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文艺复兴时期的

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As it invariably happens, history and memory can prove helpful: Leonardo's Vitruvian man is "the measure of all things", while the Renaissance man expands the static point of view of the project anticipating the crucial theme of individual well-being (as Leon Battista Alberti put it in his De re aedificatoria ,"In the choice of the environment it is best to mind that it is welcome by its inhabitants from every point of view").

要设计一项围绕人的实际需求的建筑项目同样意味着创新、价值与激情的构思与应用。创新乃为满足动态参考条件;价值乃为适应社会潜在的经济和结构的变化;激情乃为对于所有参与者以及他们的实际需求的关注。能够证明有效性的永远都是历史与记忆:莱昂纳多·达芬奇的维特鲁威人是"万物的尺度",同时文艺复兴时期的人发展了项目的静态观点,期望一个非常现代的焦点对象:即个人的康乐。("在选择环境之时,最好能确保它的方方面面都受到居住者的欢迎",阿尔贝蒂的《建筑学十书》)。

Almost all of the artists known to us, including Dürer of Renaissance, Rafeal, Holbein and Bruegel of 16th century, Rembrandt of 17th century, Goya of 18th century, Delacroix, Daumier, Gauguin and Munch of 19th century, Paul Klee, Picasso, Matisse, Brac, Rouault of 20th century, as well as some famous painters in modern period, have ever created some print paintings.

像大家都熟知的文艺复兴时期的丢勒、十六世纪的拉斐尔、贺尔拜因、布鲁盖尔、十七世纪的伦勃朗、十八世纪的戈雅、十九世纪的德拉克洛瓦、杜米埃、劳特莱克、高更、孟克、二十世纪的保尔·克利、毕加索、马蒂斯、布拉克、鲁奥……以及至近代的许多知名画家几乎没有不从事版画创作的。

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起,包括诗篇对唱式唱法的传统溯源;第二章讨论文艺复兴时期的威尼斯,包括政经情况,及艺术、玻璃工艺、马赛克艺术的简介;第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型,及盛期的主要作曲家,包括:威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利,及巴罗克早期的孟特威尔第…等复合唱作曲家的风格;第四章整合前三章的论述,由实际的复合唱作品,讨论「立体声」的音响效果、合唱团的编制、织度问题,以及诠释及指挥上会遇到的问题。

Other important milestones in the Early Music Revival included the 1933 founding of the Schola Cantorum Basiliensis in Basel , Switzerland by Paul Sacher -together with distinguished musicians including the pioneering specialist in early vocal music Max Meili , who contributed to the extensive L'Anthologie Sonore series of early music recordings and recorded Renaissance lute songs for HMV -and the 1937 presentation and recording of some of Monteverdi's Madrigals by Nadia Boulanger in France.

早期音乐复兴中的里程碑包括: 1933年,保罗-撒切尔在瑞士的巴塞尔成立了柏森音乐学院;出现了一批杰出的音乐家,如早期声乐方面的顶级专家迈克斯-梅尔(录制了 L'Anthologie Sonore 系列早期音乐唱片,为HMV录制了文艺复兴时期的鲁特琴歌曲)和1937年在法国表演与录制了蒙特威尔第的牧歌的纳迪亚-勃朗格。阿诺德-多尔梅奇注:法国出生的英国音乐家和演奏家。师从H。维厄唐(1820~1881学习小提琴后移居英国,开始收集、修理并学着演奏古乐器。他仿制了多把诗琴、击弦键琴、拨弦键琴、竖笛等乐器,最后他和他的妻子、孩子一起表演和传播早期音乐。

Also on view will be Mallett's pair of 1930 polished steel side tables from England, which combine clean contemporary lines with Renaissance gothic design, similar to Asymptote's (Hani Rashid and Lise Anne Couture) use of historic Tula steel and traditional etching for the Ivo _03 coffee table.

还认为将马利特的对1930年的抛光钢方表来自英格兰,清理相结合的当代线,文艺复兴时期的哥特式设计,类似的渐近线的(哈尼族拉希德和利塞安妮女装)使用历史图拉钢材和传统蚀刻的伊沃_03的咖啡桌。

A Renaissance genius, a master of soft color, warm light and vivid motion, Correggio decorated the dome of the Parma Cathedral with his dizzying "Assumption"(the Virgin Mary in a whirl of figures, ascending to the buttery glow of heaven at the top of the cupola), a hugely influential illusionistic extravaganza.

文艺复兴时期的天才,一个软的颜色,温暖的光线和生动的议案主,柯勒乔装饰着他的令人目眩的&升天&(圣母马利亚的帕尔马大教堂圆顶的数字旋转,上升顶部的奶油焕发天堂在冲天炉),一个影响深远的illusionistic汇演。

According to review the history of western higher education, we find that middle age's university is content to the need of social specialty;renaissant university is content to the aspiration of humanism;in science education phase, university is content to pursue pure knowledge;in technical education phase, university is content to the development of society and country.

通过对西方高等教育的历史考察,我们发现:中世纪大学主要是满足当时的社会专业需求而存在;文艺复兴时期的大学为了人文主义的抱负而存在;科学教育阶段的大学是为纯知识的追求而存在;技术教育阶段的大学为社会和国家的发展而存在。

Among the many remarkable final projects that have been proposed and presented at the end of the course have been a Renaissance hourglass blown in the MIT glass shop and set into a frame turned on our set shop lathe; a four harness loom built by a student who then wove cloth on it; a number of chain mail tunics and coifs; a wide variety of costume and furniture pieces and electrified period lighting fixtures.

在以往的课程中,学生们构想并於期末展示出了很多优秀的作品,比如一个文艺复兴时期的沙漏,它是学生在麻省理工学院的玻璃工作坊吹制、并在我们布景工作坊的车床上成形的;一台由学生制作的四综纺织机,制作者真正用它来织布;许多锁子甲束腰外衣和头巾;各式各样的服饰、家俱和电气化时代的照明设备。

The intricate business of forcing his offspring into the charmed circle of royalty-by-birth, the negotiations with Charles for example over recognition of the new duchies, runs like a subtle poison through what was, despite the very evident Renaissance worldliness of this great pope, the leading policy of his reign, the calling of this council that would reform the life of the Church and heal the divisions in Germany.

在年底前,教宗成功,让他在采邑的duchies的帕尔马和皮亚琴察,瓜分了该国的教会,以及结科里纳的儿子-奥塔维奥-一个亲生女儿的查尔斯诉错综复杂的业务,迫使其到后代的排他性小圈子版税,由出生,谈判与查尔斯例如超过认同新duchies ,每年举办像一个微妙的毒药,通过什么,虽然很明显,文艺复兴时期的世俗这个伟大的教宗,领导的政策,他的统治,要求本局将改革教会生活及治愈师在德国。

The exhibition incorporates reproductions of his most famous renaissance art in actual size, an amazing series of anatomical sketches, the famous preparatory drawings of the Anghiari Battle and entertaining and educational presentations in 3D of the Mona Lisa, The Last Supper, the Virtuvian Man and one of Leonardo's most ambitious projects, the Sforza Horse sculpture.

展览中结合了达文西最著名的文艺复兴时期的艺术品的一比一大小复制品、令人激赏的系列解剖素描、著名的「安吉里之战」草槁画作、和以3D呈现别具教育意味的「蒙娜莉莎的微笑」「维特鲁威人」,和达文西最具野心的雕塑作品「Sforze 之马」。

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