文化的

Therefore, the purpose of this topic research is to set out from the sociological angle, carry on a creatively thorough research on the formation and development of this block in ancient times,specifically including its characteristics and the reasons for their formation, and the relationship between it and Fujian culture especially Fuzhou cultrue;and to firstly answer the question why there were so many famous people living in this block, thoroughly analyze the ultimate motivity that push its development in ancient times even its great achievement in modern times;so as to fill in the blank of this academic research,and to make people's know about this block more thoroughly and completely,and then realize that the great achievement that it had achieved in morden times was not a historical fortuity,but deeply relied on the base of historical culture.

因此，本课题研究的目的在于从社会学的角度出发，对古代三坊七巷的形成和发展进行深入的研究，具体包括它的特点、特点的形成原因，与福建文化特别是与福州文化的关系进行了首创性的研究，初步回答了古代三坊七巷名人辈出的原因，深入分析了推动古代三坊七巷不断发展直至近代取得辉煌成就的深层动力因素，从而弥补了国内此项学术研究的空白，使人们对古代三坊七巷的了解更加系统、深入，认识到它在近代的辉煌不是历史的偶然，而是有着深厚的历史文化底蕴作依托。

Therefore, the purpose of this topic research is to set out from the sociological angle, carry on a creatively thorough research on the formation and development of this block in ancient times,specifically including its characteristics and the reasons for their formation, and the relationship between it and Fujian culture especially Fuzhou cultrue;and to firstly answer the question why there were so many famous people living in this block, thoroughly analyze the ultimate motivity that push its development in ancient times even its great achievement in modern times;so as to fill in the blank of this academic research,and to make peoples know about this block more thoroughly and completely,and then realize that the great achievement that it had achieved in morden times was not a historical fortuity,but deeply relied on the base of historical culture.

因此，本课题研究的目的在于从社会学的角度出发，对古代三坊七巷的形成和发展进行深入的研究，具体包括它的特点、特点的形成原因，与福建文化特别是与福州文化的关系进行了首创性的研究，初步回答了古代三坊七巷名人辈出的原因，深入分析了推动古代三坊七巷不断发展直至近代取得辉煌成就的深层动力因素，从而弥补了国内此项学术研究的空白，使人们对古代三坊七巷的了解更加系统、深入，认识到它在近代的辉煌不是历史的偶然，而是有着深厚的历史文化底蕴作依托。

To produce the tremendous impact, make people not at just enjoy the single medium of literature expression means, to the literature of enjoy the way of request also more and more high, now orotund medium and and portrait medium to the work is after carrying on a stereoscopic sex packing regard the writing medium as principle of reading method even let people accept easily, and this kind of newly arisen culture- network the culture melted the meeting the main characteristic of the current public culture, at the same time have its oneself of new characteristics- the freedom of the creations, civilian, and have the ego of performance terrace, thus make some common netizen also really done the author, even is famous, got the similar treatment of master of literature, this text not only did the simple discussion to the basic concept of the literature of network, still thorough of to network literature of development did the simple outlook, this is because the network literature hases already dissolve to go into our life in the middle, if ever of traditional writer still has no accredit network literature, but ignore you how to think, the network literature have already walk to go into us living in the middle.

目前互联网传播速度快，交互性强，和容量大的特点，对传统文学的结构方式，故事情节，形象手段美学欣赏等都产生极大的冲击，使人们不在只是欣赏单媒体的文学表达手段，对文学的欣赏方式的要求也越来越高，现在声音媒体和和图象媒体对作品进行全位立体性包装后以文字媒体为主的解读方式更让人们容易接受，而这种新兴的文化--网络文化融会了当前大众文化的主要特征，同时有着其自身的新特点--创作的自由性，平民性，以及有自我的表现平台，从而使一些普通的网民也着实做了作者，甚至是出名，得到了文学大师一样的待遇，本文不仅对网络文学的基本概念做了简单的讨论，还深入的对网络文学的发展做了简单的展望，这是因为网络文学已经溶入了我们的生活当中，即使有的传统作家还没有认可网络文学，但是不管你怎么想，网络文学已经走入了我们生活当中。

Currently the Internet dissemination speed quick, hand over with each other sex strong, and the characteristics for have great capacity, to the structure method of the tradition literature, story details, image means the esthetics enjoys etc. to produce the tremendous impact, make people not at just enjoy the single medium of literature expression means, to the literature of enjoy the way of request also more and more high, now orotund medium and and portrait medium to the work is after carrying on a stereoscopic sex packing regard the writing medium as principle of reading method even let people accept easily, and this kind of newly arisen culture- network the culture melted the meeting the main characteristic of the current public culture, at the same time have its oneself of new characteristics- the freedom of the creations, civilian, and have the ego of performance terrace, thus make some common netizen also really done the author, even is famous, got the similar treatment of master of literature, this text not only did the simple discussion to the basic concept of the literature of network, still thorough of to network literature of development did the simple outlook, this is because the network literature hases already dissolve to go into our life in the middle, if ever of traditional writer still has no accredit network literature, but ignore you how to think, the network literature have already walk to go into us living in the middle.

