文学作品

Blurring the lines between reality and illusion, present and past, Yan Changjiang invites us to zigzag along an ill-defined boundary that hardly separates childhood imagination and adult fantasy, life and death, Eros and Thanatos, using fiction and creativity to explore the infinite possibilities of photography and literature, to achieve an unprecedented, dramatic, playful, and at the same time grave and serious visual experimentation that forms a fundamental and enduring work of photography.

只有在这个时候，你才明白，朋友的含义模糊了现实和虚幻、现在和过去的界限，颜长江邀请我们沿着已确定的边界蜿蜒前行，无法分离童年的想象和成年人的幻想，生命和死亡，生的欲望和死的渴望，运用虚构和创意的手法来探索摄影和文学的无限可能，来达到史无前例的戏剧性的值得玩味同时也是沉重严肃的视觉体验，而这些体验正构成了杰出摄影作品的基础。

Bergman\'s allegiance was to theatricality, and he was also a great stage director, but his movie work wasn\'t just informed by theater; it drew on painting, music, literature and philosophy.

Bergman 钟爱戏剧，他也是个伟大的舞台剧导演，但其作品并非仅来源于戏剧。他取材于绘画、音乐、文学和哲学。

The Greek myths and legends are known today primarily from Greek literature, including such classic works as Homer's Iliad and Odyssey, Hesiod's Works and Days and Theogony, Ovid'sMetamorphoses, and the dramas of Aeschylus, Sophocles, and Euripides.

今日所知的希腊神话或传说大多来源於希腊文学，包括如荷马史诗《伊里亚德》和《奥德赛》，赫西奥德的《工作与时日》和《神谱》，奥维德的《变形记》等经典作品，以及艾斯克勒斯、索福克里斯和尤利比提斯的戏剧。

This paper selects subjects from folklore, cultural anthropology, history, andother perspective to analyse literature, carrying on study by using culture prototype ofcriticism, the western tokenism, spiritual analysis, Chinese poetry and imagery, andother theoretical and research methods. It discusses, in the angle of history and reality,in text and out text, the function and impact of these various animal imagery throughthe specific interpretation and analysis. It also reveals the source of Chinese andforeign cultures and the reality of social resources behind Lu Xun love creating andusing animal imagery, as well as the authors inherent psychological characteristicsand cognitive structure.

论文选题对此从民俗学、文化人类学、历史学等角度观照文学，运用文化原型批评、西方象征主义、精神分析、中国诗学意象等理论与方法进行研究，通过对于种种动物意象历史与现实、文本与文本之外的具体解读与分析，探讨了它们在鲁迅作品中的作用与影响，揭示了鲁迅喜爱营造、运用动物意象其后的中外的文化渊源与现实的社会资源，及作者内在的心理个性与认知结构。

So the philosophy of this paper as a start, and further analyze the novels of Jin Yong and Huang Yi, then we find a completely different attitude and approach about the perfect personality and the ultimate truth of life in these two novelist's works, and therefore the development of "tragedian style" and "perfect style" of a different artistic expression.

於是本文从哲学理念的探讨作为开始，进一步以此标准去审视、分析小说世界，发现两位武侠小说名家，金庸与黄易的作品，对完美人格及终极真理有著全然不同的人生态度及处理方式，而因此发展出「悲剧文学」与「完美风格」的不同的艺术表现。

But Chinese modern literature, the belief that is devoid religion in fact and true-blue --, even if the writer that has religious belief tendency and its work.

但中国现代文学，事实上是缺乏宗教的信仰与热诚的———即使是具有宗教信仰倾向的作家及其作品。

However, the so-called rewriting they mentioned at that time, in fact, is attempting to sparkplug the independence of Chinese modern and contemporary literary studying, to unchain the social and political influence when writing the history of literature.

回顾我们常见的《文学史》，基本是这样的模式：社会政治背景总论---文学思潮概括---作家生平介绍---作品内容简介---泛泛的真理评价。

This dissertation will take the research method of text intensive reading and macro analysis. First, it will concretely analyze the two main genres of characters in Luling"s creations—intellectual heroes and understratum heroes. Then it will macroscopically generalize the common characteristics and elements of the "heroes". Finally it will discuss the formation and change of the "hero idea of Luling himself and primarily deal with the influence of foreign literature on his creation of 1940s.

本文主要采用文本细读与宏观把握相结合的方式，先通过具体形象的解读来具体分析路翎作品中的两大类"英雄"形象--知识分子与底层，再从宏观上总结和概括"英雄"具备的共同特征与要素，最后追溯路翎自身"英雄"观的形成以及转变，并初步梳理路翎四十年代创作与外国文学的一些渊源与关系。

Due to cultural differences,both translatability and untranslatability can be exposed in the literary style of translation.

由于中西文化的差异，文艺作品中的文学风格的转译有时可以在译文中实现；有时却无法表现。

In 1980s and 1990s, new writers and their works continuously came out, which had shown the vigorousness and prosperity of modern Chinese literature.

二十世纪八、九十年代一批又一批新作家及其作品的不断问世，显示了中国当代文学的蓬勃繁荣。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。