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The Adelaide Festival of Arts was the first international celebration of its kind to be held in Australia.

阿德莱德文艺节每两年举行一次,是在澳大利亚举办的第一个国际性文艺活动。

In his own theoretical framework, Hu Feng found out an unique method of interpretation: to"twist"or even yield to his opponent for his own"Right", which immediately involves the originality of Hu Feng's theoretical system: he made Marxism subjective, combined it with literary and artistic practice since the May 4th Movement. This thesis takes"On the Way of Realism"and"Reports on the Literary and Artistic Practice since Literation"as the main texts for discussion, and concretely expounds Hu Feng's theoretical foundations and meanings as in"writing about reality","humanism","socialist spirit","Five Knifes".

因而,本稿把这两种文化作为胡风文学观的主要背景,基于对以毛泽东的文艺政策为代表的"抗战文化"的文化心理的理解,解明胡风文学观所体现的两种文化的冲突与整合过程。1949年新政权成立以后,以一种政策性的强制方式来把毛泽东文艺思想先验化、教条化,针对这一形势,胡风以"五四"传统作为自身理论的内在参照系,努力探索自身传统的历史合理性与必然性,而在自己的理论框架中,产生了一种特殊的解释方式,即为自己的"正确","曲解"对方,迁就对方,这直接牵涉到胡风理论体系的独创性:他把马克思主义主观化,与"五四"以来的文艺实践结合,由此建构出一套新的理论体系。

Left-wing literati who dominated Hong Kong literary circle launched different animadverts including attacking Xu Zhong-nian\'s materialistic view of literature, Gu Yi-qiao\'s renaissance and Qian Zhong-shu\'s Fortress Besieged. The phrases and tactics they used settled the basic form of criticism in New China.The First Congress of Literary and Art Workers was convened in Beijing in July 1949. Its reconstruction of literatus under the delegation system, its dense political and martial atmosphere, and its rewriting of May Forth literature, all symbolized the establishment of new literary pattern and the commencement of "contemporary Chinese literature".

首先,考察战后香港文学环境的大体状貌及左翼文化活动的主要内容;然后,逐一梳理左翼主流派发动的各类批判,着重分析对徐仲年"唯生主义文艺观"、顾一樵"文艺复兴论"和钱钟书《围城》的批判;最后,概括左翼文艺批判的基本范式。1949年7月,第一次文代会在北京召开,其代表制对作家队伍的重构、政治领导文艺的氛围、对"五四"新文学的重新叙述,都表明新的文学格局已经形成,"当代文学"的进程已经开始。

Both Mimetic theory and Expressive Theory affirm that literature is a kind of imagination, which makes literature differ from the other human activity.

摘要无论再现论还是表现论的文艺观念,都肯定文艺活动的想象性质,并试图在此基础上理解文艺活动的区别特征。

Of award of pediment of Chinese folk literary " is Chinese literature art the omnibus folk literary award that association of literary home of group union and Chinese folk sponsors jointly, it is the literary top prize between complete countryman."

中国民间文艺"山花奖"是中国文学艺术界联合会和中国民间文艺家协会联合主办的综合性民间文艺奖,是全国民间文艺的最高奖项。

In the shape process of its own rational and the concrete shapepractice, it displayed an important and unique function to recruit and sublate modern ideain literature and arts from "May 4th" to 1930", to publicize and innovate the practicalsystem of "revolutionary literature and art "in liberated area and to have lasting effect onthe ruling party"s core idea of literature and arts policy.

它在自身理性和具体形态的实践塑形过程中,对&五四&至30年代现代文艺理念的吸纳与扬弃、对解放区&革命文艺&实践性体系的张扬与革新、以及对执政党文艺政策核心理念的持久影响,都发挥了重要的且独特的作用。

Chapter Four deals with Wen Yi monthly edited by Din Ling, It point out that :firstly, after liberation, the party culture ideology had changed Din Ling's original intention which was desighed for a literary journal, and turn it into the party organ whose fuction was to supervive national culture movement and to guide the battle in thought field.

认为:其一,建国后党的文艺意识形态改变了丁玲将《文艺报》办成文学刊物的初衷,而使之成为代表党的意志指导全国文艺运动与创作、参与并监控思想文化斗争的党的机关刊物;其二,尽管丁玲本人畏于文艺/政治斗争,但五十年代初丁玲及《文艺报》组织批判萧也牧的方式是建国初期文艺批评所谓群众批评模式的典范案例,这表现出丁玲对体制的努力适应与迎合;其三,&作家&/&主编&/&党的文化官员&/&党的文学教育者&的多重文化身份和文化认同使丁玲建国初期的&言&与&行&呈现出分裂、矛盾状态,这说明丁玲又不能被意识形态彻底整合。

It reminds us, the way of "mass literature and art" is not the suitable method to deal with the relationship between traditional culture and foreign natural resources, what"s more, the resources accepted in the standard of "mass literature and art are not the original appearanceof Soviet Union literature and art.

这提醒我们,&大众文艺&这条道路并不是处理传统文化和外来资源关系的一种好的方法,而按照&大众文艺&标准所接受的苏俄资源也不会是苏俄文艺的原貌。

They created an indispensable status and influence of Yangzhou on the history of literature and art in China , and promoted the highly prosperous of the Qing Yangzhou's art and formated powerful, elegant, popular, such as the diversification of the aesthetic characteristics.

社会其他场域对于文艺场域的影响也必然是从主体的身心情智逐渐深入到文艺的创作过程中,也就是说,文艺场域中主体成为联系创作与接受这两极世界的纽带。这是贯穿本文的一个中心。

In particular, a number of well-known writers and scholars to join, with its well-known and excellent works of similar calls, greatly enhance the taste of the literary supplement and expand the influence of the literary supplement to a newspaper literary supplement of the Republic has shown many splendours, genre scene of prosperity scene.

特别是众多著名学者作家的加盟,以自身的知名度和优秀作品相号召,大大提升了文艺副刊的品位,扩大了文艺副刊的影响力,使民国报纸文艺副刊呈现出绚丽多姿、流派纷呈的繁荣景象。

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