文化革命

Along with the ebb-tide of the enlightment and the historical conversion from cultural enlightment to political revolution, the utilitarian pursuance of literature must have a corresponding change, and only so could it get avoid the rattrap.

文学革命是作为启蒙思潮附着物而存在的，随着启蒙的落潮、历史变革由文化启蒙转向政治革命，文学的历史功利追求由文化启蒙转向政治革命既是历史的必然，也是文学摆脱启蒙困境的一种自觉选择。

Therefore, the aim of the communist civilization revolution is to remove the long-term political seal over the Chinese culture while absorbing the excellent connotations of the western culture, so that the essential ideology of the Chinese culture and the excellent ideology of the western culture interact and interfuse to gestate the new human communist civilization and build a new spiritual entity of the world communist civilization system.

因此，共产文明革命就是要在吸收西方文化优秀内涵的同时，揭开长期封贴在中华文化上的政治封条，让中华文化的精华思想与西方文化的优秀思想互动互化，共同孕育人类共产新文明，构筑共产世界文明体系的精神实体。

The dissertation also points out that under the background of the collision and introjection between the Chinese culture and western culture, the concept of revolution adopted by Mao Zedong possesses wealthy meaning and there are complex cultural origins in his "revolutionary" ideas which are a mixture of Chinese traditional culture and western evolutionism, moreover, his ideas acquire new expression forms from the words of Marxism.

论文指出，在近代以降中西方文化碰撞和交融的大背景下，毛泽东所使用的"革命"概念具有丰富的内涵，其"革命"思想的文化渊源也颇为复杂，既有中国传统文化的深刻印记，也有西方进化论的色彩，更在马克思主义理论话语中获得了新的表现形态。

This dissertation has 7 chapters. Chapter One introduces the tradition of historical narration in Chinese literature, discusses the relationship between fiction and historical narration, and the historical view of humanism in traditional novels. Chapter Two analyzes the historical view in contemporary red narrative, the origin of red historical compilation, hypo-realism in red novels of officers, and the features of taking personal narrative as revolutionary narrative etc. the song of youth is taken as an example to illustrate the secret of changing little burgesses narrative into revolutionary narrative. Chapter Three focuses on re-emergence and changes of enlightenment historical narrative and the historical sense of enlightenment. Tibet, implied times and the family of red corn are taken as examples to illustrate the features of changing from enlightenment historicism to new historicism. Chapter Four examines the phenomena and characteristics of new historicism narrative. The following chapter concerns the historical narrative by Yu Hua and Mo Yan, and historical sense of quasi-new historicism in Wang Anyi's Changhenge.

正文共分七章，第一章是对&中国文学中的历史叙事传统&的追溯：探讨了中国文学中&小说&这一文类与&历史叙事&之间的渊源关系，传统小说中的人本主义与生命本体论的历史观、其悲剧本质的历史诗学与美学理念、其循环论与非主流的历史伦理：第二章是对&当代红色叙事中的历史观&的分析：探讨了其&红色历史编纂学&的由来，红色官史小说中的&伪现实主义&、&把个人叙事装饰为革命叙事&的特点、其&革命&外表下装裹着的&旧式&的叙事模型等等，还以《青春之歌》为例分析了由小布尔乔亚叙事改装为革命叙事的奥秘：第三章是对&启蒙历史叙事的重现与转型&的梳理：分析了寻根文学中所包含的启蒙历史主义意识一一从最早的民俗学趣味、到寻根诗歌中&文化民族主义&的突然高涨、还有寻根小说中所包含的各种新型的历史思想，还以稍后的扎西达娃的《西藏，隐秘岁月》和莫言的《红高粱家族》为例，探讨了其由启蒙历史主义向新历史主义过渡的特点：第四章是对&新历史主义叙事的现象与特征&的分析，先是梳理了新历史主义文学思潮从八十年代后期到九十年代末期所出现的大量现象和演变的轨迹，而后分析了各种类型的新历史主义叙事的特征，其基本尺度、还有&新&与&旧&的关系等等；此后第五、六、七章分别就余华和莫言的历史叙事、还有王安忆的《长恨歌》中的类似新历史主义的历史意识进行了分析。

In reality, what this means is not that revolution is not possible, and communism not desirable, but that these people's revolutionary will and communist orientation have degenerated and—unlike those who have come forward through the course of the Cultural Revolution in our Party, and once again and more deeply have committed themselves to the cause of communism—those who have turned their back on the Party and on revolution recognize that this revolution and its goal of communism will require, but they are not willing to undertake,"the hard work, the risky work, the often unpopular and 'going against the tide' work, to make this a reality."

实际上，这并不意味着革命是不可能的、共产主义是不可取的，而是意味着这些人的革命意志和共产主义理想已经退化了，意味着不像那些已经通过党内文化大革命考验并再次将自己与共产主义事业深深联系在一起的党员同志那样，这些背弃党的人认识到，革命和共产主义的目标要求他们承担&艰辛的工作，危险的工作，经常不受欢迎的'反潮流'工作，以实现革命和共产主义的目标。&但他们不愿意承担。

The creation and development of May 4th modern vernacular literature is not allowed to separated from May 4th ideological and cultural revolution.

五四现代白话文的产生，发展与五四思想，文化革命不可分割。

In the second place, the variety of musician resources brings about the multivariation of Wang Meng's spiritual structure. Various musical and cultural resources, including Russian classical music, revolutionary songs of the Soviet Union, minority music of the Northwest of China, the film music of Hollywood and modernist music of the West world, help Wang in his reflection on and transcendence of the'revolutionary'politics and culture.

第二，音乐资源的多样性带来王蒙精神结构的多元性，俄罗斯古典音乐、前苏联的革命歌曲、中国西北少数民族音乐、甚至好莱坞的电影音乐、西方现代主义音乐都可能是王蒙获取精神与文化素养的主要来源，正是这种音乐和文化资源的多样性使王蒙对&革命&政治与&革命&文化有所反思与超越。

In fact, during the Great Leap Forward and the Cultural Revolution, it has many problems were corrected.

实际上，在大跃进和文化革命过程中，就已经对出现的很多问题进行了纠正。

He even compared this to the destruction wrought by Mao's Great Leap Forward and Cultural Revolution.

他甚至将这跟毛统治的&大跃进&和&文化革命&时期进行相比。

Mao Tse-tung highly of him as the commanding general of Chinese cultural revolution.

毛泽东评价他是中华文化革命的主将。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。