文学要素

Because of these changeable elements, the novels could not be pure revolutionary works, and they embody the dual characteristics of both the individualism of the May 4th Movement and the proletariat literature, The emergence is a fortuity of a transverse section of history and society, as well as an inevitability in the process of the development of politics and literature in modern China.A.

在由这些变动性要素构建的特定背景下，左翼"革命加恋爱"小说模式必将不会是完全意义上的革命文学，而体现出五四个性主义文学和无产阶级革命文学的双重体征。它的诞生既源于一个特殊社会历史横断面的偶然，同时又是中国现代社会政治演变及文学自身发展总进程的必然。

A travelogue with literary qualities is generally called a travel book, which is a mode of travel literature.

具有文学要素的游记，一般称为旅行书，是旅行文学的一种样式。

Based upon such an expected aim, this thesis, using the form of commentary history of literature, has rather deeply discussed in the 20th century China's realism literature initiating problems situations, its beginning motives and actual development orientation, the problem of multiplication and univalence as one of the inner forming elements, the relationship between literature types and social cognition, problems concerning realism literature and modern China's internal anxiety, by focusing on problems such as"from Liang Qichao to Hu Shi,""Young Mao Dun's Upholding in Literature","Around Modern ","Lu Xun and the New Paradigms in Chinese Literature","Lao She's Style and His Concept about China", and"Hu Feng and Modern China's Subjective Anxiety", etc.

基于此一预期目的，本论文采用史论形式，以问题为中心选择了"从梁启超到胡适"、"青年茅盾的文学主张"、"在《现代》周围"、"鲁迅与中国文学的新范式"、"老舍的文体和他的中国观"及"胡风与现代中国的主体焦虑"等专题，较为深入地探讨了现实主义文学在20世纪中国兴起的问题情境、它的初始动机和实际发展路向、作为其内在构成要素之一的多样性与单一化问题、文学型式与社会认知之间的关系、现实主义文学与现代中国的内在焦虑等问题。

For instance, Bakhtin's religious life reflects his prominent religious consciousness; Influences from the Christian culture and Russia's"Silver Times"serve as its religious background for his theory; Discourse Theory and Dionysiac Theory are taken as one of the theoretic resources which can be further delved into. Carnival elements in content forges a close relationship with the religious theme: carnival laughs and religious taboos, carnival body and religious aesthetics, carnival images and saints of the religion, carnival parodies and religious texts; In doing so, religious and spiritual appeals pervade, constructing a in the intimacy between the literature and the culture, and having an influence on contemporary literature and foreign literature studies in China. This dissertation, though criticizing Bahktin's illusion, i.e.

诸如：巴赫金的宗教人生，反映了鲜明的宗教意识；西方基督教文化和俄罗斯&白银时代&的影响，成为其理论得以产生的宗教背景；对话理论和酒神理论成为其可供挖掘的理论资源之一；狂欢的笑和宗教禁忌、狂欢的身体和宗教美学、狂欢的形象和宗教圣贤、狂欢的戏仿和宗教文本等，都通过狂欢理论的内容要素同宗教主题取得了紧密的联系，张扬着宗教精神诉求，构建了文学与宗教文化亲和中的乌托邦理想，从而对中国当代文学研究、中国的外国文学研究和宗教史研究产生了一定的影响。

In the light of Kant\' s philosophy of reason and symbolism philosophy on culture of his successors-Cassirer and his student Langer, both of which were major representatives of new Kantism, and with an academic framework and logic axis of the interactive relationships between two major literary elements: the reason and the feeling, this paper systemically examines general styles and features of revolutionary war literature of the period 1950-1966so-called the 17-year period after foundation of PRO , its essential laws of the literary text production and commercial circulation as well as the possible controlling mechanism over the literature which may be dominated by the reason.

本文以康德理性哲学及其当代新康德主义的主要代表卡西尔和苏珊·朗格的文化符号哲学为主要理论依据，以理性与情感两大文学创作要素的辩证互作运动关系为学理框架和逻辑主轴，全面系统地考察了建国17年时期的革命战争文学的总体风貌和生产传播规律，在此基础上对制约文学创作的理性因素进行了深刻反思。

Cultural studies aim to reveal the metaphorical relationship between the non-literary factors and literature, contrariwise, comparative literature is devoted to decoding the metonymical relationship between the literal elements.

文化研究的对象是文化系统中文化诸要素与艺术文本的隶属关系，比较文学的研究对象应是文化系统中艺术文本的并置结构关系；文化研究致力于破解文化系统中非文学因素与文学的各种隐喻关系，是一种纵向研究；比较文学致力于破解文化系统中不同文学因素之间的各种转喻关系，是一种横向研究。

In a word, this is the reason why different dimension emerges in the process of literary theory study.

在文学理论生成的过程中，理论家视野中的研究对象既可能是单个的文学要素，也可能是各要素之间的相互关系。

Using two literary theory, first one is "The Mirror and the Lamp" the represented the four elements of literary theory, second is the representative of Western Marxist literature theory about activities, those two theories determined the relationship between language and literature made with four elements and literary production activities whole relationships.

通过运用两大文学理论，以《镜与灯》代表的文学四要素理论和西方马克思主义代表的文学活动生产理论，最终确定了语言和文学关系是：文学语言和文学体系四要素、文学生产活动所有关系的总和。

Post-Modernism literary theory thoroughly subverts the traditional literary concept of four literary elements.

艾布拉姆斯在《镜与灯》中提出文学四要素：世界、作品、艺术家、读者。但在后现代文论思潮的冲击下，文学四要素所包含的传统文学观念遭到彻底的颠覆，引发了文学性危机。

In the field of literature, the classifications of literary forms seem to have clear and distinct demarcations. However, the evolution and development literature always involve new variants challenging the boundaries of established literary forms.

文学范围内，文体的分类向来似乎界线分明；文学概论里不乏「小说的要素」、「散文的要素」等标示，但检视文学发展的现象却发现其变异性从不受规范的限制，总是有变体在挑战临界的文体格式。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。