文学作品

In his first period works as if you go through a violence and fearful world, that also according to the prevalent style of writing in the pioneer literature age at that time. He abandoned the common sense and building a widely different world from the common sense experience, we take effort to his brimless tribulation in his novels and research into his core of his described topic, to analyze the factor of violence in his works, at the same time affirm this expression, it also describe the nonplus to this expression.

在他的前期小说中仿佛走进了一个暴力和恶的世界，这也是当时先锋文学普遍的文风所向，他背弃了常识，构筑了一个与常识经验迥然不同的世界，我们从余华小说中无边的苦难着手，来探究他所描述的主题的内核，在分析他作品中的"暴力"因素时，在肯定这种表现手法的同时，也表达了对这种手法的困惑。

The Family of the Red Broomcorn is an important work which help him to obtain the success and establish his writing style.

莫言是当代先锋主义文学的代表性作家之一，他以其"天马行空"的创作风格征服了读者与文坛，而《红高粱家族》是使其获得成功并奠定其创作风格的重要作品。

His nouvelle Red Broomcorn have been looked as the ending of "seeking root literature", as well as vital origin and magnum opus of "neo-historical novel".

莫言的中篇小说《红高粱》既被视为"寻根文学"的终结，也被视为"新历史小说"的重要起源和代表作品。

His influence on European literature --- both by what he wrote and by the general idea of the romantic figure of Childe Harold --- the typical Byronic hero --- was very great.

他对欧洲文学的影响--通过他所写的作品以及恰尔德·哈罗德这个浪漫派人物，即典型的拜伦式英雄的一般概念所散布的影响--是极为巨大的。

One of the greatest English poets, whose masterpiece, The Canterbury Tales, was one of the most important influences on the development of English literature.

英国最伟大的诗人之一，其代表作《坎特伯雷故事集》是对英国文学发展影响最大的作品之一。

In these two works,Cather's women characters,not limited to the conventional roles as wife and mother,are constant...

在这两部作品中，凯瑟打破了传统的女性文学形象，摆脱了伊甸园中那个依附于亚当的夏娃的影子，成功地塑造了两位纯朴、高大的女性光辉形象。

Through the deep-going investigation and superficial analysis to the grotesque phenomenon in some literature works of the world,the paper expounds that grotesqueness is an unfixed notion with consistent changes and provides an initial summary and analysis on the characteristics of aesthetic judgment on grotcsqueness,including the formation principles of abnormality,astonishment mixed with fear and comicality,and the duality of grotesqueness.

曾耀农(1959-)，男，汉族，湖南师范大学文学院教授、博士，主要研究方向文艺学和美学；湖南师范大学文学院中文系，湖南长沙 410081肖莉(1980-)，女，汉族，湖南师范大学文学院学生，主要研究方向文艺学和美学。湖南师范大学文学院中文系，湖南长沙 410081本文通过对中外文学艺术作品中的怪诞现象的探源和浅析，认为怪诞是一个流变的概念。

Therefore, to study the media properties of the literary works or a movement enables us to discover their transmissive essence and consumeristic mechanism, and bring forth its aesthetic and social meaning in all-sided ways.

因此，研究作品和文学运动的传媒特性，就可能更深入地发现它们的传播实质和消费机制，进而全面展示其美学和社会意义。

Focusing on the contrastive interpretations and even the contrapuntal readings, this paper rereads Naipaut's novel A Bend in the River from the perspective of cultural identity, and provides with an interpretation of cultural identity paradox, while points out some theoretical blind spots of those post-colonist critics in their political treatment of Naipaul and his works.

针对不同文化的阐释差异和对位性阅读，运用当代后殖民文化理论，以文化身份的视角重新解读《河湾》，分析作品中历史记忆与身份写作的隐性关系，在身份困惑和非洲叙事两层面揭示身份写作的表征内涵，在对奈保尔文学经验的总结中探讨后殖民批评中政治性阅读的某种理论误区。

In the last chapter,this thesis restates the significance of female consciousness,such a gender critical angle and sums up her important status in Chinese female literary history and her outstanding contribution to Chinese female literature.

最后一部分是结束语，再次重申本文选择"女性意识"这一性别批评视角"重读"王安忆的作品，综述其创作在女性文学史上的重要地位及对女性文学做出的突出贡献。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。