文学的

From the perspective of the colonization context and the literary history of the Japanese invaded areas of China, this paper investigates the "Hanjian 汉奸 Literature" and analyzes the differences of "Hanjian Literature" in three different colonization systems. It suggests differentiation principles in five aspects for how to delimitate "Hanjian Literature."

从殖民语境和沦陷区文学研究史角度，对"汉奸文学"加以辨析文章分析了"汉奸文学"在三种不同的殖民体制中的差别，并在如何界定"汉奸文学"的问题上，提出五个方面的区分原则。

Based on"perspectivism", the third chapter undertakes to deal with the nature of literature which is the most fundamental problem in literary theory. Wellek argues about"double natures"of literature: the one shows that"literature as a kind of special usage of language", while the other "literature as fiction".

以"透视论"作为基本的认识论原则，论文第三章从"文学的本质"这一基本理论问题入手，探讨韦勒克对文学本质两种相互冲突的理解："文学作为一种特殊的语言用法"，或者"文学作为虚构"。

Literature is anthropologic hold anthropologic with intellectual globalization, hind the relation of contemporary epistemological, from anthropologic the interaction with literature have sth in mind of this new point of view, appear separate out power of thinking of the Fan Shige that idea of creation of 20 centuries literature changes to study with literature's new important science.

概要： 文学人类学把握住人类学和知识全球化、后现代熟悉论的关系，从人类学和文学的相互功能这个新角度着眼，透析出20世纪文学创作观念变革和文学探究的范式革新的一个重要学术思想动力。

So that, as the opposite of Chinese traditional literature, the West literature that Qian-mu studied is more arrestive, and it will reflect Qian-mu's real attitude to Chinese traditional literature from another side.

如此，钱穆对作为与中国传统文学相对的西方文学的解读，就显得格外引人关注，这种解读将从一个侧面反映其对待中国文学的真实态度，彰显其文学观的价值。

Besides,criticals from net-literature are also different from traditional ones and bring along with some unavoided problems and misunderstandings because of lack of subject and special openess,interaction and freedom,affecting its well-development.

此外，网络文学批评也有别于传统文学的批评，由于批评主体的缺位，网络的开放、交互和自由性，使得网络文学批评在态度和方法上难免出现一些问题和误区，从而影响到网络文学的健康发展。

In such a way a series of vivid characters were produced during this period of timeIn the later half of 1940,movie literature scripts complied with the historical process of the Chinese modem literature,and echoed the turbulent tide of the times.Either emphasized on the consciousness of social criticism,or inclined to the consciousness of humanism,its ideological nature and the direction for creation was very explicit.But this "directional" expression and the demand were not conceptual,or stiffly inbreathed. It is the "concrete image",the "metaphor" of the text,revealed naturally in accordance with the development of the plot and the molding of characters.It can be said as "the wind rippled the surface of the water naturally" and presented excellent artistic technique and high standard.The film scripts writers of the society group undertook the Chinese movie tradition of moving with the history,on an unusual level achieved a new altitude of ideology,and obtained a new artistic achievements.

由于电影文学剧本独特的语言表达方式，其在人物塑造上具有不同于小说、戏剧的特点。1940年代后半期电影剧作者高度重视电影文学剧本中人物形象的塑造，运用电影化的思维方式来刻画人物，依托人物性格的发展来展开故事，使得这时期电影文学剧本在引人入胜的故事书写中，绘就出了一长串内涵丰富、形象生动、有血有肉的人物群。1940年代后半期电影文学剧本既顺应着中国现代文学的历史进程，又呼应着动荡巨变的时代大潮，无论是侧重社会批判意识的，还是倾向人文关怀意识的，其思想性或方向性是非常明确的，但这种&方向性&的表达和诉求既不是概念性的，也不是生硬的灌输，而是&具体形象&的，是&隐寓&文本之中，在故事情节发展和人物性格塑造之中自然而然地流露出来的，可以说是&风行水上，自然成纹&，呈现出高超的艺术技艺和水准。

It subverts the production and operation rules and writing modes of the traditional literature,getting rid of subjects of traditional literature and shaking the outward functions of literature.

网络文学也颠覆了传统文学的生产运作规则和书写范式，消融了传统文学的题材痕迹，也从深层次上动摇了文学的外在功能。

It has already summarized experience gain and success or failure of new-vernacular literature development,has realized seeking to literature beauty and correcting the fraud,in order to lead literature to develop normally;Proves to the development of present literature movements too, ponders over the development and construction of new-vernacular literature at the same time,realizes aesthetic ideal of art of literature rebuilding,classics rebuilding,and the society rebuilding.

在这个意义上，沈从文对文学的思(来源：A96BCf5论文网www.abclunwen.com)考，反映了他对现代文学的审美期待和可能设想，充分体现出现代知识分子积极参与现代文学建设的文学责任感和使命感。

Start with the appearance of some Characters of literary interests from Chatting-room,BBS,and helped by so many literature net-stations,individnal home papes and electronic literature publication,the existence of the network literature has been a true fact.

从聊天室、BBS站出现一些富有文学情趣的文字开始，经过众多文学网站、个人主页、电子文学刊物的推波助澜，使得网络文学的存在，已经是不争的事实。

The paper analyses the personal character of JIAN'ANQIZI's works, after giving the definition of "the literary selfconsciousness". The paper thinks that JIAN'ANQIZI's great success in the individualized subject and in persuing literary technology symbolized "the selfconsciousness of literature" in JIAN'AN period. The appearance and activity of YEXIA CIRCLE OF SCHOLARS provided a literary environment and condition for "the literary selfconsciousness".

本文从&文学的自觉&的内涵出发，以建安七子的个性化创作为突破口，提出建安七子在&创作主题的个性化&和&对文学技术的追求&两方面所取得的成就表现了建安时代&文学的自觉&，而邺下文人集团的出现及其活动为&文学的自觉&在这时的出现提供了文学环境和土壤。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。