文学

But all has the dual character on any thing to be same likely, the literature and the film and television also inevitably appeared not the harmonious note, takes "Hong Lou Meng" to look, the film and television and the literature not harmonious mainly display in the film and television to the literature esthetic destruction, reads by mistake to the subject with to the literary figure disassimilation aspect.

但就像任何事物都有两面性一样，文学与影视也不可避免地出现了不和谐的音符，拿《红楼梦》来看，影视与文学的不和谐主要表现在影视对文学审美的破坏，对主题的误读和对文学形象的异化方面。

In the ancient part, this article starts to illustrate the reason, social background and historical foundation of the Chinese distaff literature, then discussing the main characters, social essence and relevant literature criticism from the works concerning Chinese distaff, also pointing out the effect on the Chinese literature history and spirits; In modern part, we put emphasis on two pieces of works of Su Tong and Li Bihua , and tries to discover the development of Chinese distaff literature in their movies.

古代方面，文章首先阐明了中国女性文学的发生原因、社会背景、历史根据等相关问题，细致入微地分析了重要的女性文学作品中具有典型性的人物、社会本质，及相关文学批评等问题，并指出了其在中国文学史、精神心灵史上的影响；当代部分，文章选定苏童与香港作家李碧华的两部作品与它们各自的电影文本进行比较分析，探究当代女性文学的发展脉络。

ABSTRACT After the ebb-tide of the May 4th Movement, the Chinese modern thoughts and literary circles went from relative unity towards diversity Up to the 1930's, behind the spirit transformation at the end of the twenties, Chinese modern intellectuals began to relocate and redesign their own outlooks on life and literary ideal The Lunyu School, which was led by Zhou Zuoren and Lin Yutang, mostly appeared as leisure humorous essays in some journals, such as Lun Yu, Ren Jian Shi and Yu Zhou Feng which was edited by Lin Yutang It formed an unique landscape at that time This thesis focused on the Lunyu School as the main object of my study I investigate the Lunyu School by putting it into the vertical orbit of changes of the thoughts and literary circles after the May 4th Movement, and by comparing it with the mainstream of Left-wing and other literary schools in the thirties Through the exploration of Lunyu School's political and social thoughts, literary ideas and aspects of prose creation, I pursue the life choice of some free intellectuals in the thirties, and draw psychological outline of an age of intellectuals, which was very complicated and attractive during that specified time and space When we reconsider the rights and wrongs, the merits and demerits, and the gains and losses in theory and creations of Lunyu School intellectuals, any oversimplified study method would be of"no avail but the waste of mind"Unless ample estimation of their own complexity and contradiction is made, furthermore subtly delineates quite a lot of originates which caused these complexity and contradiction, the research will not be valuable In face of the whizzed coming Left-wing movement in literature, Lunyu School acted as a reconsideration in literary modernity such reconsideration is a layer of thinking They introspected intellectuals'essential mind and enlightened reason, querying the impulsive, swift and fierce ideological trend, judging by value in the relations between individuality and society, individuality and era, literature and politics.

五四落潮后，中国现代思想界、文学界由相对统一走向分化，至二十世纪三十年代，现代知识分子经由二十年代末期的精神蜕变，开始重新定位和设计自己的人生观和文学理想。以"京兆布衣"周作人为精神领袖、以林语堂为主帅的论语派，以幽默闲适小品文相号召，在林语堂主编的一系列刊物《论语》、《人间世》、《宇宙风》上聚集，南北呼应，造成了当时文坛的一种独特景观。本论文以论语派为研究对象，将其放在五四以后文学界与思想界变动的纵向轨迹上，放在与三十年代左翼主流话语的颉颃及与其它文学流派的比照中加以考察，通过对论语派政治社会思想、文学观念及散文创作诸方面的探讨，追索三十年代一部分自由知识分子的人生选择，勾划出他们在一个特定时空里复杂又极具魅力的心理轮廓。学术界对论语派中一些主要作家已有较深入的研究，但迄今为止，尚无从整体上对这一文学流派作宏观研究的专著，而陈旧的理论视界又往往阻碍了对论语派的重新评价。

Because of these changeable elements, the novels could not be pure revolutionary works, and they embody the dual characteristics of both the individualism of the May 4th Movement and the proletariat literature, The emergence is a fortuity of a transverse section of history and society, as well as an inevitability in the process of the development of politics and literature in modern China.A.

