文特

But I could have told you Vincent,This world was never meant for one as beautiful as you .

但我想告诉你文森特，这个世界从来就不像你那样美好。

The Vincentian architect must be commited to excellence and must aspire to serve the community and become a leader in nation building.

在圣文森特的建筑师必须致力于追求卓越，必须服务于社会，成为国家建设的领导者。

He says to the outside his true last name is Vinson spy publicly only.

他只向外界公开说自己的真姓是文森特。

The secretary of the Province of New Netherland, writing in Dutch, in 1650, for the information of those who wished to take up land there, states more particularly that those in New Netherland, and especially in New England, who have no means to build farmhouses at first according to their wishes, dig a square pit in the ground, cellar fashion, six or seven feet deep, as long and as broad as they think proper, case the earth inside with wood all round the wall, and line the wood with the bark of trees or something else to prevent the caving in of the earth; floor this cellar with plank, and wainscot it overhead for a ceiling, raise a roof of spars clear up, and cover the spars with bark or green sods, so that they can live dry and warm in these houses with their entire families for two, three, and four years, it being understood that partitions are run through those cellars which are adapted to the size of the family.

一六五0年，新尼德兰州州秘书长用荷兰文写过一段话，更加详细地告诉预备往那里移居的人说，在新尼特兰的人，特别在新英格兰的人，起初是无法按他们的愿望建造农舍的，他们在地上挖个方方的地窖似的、六七英尺深的坑，长短随便他们自己，然后在墙壁上装上木板，挡住泥土，用树皮合缝，以免泥土落下来，当然也有用了别种材料的，还用木板铺了地板，做了天花板，架起了一个斜桁的屋顶，铺上树皮或绿草皮，这样他们全家可以很温暖很干燥地在里面住上两年、三年，或者四年，可以想象，这些地窖中，还隔出了一些小房间，这要看家里的人口数目了。

So we both diligently pretended to scrub the section of wainscoting where our treasure was, and Vanity would pluck at the papers with the tines of the fork when Mrs.

所以我们两一直假装擦我们宝藏所在的那一块壁板，当瑞文女士在酒柜附近偷懒的时候瓦妮特就用叉子的尖端把纸往外拨。

His day starts with the Art Department; he meets with Production Designer Gavin Bocquet and others right before the first walk-around.

他一天的工作从艺术部开始；在第一次巡查之前，他先与作品设计师加文·博奎特及其他人会了面。

The village, just outside Stratford-upon-Avon, Warwickshire, has 900 homes.

这个就在瓦立克郡的亚文河畔斯特拉福外的小村只住了900户人家。

Full Band Festival, Macao Solo at Sugar Jar, Beijing Germany Night, Beijing Tie Guan Yin at UMWEG BER CHINA Festival, Berlin Qianhai Kwanyin, Beijing Waterland Kwanyin, Beijing More Less More project, Beijing Solo at Mini Midi 2007, Beijing Bu Yi Yang post Shanghai, Shanghai 2006 Bu Yi Yang Shangbu Nanshan,Shenzhen 12th Kolkata Film Festival, Kolkata Borderline International Film Art Exhibition, Beijing The Third China Independent Film Festival, Nanjing Moscow Biennale, Moscow The Voice Of The Other Shore, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Art Beijing, Beijing Waterland Guanyin Series, Beijing Qianhai Guanyin Series, Beijing 2005 Holland Chinese Festival, Amsterdam Most Electronics, Xiamen Waterland Guanyin Series, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Don't Break My Core, Shanghai 2004 Nuit Blanche Festival (With fm3 and Yan Jun) Paris 1000 Revolutions Per Second, Brussels Shanghai Biennale, Shanghai 2pi Music Festival, Hangzhou Dashanzi International Art Festival, Beijing OUT THE WINDOW (China, Japan, and South Korea multimedia art unites exhibition) Tokyo, Seoul, Beijing Discography: Support the umbrella to stand in dust that float float CD 2006 Kwanyin Records The Microwave DVD 2006 Kwanyin Records Tie Guanyin Duo-viva la vaches, wuquan + yan jun CD 2006 Kwanyin Records Tie Guanyin Duo-Live at 798Cubic Art Center, wuquan + yan jun CD 2006 Kwanyin Records View DVD 2005 Kwanyin Records http://www.myspace.com/wuquan http://www.neocha.com/wuquan ———————————————————————————— Xiao He Third son of Tian Qiaoyun and He Pingsuo.

主要艺术活动： 2007 参与不一定乐队乐巡演上海、芜湖、杭州、义乌、珠海、深圳、广州"不一定·愚公移山"北京"不一定·798"北京"武王文窦·澳门国际马拉松国际摇滚音乐节"澳门"白糖罐·声场"北京"德国之夜"北京"迂回中国"柏林"前海观音"北京"水陆观音"北京"马恩列斯毛"系列演出北京"第八届迷笛音乐节"北京"不一样·后上海"上海 2006 "不一样·上步南山"深圳"第12届加尔格达电影节"加尔格达"边界线国际影像艺术展"北京"第三届中国独立影像年展"北京"莫斯科双年展"莫斯科"彼岸之声"北京"第七届迷笛音乐节"北京"第三届大山子国际艺术节" 798艺术工厂北京"艺术北京2006"北京"水陆观音"北京"前海观音"北京 2005 策划/组织电影短片集《色！》"荷兰中国文化节，实验中国"阿姆斯特丹"最电子"厦门"水陆观音"北京"第六届迷笛音乐节"北京"第二届大山子国际艺术节" 798艺术工厂北京"don't break my core"上海"湿森林实验电子现场"长沙"workshop"大理 2003-2004 "Nuit Blanche"艺术节（与fm3、颜峻）巴黎"1000 revolutions per second"布鲁塞尔"第五届上海双年展"上海 2004 "第二层皮音乐节"杭州"第一届大山子国际艺术节"798艺术工厂北京《十夜谈》（与颜峻、fm3、王凡）北京"OUT THE WINDOW"（中、日、韩多媒体艺术联展）东京、汉城、北京 2003 《三国·四记》上海《水煮黄昏》（与fm3、颜峻）北京《不可能》（与颜峻、fm3）北京 2002 "丽江雪山音乐节"（与窦唯、fm3）丽江"点亮长城音乐节"北京发表作品：《打着伞在浮沉中站立》 CD 2006 观音唱片《微波》DVD 2006 观音唱片《铁观音二重奏-杀不死的牛》CD 2006 观音唱片《铁观音二重奏-立方艺术中心现场》CD 2006 观音唱片《观》DVD 2005 观音唱片

Gustave Whitehead (born "Gustav Albin Weisskopf" on January 1, 1874, at Leutershausen, Germany) first became interested in flight while he was a youngster in Bavaria, Germany.

古斯塔夫白石（出生的"古斯塔夫阿尔文weisskopf "对1874年1月1日，在洛伊特斯豪森，德国）首次成为有兴趣的在飞行中，而他是一个年轻人在德国巴伐利亚州。

The chosen figures include Louis Sullivan, John Wellborn Root and Fazlur Khan. At the end of this chapter, the author analyses the possibility of structural expression and concludes that there is a wide range of possible cooperation between architects and structural engineers, but the cooperation presupposes an objective attitude without any prejudices.

选取的人物主要有约翰·韦尔伯恩·鲁特、路易·亨利·沙利文和法兹鲁尔·汗，本章最后分析了结构表现的可能性，并认为建筑师与工程师之间存在着合作的广泛可能，但这种合作必须以不带成见的客观态度为前提。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。