文艺

As soon as the war broke out, the party-colored Literature on Nationalism was rapidly washed away by the tide of anti-Japanese and national salvation movement.

加上这一时期的民族文艺创作力量最薄弱，基本上没有出现引入注目的作家和作品，民族文艺事实上已走入绝境。

The troupe has been committed to carrying forward the art and culture of east Tibet ever since its inception. With a view to serving the society with its artistic expertise, it has presented a variety of inpressive performances. Many of its plays, songs and dances have claimed honors in the Tibet Autonomous Region and in the country at large. Its prizewinning works include the play The Red Detachment of Women (1975), dances A Triumphant Return (1984), Saltpan Girls (1984), Sparkling Mind (1984)and Greeting Spring With Drums (1998), and songs Qamdo Girls (1984), Auspicious Storks (1992) and Heavenly Fairics(1996).In 1996, the troupe went on a performance tour to Japan under the arrangement of the Department of Culture of the Tibet Autonomous Region. Some of the artists in the troupe also gave performances in Europe and the United States along with the Tibet Song and Dance Troupe.In the past 30 years, the troupe has maintained close contact with the grassroots Tibetan communities, thus drawing inspiration from them.

在30多年的文艺历程中，全团演员坚持文艺为人民服务的原则，弘扬发展藏东文化艺术，写就了一曲曲动人的艺术篇章。1975年创作的舞台戏《红色娘子军》，创编的双人舞《僜人与喇叭花》，歌曲《马查拉工人志气大》，分别在西藏自治区获一等奖；1984年创作的舞蹈《凯旋而归》、《察隅河畔我的家》、《盐田姑娘》、《闪亮的心灵》在自治区汇演分别获一等、二等、三等奖，创作的歌曲《昌都姑娘》、《阿若康吧》均获自治区二等奖；1992年创作歌曲《吉祥的仙鹤》获北京五洲杯歌咏赛三等奖；1996年创编的舞蹈《康鼓报春》获自治区"珠峰杯"最高奖及全国首届少数民族"荷花杯"三等奖。1996年自治区文化厅组团出访日本演出，部分演员又随同自治区舞蹈团出访欧美各国演出。

This paper tells us the influence be- tween his researches of folklore and his literature theories.

本文通过周作人的民间文学研究与他的文艺思想之间的联系来看民间文学对他的文艺思想产生的影响。

From 1976 to 1985,he stuck to Dialectical Materialism as a guideline,reflected on the literary and artistic characteristics of the "Art in its special way grasp the world "," Art has its own independent special targets " and other important proposition to do an in-depth exposition. He also made a brilliant insights about artistic typicalness; From 1985 to 1992, he gradually realized Epistemological Literary Theory couldn't explain all the literary phenomenon, so instead of Human Ontology of Literary Theory,on departure from the Human Ontology to interpret the literary phenomenon,str...essing that " Aesthetic is the life of one of the leading activities "," Art is essentially aesthetic ";Before and after 1992, he re-converted research perspective, explaining aesthetic and artistic on the basis of theValue of Philosophy, saying that the beauty is a form of value.

他从1976年到1985年，以辩证唯物主义认识论为指针，反思文学艺术的特性，对"艺术以其特殊的方式掌握世界"、"艺术有自己独立的特殊对象"等重要命题做了深入的阐发，并就艺术典型提出了精辟的见解；从1985年到1992年，他逐渐意识到认识论文艺学无法解释一切文艺现象，于是转而研究人类本体论文艺学，从人类本体论哲学出发去解释文艺现象，强调"审美是人的生命活动主要方式之一"，"艺术在本质上是审美的"；1992年前后，他再度转换研究视角，从价值论哲学出发去解释审美和艺术，认为美就是一种价值形态。

Vinal Audio Corp., which was founded in 1989, is the permanent member of a council of China Theatrical Equipment Association.

韵乐企业始创于1989年，是中国文艺演出物质协会"理事单位"，也是中国文艺演出物质协会最早的会员单位之一。

The author holds that it is an important research task of the contemporariness of Marxist theory of literature and art to study the inner mechanism of perceptual practical emotions from writers of literary theory,to explore the inner relations between reapperance and perceptual practical activities.

作者认为从感性实践主体的角度出发，研究文艺复现人的感性实践情感的内在机制，探讨这种复现与感性实践活动的内在联系是马克思主义文艺理论当代性的重要课题。

The word Bungei-Daishuka" connotes people-centered values. Hence the concept of Bungei-Daishuka" integrates easily with indigeneity, nationality and popularity.

文艺大众化」一词，隐含著以人民为依归的价值取向，因此「文艺大众化」的思维很容易便与本土性、民族性、大众性这样的概念相结合。

This article is divided to six parts: The introduction has partially cleaned up the clue of the Kuomintang's literary policy and the literature movement,as well the neglection and sophistication to this by partial history of literature,brought forward to taking the "Literary Pioneer" as a foundation stone to study, in order to clear off the the venation of literature development and return the liberature to original state historically and concretely .

本文共分六个部分：导言部分清理了国民党的文艺政策和文学运动所形成的线索以及部分文学史对此的忽视和改写，提出以《文艺先锋》为一个生发点，以便理清文学发展的脉络，具体地、历史地还原文学的原貌。

They both tend to consider issues on esthetics in conformity between self and nature and in contradiction between ego and nonego, and put the understanding of "natural Tao"as "culture in nature"into the literary form as "culture in human", so as to regard nature as a supreme esthetical idea.

通过形态学研究视野和主题学研究视野对道家自然美学文艺形态进行观照，我们认为，道家对人文的诠释虽在表层上不尽相同，然其终极的入思方式和深层的心理蕴涵都是一致的，都是在本心与自然同化、本性与外物对立的思维模式中思考美学问题的，都把对作为&天文&的&自然之道&的理解渗入到对作为&人文&的文艺形态之中，从而将本真未凿视为一种至高无上的审美理想。

From these endeavor, the Modern Chinese Literature and Literary Criticism presents several characters: converting into the morality of people , learning from the form of folklore, animadverting on the culture of city, singing high for the construction of country .

同时本土化以后的民粹主义改变了精英立场的呈现方式，影响了现代知识分子进行文艺实践的大众化道路的形成和发展，促成了工农兵文艺的兴盛。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