在由这些变动性要素构建的特定背景下，左翼"革命加恋爱"小说模式必将不会是完全意义上的革命文学，而体现出五四个性主义文学和无产阶级革命文学的双重体征。它的诞生既源于一个特殊社会历史横断面的偶然，同时又是中国现代社会政治演变及文学自身发展总进程的必然。

Looking back to its development process, we can find the gamesome characteristic of aesthetics, with which it was born, exists all the time.

在文学观念的层面上，网络文学的游戏化倾向是不是网络文学的审美特质，对这个问题的回答，关系到网络文学的发展前景。

The feminist Gothicism has already had the history for more than 200 years up to the present, having become a kind of independent style and tradition In 20 century, the studies on the Gothicism of the west have made breakthrough progress on the sex and the form realm, of which one important aspect is that the feminist angle of view was led into the Gothicism research which expanded one brand-new space for the feminist literature research.

迄今女性哥特已有二百多年的历史，形成了一种独立的文学样式和文学传统。20世纪，西方的哥特研究在性别和体裁领域上取得突破性进展，其中一个重要的方面，是将女性视角引入哥特文学研究中，为女性主义文学研究开拓了一片崭新空间。

This kind of epic mostly depicts the formation of the universe, origin of human being, custom and some animals and plants that are close to human life. The world-originate epics reflect the theme of the resounding for human labor and creativity, as well as singing for the grittiness of primary people who sticks to cultivating the nature and create the new world. This style of primary form of literature made by minority nationalities in South-west China is unique. It is one of the most important styles of literatures that include myths, ancient ballads, sagas and stories.

它以宇宙天地之形成、人类之起源以及与人民的生产生活有密切关系的动植物的来源和某些风俗习惯之来历等为其描述的主要内容，以歌颂劳动创造、赞美劳动人民在征服自然和创世立业的艰难历程中所表现出来的坚韧不拔的毅力和大无畏的英雄气概为其反映的主题，是基本上为我国南方少数民族所特有的一种文学体裁，同时也是人类文学发展史上继神话、古歌谣等文学样式之后最为重大的一种文学体裁。

The understanding that the mobility of culture and individuals perse bears no hierarchal set of value judgments is proposed and reiterated.

在"交流"的研究模式中，不仅海外华文文学与其所在国的文学关系是互动的，而且它与中国文学和中国文化的关系也是互动的，这有利于揭示海外华文文学的真正价值。

Ingratiating writings yielded to the illegitimate government. All this belonged to a part of modern Chinese literary experience. The descriptions of them are involved in a supplement to and innovative knowledge of studies on modern Chinese literature.

这些文学经验属于中国现代文学经验的一部分，对其描述涉及到对中国现代文学研究缺失的补充和创新认识，涉及到重新评定日本侵略背景下的中国现代文学经验，由此将出现对以往的中国现代文学史研究的新的表述。

Nabokov is a writer of multiple identities——not only a talented latecomer in "the first wave" of Russian emigrant literature, but also a forerunner of American postmodernism literature; not only a novelist, but also a critic, a translator, and a poet writing in Russian and English; furthermore, apart from his distinguished contribution in literature, he is also an expert in lepidopterology——which make Nabokov's works particularly appealing to from three perspectives, that is, postmodernism, comparative literature and Russian emigration literature.

纳博科夫是一名多重身份的作家，他既是俄罗斯侨民文学第一次浪潮中的后起之秀，也是美国后现代主义文学的先驱；既是一名小说家，也是评论家、翻译家、诗人；既用俄语创作，也用英语创作；既在文学领域内纵横，又在鳞翅目昆虫学方面颇有建树。他的这些跨越性特征使他同时出现在后现代主义研究、比较文学研究以及俄罗斯侨民文学研究的视阈内。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。