文学

In this paper,with the three kinds modernities insight,which called "perceptual modernity","enlightening modernity "and "appreciation of the beauty modernity ",I have entered the main body of Zheng Zhen Duo's literature thoughts during the "May 4th Movement",and the paper has chosen some cultural thoughts affected comparatively deeply phase to the cultural circles for the "May 4th Movement,such as "humanitarianisms"," science","romantism" and "classicism",to observe and inspect what is Zheng Zhen Duo's literature thought in that society trend of his thoughts,and pay attention the impact of sinuous relation over Zheng Zhen Duo literature thought,go a step further between paying attention to them on this basis studying and thinking "May 4th Movement literature phenomenon deeply.

本文从感性现代性、启蒙现代性和审美现代性三种现代性的视角进入五四时期郑振铎文学思想的研究，选取了五四时期对文化界影响比较大的人道主义、科学主义、浪漫主义和古典主义四种社会思潮来观照和考察郑振铎的文学思想，并注意它们之间错综复杂的关系对郑振铎文学思想的影响，在这个基础上进一步研究和思考五四文学现象。

Besides,criticals from net-literature are also different from traditional ones and bring along with some unavoided problems and misunderstandings because of lack of subject and special openess,interaction and freedom,affecting its well-development.

此外，网络文学批评也有别于传统文学的批评，由于批评主体的缺位，网络的开放、交互和自由性，使得网络文学批评在态度和方法上难免出现一些问题和误区，从而影响到网络文学的健康发展。

Before May 4~ new culture movement in Chinese literature world, the fact that Flaubert, a master in literature, was introduced in China, not only bridged the gap of lack of realism directly, but found "scientific spirit","true and aesthetic" in the period of May 4~ new literature. Whats more important, his appearance corrected the weaknesses of some Chinese, that is, thinking of literature as a way to amuse and observing the world unpractically, resulting in Chinese contemporary literature to develop and advance healthily and saving it in turn.

中国文坛在五四新文化运动前夕引进福楼拜这样一位特色鲜明的现实主义作家，不但直接填补了中国五四新文学时期现实主义的缺席，找回了这一时期中国文学中&科学&精神和&真与美&的缺失，更难能可贵的是，他的出现还校正了五四时期中国文坛以文学为游戏消遣和想当然不务实地观察弊病，使得中国现代文学能够沿着健康的方向前进和发展，从而&拯救&了中国现代文学。

Because the literature of literary work is the condition that the appreciation of literary work could be birthed, and the latter is the former's result.

因为文学作品的&文学性&，正是文学作品的&审美性&得以产生的条件，文学作品的&审美性&则是文学作品&文学性&作用的结果。

As a part of enlightening culture, the enlightening literature is definitely a window that publicizes the logos spirit, however, literature is different from philosophy, literature is the artistic transexpression of the Zeitgeist, but not the direct expression of the rational principles, in the eighteenth century the thought of natural logos brought the production of the free humanity of literature, Faust pursues and explores forward constantly, which stands for the permanent"human"spirit, it means the human's release and rein on the atman, it is the natural situation after breaking the fetters, and it is the revertion of the human natural inbeing; Naive man is the unit that has not been touched by"civilization", it is the origianl nature of human beings, during the conflict and collision of these two different cultures--"nature"and"civilization", it holds the independent free spirit homestead; emotion is natural, when the society made it institutionalized, it is catabolized, Lockersha Na heard the voice of heart under the system of plural marriage, she released the human natural emotion, reverted the natural humanity; under the"civilization", individuality is deprived,"civilization"becomes the contrary of civilization, Rameau's nephew championed the individual existence and freedom in the period of losing"self", it stands for the"self"shaping in the independent pose.

