文艺复兴

This tuning also matches standard vihuela tuning and is often employed in classical guitar transcriptions of music written for those instruments.

这个调弦也与比尤埃拉琴(西班牙文艺复兴时期的第一种弹拨乐器)相搭配，常常在古典吉他专门为这种乐器所写的手稿中可以观到这个调弦。

There is a rich collection of various crafts, including the glamorous vitraux, exquisite wood sculptures and stone sculpture crafts, to make the magnificence and solemnity of the cathedral stand out and to present the architectural style and splendor of the Renaissance.

教堂内有丰富的工艺作品收藏，包括细致的彩绘花窗玻璃、巧夺天工的木雕及石匠工艺，在在突显出天主教堂的宏伟与庄严，充分展现文艺复兴时期的建筑风格与华丽。

Leonardo da Vinci's Vitruvian Man shows clearly the effect writers of Antiquity had on Renaissance thinkers.

概述 从莱昂纳多·达·芬奇的画作《维特鲁威人》中，很容易看出古罗马作家对文艺复兴时期思想家的影响。

As it invariably happens, history and memory can prove helpful: Leonardo's Vitruvian man is "the measure of all things", while the Renaissance man expands the static point of view of the project anticipating the crucial theme of individual well-being (as Leon Battista Alberti put it in his De re aedificatoria ,"In the choice of the environment it is best to mind that it is welcome by its inhabitants from every point of view").

要设计一项围绕人的实际需求的建筑项目同样意味着创新、价值与激情的构思与应用。创新乃为满足动态参考条件；价值乃为适应社会潜在的经济和结构的变化；激情乃为对于所有参与者以及他们的实际需求的关注。能够证明有效性的永远都是历史与记忆：莱昂纳多·达芬奇的维特鲁威人是&万物的尺度&，同时文艺复兴时期的人发展了项目的静态观点，期望一个非常现代的焦点对象：即个人的康乐。（&在选择环境之时，最好能确保它的方方面面都受到居住者的欢迎&，阿尔贝蒂的《建筑学十书》）。

"Since the early Renaissance, European painters have used trompe l'oeil to create false frames from which the contents of still lifes or portrait s seemed to spill and to paint windowlike images that appeared to be actual openings in a wall or ceiling."

从文艺复兴早期起，欧洲的画家们开始使用视幻觉法来给静物或肖像画加上一个假的画框，使人物形象栩栩如生，而风景则像是在墙上或天花板上的真实景色一样。

Since the early Renaissance, European painters have used trompe l'oeil to create false frames from which the contents of still lifes or portraits seemed to spill and to paint windowlike images that appeared to be actual openings in a wall or ceiling.

自在文艺复兴时期的早期阶段，欧洲的画家就利用错视图构建静物图，或是画一个要掉下去的人像，用来装饰图画。后来，在墙壁上和天花板上也逐渐出现。

"Since the early Renaissance, European painters have used trompe l'oeil to create false frames from which the contents of still lifes or portraits seem ed to spill and to paint windowlike images that appeared to be actual openings in a wall or ceiling."

从文艺复兴早期起，欧洲的画家们开始使用视幻觉法来给静物或肖像画加上一个假的画框，使人物形象栩栩如生，而风景则像是在墙上或天花板上的真实景色一样。

Furthermore, the replacement of Latin by the national languages can not be simply accounted to that it is " a dead language ", as Alberti avers to legitimize his own national language.

摘 要：本文分析胡适经常用来作为中国文学革命的有力旁证的&欧洲各国国语史&，只是他误读厄迪丝·薛谢儿《文艺复兴》一书所获得的伪证，而文学革命的实际进程也与胡适根据他所臆想的&欧洲各国国语史&的进程完全不同，它主要是国家权力主导并推行的一场语文革命，以图在全国建立北方官话的独尊地位。

He was a child of the Renaissance.

他是文艺复兴时期的产物。

Count Muffat had bought the house ready furnished and full of hosts of beautiful objects--lovely Eastern hangings, old credences, huge chairs of the Louis XIII epoch.

房子颇具文艺复兴时代的建筑的风貌，外观很像一座宫殿，内部布局别具一格，舒适的起居设备都是现代的，但又具备不落俗套的特色。

It was Napoleon, the immense somnambulist of this dream which had crumbled, essaying once more to advance.

那人便是拿破仑，梦游中的巨人，他还想往前走，去追寻那崩塌了的幻境。

This method alleviates the highly dependent on domain knowledge experts. The quality and efficiency of the KBS were improved.

使用这种设计方法减小了对领域知识专家的严重依赖，提高了知识系统开发的质量和效率。