目前互联网传播速度快，交互性强，和容量大的特点，对传统文学的结构方式，故事情节，形象手段美学欣赏等都产生极大的冲击，使人们不在只是欣赏单媒体的文学表达手段，对文学的欣赏方式的要求也越来越高，现在声音媒体和和图象媒体对作品进行全位立体性包装后以文字媒体为主的解读方式更让人们容易接受，而这种新兴的文化--网络文化融会了当前大众文化的主要特征，同时有着其自身的新特点--创作的自由性，平民性，以及有自我的表现平台，从而使一些普通的网民也着实做了作者，甚至是出名，得到了文学大师一样的待遇，本文不仅对网络文学的基本概念做了简单的讨论，还深入的对网络文学的发展做了简单的展望，这是因为网络文学已经溶入了我们的生活当中，即使有的传统作家还没有认可网络文学，但是不管你怎么想，网络文学已经走入了我们生活当中。

Four chapters in the first volume, including "The Origin of Movement","Thinking of Effort","Movement Space" and "To Find Body", develop the theoretical structures of body language in western modern dance, analyze elements of movements and their semantic characters, reveal the conceptual transformation in the science of modern human movements and science of body language, and discover the re-interpretation through modern dance about the essence of movement and space and time of movement Another four chapters in the second volume including "Feminized Body""Masculine Body""Sex-confused Body" and "Body's Origin", study respectively features of body language in the field of ballet, modern dance and post-modern dance, provide a chronicle embodying the form variation of body language through lineal comparison, and exposit spiritual pursuit and value preference of modern choreographers and their relationship with history and culture. Therefore, effective body strategy of "Back to Body's Origin" in today's human existence is offered and teaches us how to keep our own national culture in the times of cultural globalization and integration.

前者通过&动作的根源&、&力效思维&、&运动空间&、&发现身体&等4章，展开西方现代舞身体动作语言的理论构架，分析其动作语言要素和语义特征，揭示现代人体动作科学与身体语言科学的观念性变革，发现现代舞蹈对动作本质、运动空间和时间所做出的重新阐释；后者通过&女性化的身体&、&男性化的身体&、&性倒错的身体&及&身体的原点&等4章，研究芭蕾舞、现代舞、后现代舞的身体动作语言形态的各自特征，在纵向比较中，提供身体语言形态的&体现&变异的历史图表，在舞蹈本文的叙述和重新阅读中，提示现代舞蹈家的精神追求与价值取向，揭示其与历史文化之间的对应关系，提供现时代人类生存中所应采取的有效的身体策略——返回身体的原点，在全球文化大交流、大融合之中，保持民族文化的独立品格。

Nagadum has an inseperable relationship and interactive basis with school education, family education and social education. Chapter six mainly analyzes the current inheritage of Nagadum and its existing problems from the position that the realization of its educational funtion relies on its effective inheritage, it also provides the concept to rebuild the transmission of Nagadum. Chapter seven tries to analyze and reflect the current courses in national school education and its disadvantages of isolating from its native culture and living practice from the position that the realization of its educational function relies on the widely identification of national school education. It proposes that the essence of national education is "the education of national culture", the aquisition of native knowledge is obtained on the basis of practical mode of acquisition, hence the author tries to provide some constructive suggestions that school education in minority areas should return to native knowledge and culture, and the construction of the interactive relationship between schools and communities should be established.

第五、六、七章阐述了那达慕如何实现教育功能，其中第五章阐述了实现那达慕教育功能的内在基础和现实条件，即那达慕与学校教育、家庭教育、社会教育都具有不可分割的关系和互动基础；第六章从那达慕教育功能的实现有赖于那达慕的有效传承的立论出发，分析了那达慕传承现状及其问题，并提出了重构那达慕传承模式的构想；第七章从那达慕教育功能的实现还有赖于民族学校教育的广泛认同的立论出发，分析和反思目前民族学校课程知识及教育方式脱离本土和生活实际的弊端，提出民族教育的实质是&民族文化的教育&，本土知识的获得需用实践建构的认知方式，从而对民族学校回归本土知识与文化，建构学校与社区之间经常性文化互动关系提出了笔者的建议。

Heidegger culturally misreads Zhuang Zi's poetic thought because of the heterogeneity between Chinese and Western cultures and the differences in academic ideals and academic personality. In this sense, there must be some differences between Heidegger's poetics and Zhuang Zi's poetic thought. But with the factual relationships and possible academic links between both and similarities between foundamental modes of thinking, general theoretical approches, major ways of thinking and basic ways of discoursing, most of the above-mentioned differences do not form obstacles to an effective exchange between Heidegger and Zhuang Zi, and on the contrary, form a 'hermeneutic distance'inciting a fresh dialogue and a fresh thought.

