文艺复兴时期的

Indeed, so convenient was the label that it came to stand for all music between the Roman de Fauvel and the Renaissance: thus volume iii of the New Oxford history of Music is entitled Ars Nova and the Renaissance, 1300-1540(London, 1960)and the major historical surveys in MGG follow the sequence'Ars Antiqua','Ars Nova','Renaissance'.

的确，但这个标签使用的如此方便以至用于从《福威尔传奇》到文艺复兴之间的所有音乐，如1960年在伦敦出版的《新牛津音乐史》的第三卷就以新艺术和文艺复兴时期，1300-1450为标题。在MGG中的历史综述的顺序是"古艺术"、"新艺术"、"文艺复兴"。

Cervantes crowned literature of Spain and Shakespeare of England during the Renaissance.

塞万提斯是文艺复兴时期西班牙文学巨匠，而莎士比亚则是文艺复兴时期英国文学的桂冠人物。

Renaissance Rooms : At the time of the Renaissance, Fontainebleau palace was one of the major artistic centers of 16th century Europe.

文艺复兴厅：在文艺复兴时期，枫丹白露皇宫是16世纪欧洲的主要艺术中心之一。

The Renaissance is an age which calling and bringing up the giants, The hero motif in the literature of this age have also immediately taken place of tremendous change: The hero images in the literature at that times have break through the traditional molding pattern of divine nature hero , The angle of view has changed from the divine nature heros to giant heros:For example, Pantagruel writed by Rabelais, Hamlet writed by Shakespeare and Quixote writed by Cervantes, They are the outstanding delegates of he hero type of giants in the giant epoch.

文艺复兴时代是一个呼唤与造就巨人的时代，这一时期文学中的英雄母题也随之发生了巨大转变：这一时期文学中的英雄形象突破了传统神性英雄的塑造模(来源：ABCd8论文80网www.abclunwen.com)式，把视角从神性英雄转向了巨人英雄身上：比如拉伯雷笔下的庞大固埃、莎士比亚笔下的哈姆莱特以及塞万提斯笔下的堂吉诃德，他们是文艺复兴时期巨人式英雄的杰出代表。

Row Awner multi-Da Vinci, Italy Renaissance three outstanding one, is also entire Europe renaissance most perfect representative.

列奥纳多·达·芬奇，意大利文艺复兴三杰之一，也是整个欧洲文艺复兴时期最完美的代表。

As it invariably happens, history and memory can prove helpful: Leonardo's Vitruvian man is "the measure of all things", while the Renaissance man expands the static point of view of the project anticipating the crucial theme of individual well-being (as Leon Battista Alberti put it in his De re aedificatoria ,"In the choice of the environment it is best to mind that it is welcome by its inhabitants from every point of view").

要设计一项围绕人的实际需求的建筑项目同样意味着创新、价值与激情的构思与应用。创新乃为满足动态参考条件；价值乃为适应社会潜在的经济和结构的变化；激情乃为对于所有参与者以及他们的实际需求的关注。能够证明有效性的永远都是历史与记忆：莱昂纳多·达芬奇的维特鲁威人是&万物的尺度&，同时文艺复兴时期的人发展了项目的静态观点，期望一个非常现代的焦点对象：即个人的康乐。（&在选择环境之时，最好能确保它的方方面面都受到居住者的欢迎&，阿尔贝蒂的《建筑学十书》）。

We know the art of a period of time to embod...

我们知道一个时期的艺术体现该时期的核心思想，本文想就文艺复兴时期社会的核心思想的转变来叙述这一时期艺术面貌的变化。

Although the Renaissance saw revolutions in many intellectual pursuits, as well as social and political upheaval, it is perhaps best known for its artistic developments and the contributions of such polymaths as Leonardo da Vinci and Michelangelo, who inspired the term "Renaissance man".

尽管文艺复兴引起了许多思想革命、社会和政治剧变，然而，文艺复兴最闻名于世的或许还在于这一时期的艺术成就，以及达芬奇、米开朗琪罗这些博学多才之士做出的贡献，为此，现今我们还用&文艺复兴时代的人&来形容学富五车的人。

This paper analyzes the western social structure and points out the transformation from faith to ration evolved the mode of thinking and measure of value. In the Renaissance, it is Christian culture that is the source of thought. As a result, what European Renaissance Literature reflects is Christianized humanism and society in turmoil.

西方世界从信仰维系方式向理性维系方式的变动，使得文艺复兴运动时期的思维方式和价值尺度主要是取自基督教文化的思想资源；而文艺复兴时期出现的文学则是表现了基督教文化影响下所形成的人文主义思想，反映了大变动时期的社会现实。

"Mannerism, the style of the Late Renaissance (1520-1600), was characterize d by sophistication, complexity, and novelty rather than the harmony, clarity, and repose of the High Renaissance."

文艺复兴后期(1520～1600)的风格过于强调个人特色，特点是精巧讲究、复杂和新奇，而不再是文艺复兴高潮时期的和谐、明晰和宁静。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。