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The well-known sports meeting is a pageant that that eulogizes humanism, which embodies Chinese government and Chinese people's care for the retarded, and wins international society's further approval of china civilization progress.

这次举世瞩目的体育赛事,是一场颂扬人道主义的盛会,将体现中国政府和中国人民对智障人士的关爱,赢得国际社会对中国社会文明进步进一步肯定。

Firmly advocating civilization criticism and social criticism, Yu Si She is in essence carrying on the spirit of New Youth in fighting against decayed thinking, culture and ethics as well as flagellating the evil and dark society.

语丝社倡导&文明批评&与&社会批评&,实际上继承了《新青年》批判旧思想、旧文化、旧道德和鞭挞社会丑恶与黑暗的精神传统。

In the development of human history,it mingles with natural science.

哲学社会科学作为人类科学体系的重要组成部分,对社会发展和人类文明有着重要的推动与导向作用;在人类历史的发展中,与自然科学彼此交融,不仅起着&车之轮、鸟之翼&的作用,而且起着&车之头和鸟之脑&的作用,成为区域经济与社会全面协调可持续发展的&引擎&。

These conflicts are sure inevitable results of social development, which represents social civilization and progress, but at the same time also reflects negative results owing to overemphasizing the development of material civilization and neglecting spiritual civilization.

这些矛盾的出现固然是社会发展到一定阶段的必然产物,体现出社会的文明与进步,但同时也反映出过分强调物质文明的发展而忽视精神文明建设所带来的负面影响。

Equity and justice is one of the important preconditions of building up a harmonious society.

公平正义是衡量社会文明与进步的重要尺度,是建设和谐社会的前提之一。

Their societies were simply beheld, often through cloudy glasses, and rarely probed by the tools of logic and deductive analysis automatically reserved for cultures prejudged to be "civilized."

人们总是透过有色眼镜来看待土著先民的社会,却很少利用逻辑和演绎的分析模式去认真探究,相反地,我们却用这些分析模式来分析我们这个社会所谓的&文明&。

The larger implication of this compositional method becomes clear when we consider a resemblance at another level: both Pound's and the New Historicist's works are global in scale-they tend to use Luminous Details to reveal large pictures of a society or culture. In Pound's words, it is to use "a sufficient phalanx of particulars" to capture recurring paideumatic structures of civilization; in New Historicist terms, it is to put tiny tissues of textual traces under a microscopic lens in order to reveal a picture of a "sublime confrontation between a total artist and a totalizing society."

当我们关注另一层次上的相似性时,这一结构模式所具有的更为深广的涵义更加明显:庞德和新历史主义的著作都相应地具有全球性,两者都倾向于使用透明细节来展示社会或文化的宏大图景-按照庞德的说法,即要用&密集的细节&来捕捉不断复现的根本性的文明结构;按照新历史主义的说法,即要将文本线索的微小结构置于显微镜下以展示&整个艺术家与整一化的社会之间壮观的对峙&图景。

In the huge system of "science and technology, human, society, and nature", therefore, unties are to be made between scientific and technical civilization and human morality, between scientific and technical civilization and human development and between scientific and technical creation and social sustainable development.

在人类文明史上,产业革命使人类开始告别农耕小生产社会而步入工业文明时代,随后的化工革命、电力技术革命把人类带入后工业社会的信息时代,现代高新科技浪潮则将人类推进到技术爆炸

As regards the social cultural function of legal consciousness, it refers to the influence and action of social consciousness in the construction of socialist material civilization, system civilization and a civilization with a high cultural and ideological level.

从其社会文化功能来看,它是指法律意识在社会物质文明、制度文明和精神文明建设中所具有的影响和作用。

This "importation" of the individual consciousness of the creator must however remain controlled. This is of the utmost importance, without constraints or measures we would fall either into the aesthetics of popular taste or into an escalation of elitist vocabulary that would weaken the language. If I myself no longer dare to use oil paints, to revisit or augment, it is due to its intrinsic overabundance of culture; having barely touched the palate, there is an immediate return to the domain of noble art. I would be too scared of creating some useless work while loosing the intensity afforded to a more direct language. Fluctuations in our cultural structure have resulted in vernacular embodying the new norm while I, in the domain of artistic language, have opted for the mode and techniques of traditional embroidery. A long while ago, during the time of the Yuan Ming Yuan artist village, I was convinced that I would run into problems if I applied myself to oil paint. I had produced next to nothing up until the day when, by coincidence, I noticed the many works of embroidery being sold at the entrance to the Summer Palace. I felt like I had finally found my mode of expression, my own personal artistic language. Due to the fact that embroidery belongs to the pre-industrial age, there is a "folkie" quality to it, rural and natural. This ill-defined modern world in which we live must also respond to the demands of "common people", the "lowly" and the "nouveau riche". In some sense, the re-appropriation of this folkloric technique was a necessity, much as it was during the time of the shift from "prose to spoken language" [1], an unavoidable consequence of social upheaval. It was not limited to a mere question of the stylistic signification of the semantic form. What embroidery embodies is a structural modification of society at its most basic level.

虽然它注入了艺术家的个人意识,但关键就是分寸感的把握,不然,或者伦为真的大众趣味,或者切入过多的经英语词汇,而使语言虚弱,就我而言,我不敢重操油画,或是改造扩充,就是由于它本身太文化了,一出手就高雅了,怕弄个不伦不类而失掉语言直接性的强度,文化结构的改变,艺术的俗语是一种趋势,从艺术语言上,我是用传统刺绣方式和手法的,早在圆明园画家村时,我几乎没有画出什么东西,油画肯定觉得使用起来有问题,在当时偶然在颐和园门前,看到很多刺绣的艺术品,一下子感到找到了方法,因为刺绣这种手段属于工业文明之前的东西,它有种土色和平民的感觉,这种也对应了时下的&平常人&、&小人物&、&暴发户&对现代化的消费趣味的追求,那种不伦不类的现代性,正好我的家乡唐山有一个很有名的刺绣厂,找师傅做作品可能更方便,有了这个想法之后,也得到朋友的鼓励,刺绣这一传统民间资源的再利用,在某种意义上说就像&白话文&始于当时社会巨大的转型出现的必然,它不单单是语言风格样式上的意义,它体现的是深层的社会文化结构改变的宣示。

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Do you know, i need you to come back

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