由于中西文化的异质性所带来的文化隔膜，再加之学术理念、学术个性的不同，海德格尔对庄子诗学思想也不可避免地存在着某些明显的&文化误读&（譬如，用《庄子·达生》篇&梓庆为〓&的故事去批评美学研究中&质料内容二分&的思维模式等等），海德格尔诗学与庄子诗学思想之间也不可避免地存在着一定程度的差异；但由于二者之间客观存在着的真实的事实联系与可能的学理联系，以及在根本的思维方式、总体的理论路向、主要的运思方法和基本的言说方式等方面的一致或接近，这些差别中的大多数并没有成为足以阻碍海德格尔与庄子进行有效交流的鸿沟；反倒成了引发新鲜对话、产生新鲜思考的&解释学的距离&。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

The reason included five aspects:①the effect of physical environment: the open geographical environment and barren soil urge the Greeks to look for development outward while the close geographical environment and advantaged condition for agriculture shaped the Chinese conservative thought and obstructed their steps of going out.②the advancing and blocking of the economic: the frequent trade offered an abundant living supply and open view while the self-sufficient agriculture with restraining trade rigidified the thought.③ the difference in politic institute and situation: the democracy polis of ancient Greece is exclusive in the ancient world. It shaped the atmosphere of freedom, democracy and adversary. While the monarchy in ancient China pursued the "united country" and shaped the atmosphere serving for politic and consolidating thoughts.④the guiding of traditional culture: the Greeks pursued freedom and wisdom and were curious about nature while the Chinese adored ancestor and obeyed the authority and prefer to pragmatism.

出现这种关系的原因本文从以下五点进行分析：①自然环境的影响：古希腊开放的地理环境和贫瘠的土壤种植条件促使古希腊人向外寻求发展，而古代中国封闭的地理环境和优越的农业环境阻碍了中华民族外出的脚步和开放的思维；②经济条件的推动与束缚：工商业发展的农业经济和自给自足的小农经济所创造的物质条件和对思维影响的差别是很大的；③政治制度和政治形势的差异：古希腊民主城邦制在古代世界是独树一帜的，它所营造的自由、民主的氛围和古代中国追求&大一统&的君主专制下为政治服务、思想趋向统一的氛围截然不同；④传统文化的引导：古希腊人在长期的城邦生活和参与海外贸易的生活中形成的开放、自由、对自然充满好奇、追求智慧等民族文化传统与中国保守崇古、讲究实用的文化传统形成了鲜明的对比；⑤思想家本身(来源：A58BC论文网www.abclunwen.com)目的不同：古希腊思想家为了变得智慧而获取知识，享受知识带来的乐趣，而古代中国思想家的一切动机都是为了&成化天下&、&以政裕民&服务。

The reason included five aspects:①the effect of physical environment: the open geographical environment and barren soil urge the Greeks to look for development outward while the close geographical environment and advantaged condition for agriculture shaped the Chinese conservative thought and obstructed their steps of going out.②the advancing and blocking of the economic: the frequent trade offered an abundant living supply and open view while the self-sufficient agriculture with restraining trade rigidified the thought.③ the difference in politic institute and situation: the democracy polis of ancient Greece is exclusive in the ancient world. It shaped the atmosphere of freedom, democracy and adversary. While the monarchy in ancient China pursued the "united country" and shaped the atmosphere serving for politic and consolidating thoughts.④the guiding of traditional culture: the Greeks pursued freedom and wisdom and were curious about nature while the Chinese adored ancestor and obeyed the authority and prefer to pragmatism.

出现这种关系的原因本文从以下五点进行分析：①自然环境的影响：古希腊开放的地理环境和贫瘠的土壤种植条件促使古希腊人向外寻求发展，而古代中国封闭的地理环境和优越的农业环境阻碍了中华民族外出的脚步和开放的思维；②经济条件的推动与束缚：工商业发展的农业经济和自给自足的小农经济所创造的物质条件和对思维影响的差别是很大的；③政治制度和政治形势的差异：古希腊民主城邦制在古代世界是独树一帜的，它所营造的自由、民主的氛围和古代中国追求&大一统&的君主专制下为政治服务、思想趋向统一的氛围截然不同；④传统文化的引导：古希腊人在长期的城邦生活和参与海外贸易的生活中形成的开放、自由、对自然充满好奇、追求智慧等民族文化传统与中国保守崇古、讲究实用的文化传统形成了鲜明的对比；⑤思想家本身目的不同：古希腊思想家为了变得智慧而获取知识，享受知识带来的乐趣，而古代中国思想家的一切动机都是为了&成化天下&、&以政裕民&服务。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。