文学

The occurrence of the network let literature open countless outlet in short time, literature is early not be the newspaper supplement with the belletristic magazine that circle turns and little numerous grumous taste any more, literary face becomes clear instead without faintness because of the grow in quantity of channel, literature is the quilt that indulges in wind month and pillow no longer, it can give out its howling in this times.

网络的出现让文学在短短的时间里打开了无数个出口，文学早已经不是圈子化的纯文学杂志和小众气味浓厚的报纸副刊，文学的面孔因为渠道的增多没有模糊反而变得清晰，文学不再是耽于风月的棉被和枕头，它可以在这个时代发出自己的啸声。

On Feburary 12, hou Xiaojiang of royal literature CEO is in " new capital signs up for " publish " network literature is mainstream literature after all " one article, offer a point of view, Belletristic from only then coming is a bogus concept at all eventually, the literature that is agreed with by the reader just is the mainstream.

2月12日，盛大文学CEO侯小强在《新京报》发表《网络文学到底是不是主流文学》一文，提出一个观点，&纯文学从始至终根本就是个伪概念，被读者认同的文学才是主流。&

To notice the problem must treat three important contestation points:the literature inheritance,relations of politics and literature and Realism.Concerning this it is thus clear that the evolution of research methods and academic words,this provide to the angle of view,for the combine of Marxist of Chinese ancient literature theory and Naturalization of Marxist Literature...

在探讨这一问题时，要注意对待文学遗产、政治与文学关系、关于现实主义三个论争要点，从中可见研究方法与学术话语的演进，这就为中国古代文学思想马克思主义化和马克思主义文艺理论中国化相结合，并建立有中国特色的当代文学学体系提供了研究视角。

Contemporary Literature and Culture lacking depth situation is the lack of a deep sense of remorse and repentance, The purpose of this paper is basis on analysising Lu Xun and Ba Jin' sense of remorse and regret, which Enlight the current literature and culture. Our literature culture needs to repent, but should not limited to repentance, we have to over through it, Perhaps, we will make our literature and cultural development board to a new level.

当代文学与文化缺乏深度的现状之一就是缺乏深刻的忏悔和忏悔意识，本文的目的就是要在鲁迅和巴金忏悔和忏悔意识的解析的基础上，对于当下文学和文化的现状予以一定的启示：我们需要、我们的文学与文化在忏悔这方面也应该进一步深入下去，不能局限于忏悔，我们要穿越忏悔，进一步丰富和发展我们文学与文化中的忏悔意识。

Zhou Zuoren held that literature not only had close relations with religion,but mostly its development also originated from religion;although literature gradually got separated from religion since modern times,but there were many common places between them,especially modern humanitarianist thought and literature had closer relations with Christianity.

周作人认为，文学不仅与宗教关系极为密切，而且文学的发达大都出于宗教，虽然近代以来文学逐渐脱离宗教，但它们之间仍有很多相同和相通的地方，尤其是近代人道主义思想和文学与基督教的关系更为密切。

Its earliest infertility, its latish maturation after the self-reflection and adjustment formed a rather complex phenomena that could not completely interpreted by the choice of politics to literature or the choice of literature to politics.

如果说在历史变革由文化启蒙到政治革命转换的过程中，自由主义、民主主义文学以其对于历史主潮的疏离保证了文学的多元发展，那么，左翼文学则以其对于历史主潮的自觉认同保证了文学对新生历史内容和历史主导精神的关注。

After defining the feminine literary criticism from " Female Angle of View ", this paper gives the general description of the practice of Chinese literary criticism since 1900's as well as the analysis of individual characteristics, with the purposes of showing the spirit of creativity and vigorousness in it and giving a summarization of the deficiency in practicing. And all the work is done from three aspects:(1) Reconstruction and construction concentrating on the traditional literary criticism: that is to critique the masculinism in the traditional culture, to get the knowledge of the male writer's gender discrimination, and to find the source of feminine literature by the way of resistance-like reading.

本文从&女性视角&界定了女性主义文学批评的内涵，对20世纪以来中国女性主义文学批评实践，采用总体描述和个体研究特征分析相结合的方式，以彰显女性主义文学批评的学术创新活力、总结其实践中存在的不足为宗旨，从三个方面进行梳理整合：解构与建构，对传统文化的批判：批判传统文化话语中的男性中心主义，解读男性作家的性别歧视，运用抗拒式的阅读方式寻找女性主义文学传统。

Examining China's translation and reception of Latin American Literature in the years ranging from 1949 to 1999 from the perspective of Cultural Studies, the essay is designed to discuss the complicated and subtle relationship between translation and politics, translation and ideology, uncover the various kinds of misreading and mislocation, rewriting and miscontextualization in the process of translation and reception, with the purpose of providing new ways of thinking and point of view for the understanding and analyzing the literature and history in contemporary China.

滕威，北京大学中文系比较文学与世界文学02级博士。研究方向为比较文学与世界文学。导师是戴锦华教授。本文在文化研究的视野中考察中国在1949－1999年间对拉丁美洲文学的翻译与接受，关注这一过程中翻译与政治、翻译与意识形态之间复杂微妙的关系，揭示翻译与接受过程中的种种误读与错位、改写与挪用，尝试从不同的角度去观照当代中国的文学与历史。

Two professors in Young adult literature, Donelson and Nilson, in their authoritative survey, Literature for Today's Young Adults, note that in the late 1960s Zindel's first book, The Pigman, was a ground-breaking novel because it turned away from past pieties and established a new type of adolescent fiction in which teenagers dealing with interpersonal or social problems were depicted with candor and seriousness.

尼尔森和道诺尔森在《当代少年文学》( Literature For Today's Young Adults)中评论，保罗·金代尔的《猪人》犹如旋风刮进了少年文学文坛中，因为他一改过去少年文学的文风，创立了全新的少年文学类型。

But only affected by the complexity of "May 4th Movement" revolution in literature background and Europe and America literature theory,Zheng Zhen Duo has accepted some romantism literature theory at the same time,therefore his realism and the romantism literature thoughts are confounded with his realism is affected by emotion romantic-rization, just a little bit similar as the "sad source realism " in 18 century of Jean Jacques Rousseau.

由于五四文学革命背景的复杂性和欧美文学理论的影响，郑振铎同时又接受了一些浪漫主义文学观，所以其写实主义与浪漫主义的文学思想是混杂在一起的，其写实主义文学观被情感浪漫化，有点类似18世纪滥觞于卢梭的&感伤写实主义&。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。