for the modern artistic forms in Europe.

16世纪是意大利文艺复兴的盛期，这一时期的标志性艺术是绘画、雕塑和建筑，而艺术方面的美学思想的代表则是达·芬奇、米开朗基罗和拉斐尔。他们的美学思想都是从实践经验中总结出来的，具有很强的实证性和科学性。这三个巨人都是个人主义，他们各自在艺术创造上都表现出极强

It inherits the mode harmony in the floruit of Renaissance, and links the tonality harmony in the period of classicism, so it is the bridge between the two periods.

巴洛克音乐时期的一大贡献是拉莫的和声理论，它前承文艺复兴盛期的调式和声，后接古典主义时期的调性和声，成为连接这两个阶段的桥梁。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。