启蒙文学作为启蒙文化的一部分，它自然是张扬自然理性精神的一个窗口，然而，文学又不同于哲学，文学是对时代精神作艺术化的转达，而不是理性原则的直接的传声筒，十八世纪自然理性的思想养料孕育的是文学中自由人性的灿烂之花，浮士德不断地向上求索，代表着永不息止的&人&的精神，&人&的精神是人对于自我本体的一种释放与驾驭，是挣脱枷锁之后的自由状态，是对人之自然本性的还原；天真汉是未曾受过&文明&浸染的个体，代表人类之原本的自然天性，在&自然&与&文明&两种异质文化的冲突与碰撞中，维系着个体独立自由的精神家园；情感本属自然的，在社会将其制度化的同时，也将其异化了，洛克莎娜在一夫多妻制下，聆听的是个体心底之声，释放人之自然感情，复原自然之人性；&文明&下，个体性被剥夺，&文明&已堕入文明的对立面，拉摩的侄儿在&我&丧失的时代，捍卫了个体自我的在场性与自由性，代表了以独立个体之姿存在的&我&。

From the writers who went southwards to Nanyang from the late-1920s to the early-1930s, I select three Chinese revolutionary writers as examples in the present paper. From their main experiences, important activities before going southwards and their social activities, cultural activities during exiling in Nanyang and their relative cultural activities after returning to homeland, It is not difficult to discover that using the writers who went Southwards as intermediaries, the Chinese proletarian literature movement during the 1920s-1930s promote the Nanyang " Lately Arising Literature Movement" to grow up.

本论文选取20世纪20年代末至30年代初南下南洋的三位中国革命作家洪灵菲、许杰、马宁，对他们在南下前的主要经历和重要活动，流亡南洋期间所从事的社会活动和文化活动，以及回国后所继续从事的与南洋有关的文学活动加以爬梳，从中不难发现，中国20世纪20-30年代的无产阶级革命文学运动，透过南下作家这一中介促使了南洋&新兴文学运动&的崛起，继而对当地的文学艺术、社会思想等各方面产生程度不同的影响。

This thesis endows his theory with much appreciation in that it is more steadfast than Fish's, although it does not refrain from defects.

随着读者进入文学本体论研究领域，文学和文学意义的旧有概念受到了挑战，它们不再是静止的研究客体，而具有一种动态的特征，这使文学批评的方式也发生了变化。

First, from the particularity of modern Chinese and modern literature and with "modern" and "western" background in the creating and developing periods of Chinese language and literature, the interactive relationship between language and culture in the sense of modern Chinese will be expounded on the basis of the textual research on the history. Second, three basic sentence patterns which formed in the interaction between language and literature, such as colloquialism, westernization and poetizing will be probed into according to the different reference frames of the development of modern literature.

本论文在对现代汉语和现代文学的动态对话关系的把握中，力图在现有研究成果的基础上用翔实的资料和充分的论证进行这样几方面的工作：一、从现代汉语和现代文学的特殊出生出发，把&现代&和&西方&作为汉语和文学在创制和发展期间的时空背景，在考证史实的基础上对现代汉语意义上的文学与语言间互动关联进行论述。

Embracing the view that literary writers" well-conceived linguistic manipulation in its own right reifies "literariness of texts deemed literary, and forms an essential part of literary content to be scrutinized in our understanding and interpretation of literary texts, this thesis intends to approach deviations in literary texts from stylistic and thematic dimensions instead of formal dimension only, with an aim to probe into this phenomenon for an appreciation of its total significance in literary texts and its proper translation.

文学作家对语言创造性的运用不但赋予文学文本以不同于非文学文本的&文学性&，也使其与文本内容相结合，成为理解、阐释文学作品不可或缺的部分。

The author illustrates the linguistic attributes and the aesthetic/ artistic value of literary works, repudiates "the idea of content", and classifies two conceptions of interpretation: one is to study the textual mechanisms; the other is to understand and appreciate literary works by using literature to learn about existence.

论文阐述了文学语言的特点、文学作品的审美价值特点，批判了&内容说&，并区分诠释的两种状态：一为研究文学文本的运行机制；二为理解欣赏文学作品并利用文学追问存在。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。