文艺复兴

Don Quixote is a funny and sorrow story, a work that makes readers taste deeply sorrow when they are laughing at scenario of story. This text divides the meaning of Don Quixote into three layers. The first layer is taste layer, to analyse the comedy of absurdness and the tragedy of sublimity in Don Quixote. The second layer is history layer, to analyse that Don Quixote reflects the

本文把《堂吉诃德》的意蕴分为三个大层次，第一层是审美情韵层，主要分析了《堂吉诃德》荒诞的喜剧美和崇高的悲剧美；第二层是历史内容层，结合塞万提斯本人的经历和西班牙当时的历史，分五个层次进行阐析——塞万提斯本人的真实映射、西班牙社会的真实写照、摩尔人被驱逐的血泪史、西班牙海外殖民历史的曲折反映、反映了西班牙人文主义者与农民的社会关系等；第三层是哲理意味层，剖析了堂吉诃德的疯癫中显示的生命真实，从中看到知识分子"知其而不可为而为之"的人生态度，也映射出的塞万提斯的人文主义思想及其信仰危机和他心中的宗教理想，表现了作为文艺复兴后期代表的塞万提斯的进步的人文主义思想，蕴涵着作者心中无法磨灭的宗教理想，寄托了塞万提斯心中的爱憎和理想。

Henryson and Douglas introduced a note of almost savage satire, which may have owed something to the Gaelic bards, while Douglas' version of Virgil's Aeneid is one of the early monuments of Renaissance literary humanism in English.

Henryson和道格拉斯介绍了注意到几乎野蛮讽刺，这可能有一些拖欠的盖尔管理层出局，而道格拉斯'版本维吉尔的伊尼伊德是文艺复兴早期古迹英语文学的人文精神。

Renasissance painters used two basic techniques to create the effect of depth-linear perspective and aerial perspective.

文艺复兴时期的画家运用两种基本的技巧去创造直线透视法和空气透视法的效果。

In his opinion: freedom in modern society is a kind of inter-control relationship between human and objects, that is an illusion of freedom; personality is the outcome of the batch production of consumer system; it is a kind of self-shoot, a shadowy self-comfort and satisfaction; the aesthetic distance formed the lonely state of modern human, this makes favor and identity be important motivity of consumption; nature here has been changed to naturety, it is a consumable symbol opposes to real nature; art and artworks gradually turns into sign; as the container and carrier of spirit, body has been changed to a separate object, a kind of capital that needs to be managed and operated; the inimitably expansion of image in mass media make human immerse in the aspiration of itself, which makes human fowardly go into the matrix of consumption.Abundant objects and information are accumulated in supermarkets and mass media, which give people an image of rich. At the same time, commodity appears in series to rise people's desire. The difference between kinds of commodity has gradually been erased, replacing the utility as object.

他认为：当代的自由实际上是人与物的相互操控关系，是人的自由幻觉；个性是消费系统中批量生产的产物，是一种自恋性的投射，一种虚幻的自我安慰和满足；审美距离则造成了当代人的孤独，这使得关切和身份认同成为消费的重要动力；自然已经变成自然性，成为对立于真正自然的可消费的文化符号；文艺复兴以来的艺术和艺术品逐渐由模仿转为表现再转为符号。

Although the ancient sects did not survive, aspects of the Gnostic world view have periodically reappeared in many forms: the ancient dualistic religion called Manichaeism and the related medieval heresies of the Albigenses, Bogomils, and Paulicians; the medieval Jewish mystical philosophy known as Cabala; the metaphysical speculation surrounding the alchemy of the Renaissance; 19th-century theosophy; 20th-century existentialism and nihilism; and the writings of the 20th-century Swiss psychologist Carl Jung.

虽然古老的教派没有生存，方面的gnostic的世界观，有定期重新出现在许多形式：古代二元宗教所谓的摩尼教和相关的中世纪的异端邪说的比根斯派，波果米尔人，和paulicians ；中世纪的犹太神秘哲学称为cabala ；形而上的投机周围的炼金术的文艺复兴；十九世纪的theosophy ；二十世纪的存在主义和虚无主义；著作20世纪的瑞士心理学家卡尔容。

The projected video picture is the size of an altarpiece and looks like one: the cross on the wellhead suggests an altar frontal, and the spare clarity of the setting and rich, vivid colors of the costumes evoke High Renaissance paintings.

录像的投影看上去像个祭坛大小：水源上的十字暗示了祭坛的前沿，而那些看上去过分清晰的布景及豪华、丰富鲜艳的服装唤起了文艺复兴时期的绘画。

During the Renaissance, people in Europe actually wore balls of ambergris around their necks.

在文艺复兴时期，人们在欧洲会在脖子上带著球状的龙涎香。

The sculptor of Italian renaissance period is much that too collect (1384-1466 year) created anaglyph " Foluolunsa's Shengmikailai " resemble with bronze " David " hind, reputation is big brace up.

导读：意大利文艺复兴时期的雕塑家多那太罗（1384-1466年）创作了浮雕《佛罗伦萨的圣米凯莱》和青铜像《大卫》后，名声大振。威尼斯的绅士们委托他给雇佣兵队长达纳尔尼

French kings throughout the Renaissance were so convinced that anagrams held magic power that they appointed royal nagrammatists to help them make better decisions by analyzing words in important documents.

文艺复兴时期的法国国王们都深信字谜有神奇的魔力，所以他们任命皇室字谜家来分析重要文件中的词语，以便作出更好的决策。

Lastly, fashions, even more grotesque and foolish, which, since the anarchical and splendid deviations of the Renaissance,have followed each other in the necessary decadence of architecture.

再次是时髦风尚，越来越怪诞，越来越丑陋，从文艺复兴时期种种杂乱无章和富丽堂皇的偏向开始，层出不穷，必然导致建筑艺术的衰落。

Recall that, in the Kolmogorov axiomatization, measurable sets are the sets which have a probability or, in other words, the sets corresponding to yes/no questions that have a probabilistic answer.

延期开工的Kolmogorov宣布要衡量所有套职能有限许多坐标限制在于衡量子寅。换句话说，如果是/否的问题回答f可看的价值观念在许多最有限坐标，然后它有一个概率的答案。

The experimental results showed that the algorithm can filter singular points and remain fixity of the target edge.

实验表明：基于模糊理论的图像智能滤波方法比常规图像滤波方法运算量小，它既能去除奇异点，又能保持图像中目标的边缘不变性，具有很好的滤波效果。