文化意义上

As a result, it integrated incense with beauty.The long-standing and well established Chinese culture, after the Japanese developed it into Japanese incense culture, has become the most important social activity in the Japanese beau monde today.There are a few researches about the incense and its industry. Besides, not only the minority circulation about the industry or research of the incense culture of the product among the workshops deviates from the orthodox incense cultural spirit, but also it always focuses on the raw materials of the incense only.

但如此源远流长之中华文化传至日本后发展为日本香道，成为今日日本上流社会中最重要的社交活动，但在我国社会竟未被彰显，大众对於香的意义探讨上多只直接联想到祭祀功能，关於香或香产业的研究实在屈指可数；而坊间少数流通关於品香文化之产业或研究，不是背离正统香道文化精神，就是多只著墨於香料之探讨研究。

On the way, By giving the example as the names of the thing (such as silk silks etc.) with color and the basic colorific phrase associated with it, this text demonstrated a fact that the basic colorific phrases were evolved from the names of the thing that include the color, under the function of the come from the method that is borrowing the thing assumes the color, and expatiated the condition of the basic colorific phrase in Chinese language. Take the synthesize colorific phrase implied compliment or dispraiser as an example, explained the imagism of Chinese thought method how to influence the synthesize the colorific phrase, and do it by taking the food, metals and nature scenery makes the ratio at other Chinese thought method that is take shape to analogy as too. It expatiated the influence that the Han ethnologic culture result in the acceptation of the colorific phrase, pass on analyze the diverse the diverse metaphor meanings of colorific phrase and the opposite phenomenon of acceptation among them of, and the colorific etyma metaphor of "yellow","vermilion","purple","blue","green" and "white", under the premise that distinct the different between themetaphor meanings of colorific phrase and colorific etyma metaphor.

由此本文通过例举有色彩含义的事物专有名称及相应的基本色彩词，分析了基本色彩词是在"借物呈色"思维方式的影响下，由有色彩含义的事物专有名称演变而来的事实，并阐述了汉语基本色彩词的状况；以含有褒扬、贬抑语义的合成色彩词为例说明了汉民族"意向性"思维方式对合成色彩词的影响，以取食物、金属、自然界景物作比的合成色彩词为例说明了汉民族"取象类比"思维方式对合成色彩词的影响；在区分色彩词隐喻意义与色彩语素隐喻意义的基础上，通过分析色彩词的多元隐喻意义及其中的语义对立现象，并分析"黄"、"朱"、"紫"、"青"、"绿"、"白"等色彩语素的隐喻意义，阐述了汉民族文化对色彩词语义的影响。

Discussed at the conferences are such questions as the unity and contradiction between globalization and pluralization, the changes of the stereotypes of the Chinese culture and the relations...

会议讨论了全球化与多元化的对立统一关系、中国文化的定型所发生的转变和亚文化之间的关系、外语教学中的文化因素和文化在外语教学中的意义，以及国际上跨文化交流研究的最新成果

As the firstvernacular and educational saga novel in China's ancient times, it isalso the greatest masterpiece that treats the prodigal's return as itssubject matter.

本研究在吸纳以往研究成果的基础上，从"教育小说"概念的界定入手，试图对李绿园创作观念的成因、《歧路灯》文本意义的构成以及二者之间的关系进行探讨和论证，进而揭示《歧路灯》的意义不单纯是李绿园对文学的理解和解释问题，也是其教育价值的判断与教育理念的支撑问题，并以此透视《歧路灯》的文学意义与教育意义的构成，以期在人文反思和重构社会文化语境中寻求文学理解与教育理解的具有借鉴价值的普遍性。

"Kuso" is part of the meaningful spirit of prank Internet games within the recent sub-culture of the younger generation. Many prankish works can be found in the networks. Originally it played a prankish role in the sub-culture and has since become a fashionable type of language. It reflects the resistance to both popular culture and traditional dogma.

在新新一代的次文化中，「KUSO」─恶搞，无疑是当代最具意义的潮流精神之一，在网路世界上，处处可见各种恶作剧式的搞笑作品，它原本是扮演著让人会心一笑的次文化角色，摇身一变为一种流行指称词的语汇，在在反映出了现代人们内心对於流行文化与传统教条的反叛。

Reputation rights and portrait rights. After all .we should control it based on free to talk for every enent.to keep within limit tricks.and to protect popular culture.its easy to innovation propus culture and leading progress of right culture, for reference the right theory.to control such phenomenon.at last perfect regulations of protection tricks.

从学理介和法学界的角度来说，网络&恶搞&在网络的传播可能对应的是歌曲作品的著作权、相关主体的名誉权和肖像权构成侵犯，尽管如此，我们应当在保护公民言论自由的基础上寻求对其进行规制，从而扼制侵权行为，保护正当的当今流行文化，以便于发展正当文化的革新，引领时代文化的发展，对于侵权问题的学说和借鉴，因根据实际情况和现实意义对此种现象进行合理的管制和定论，完善侵权保护制度。

The significance of this topic selecting:" American Dream " as a cultural motif in the society of the United States and a literary motif in American literature is reviewed in this thesis. Dreiser\'s five novels is the research object. Three main types of "American Dream " in Dreiser\'s novels are sorted and described to discuss the embodiment of the " American Dream ". This thesis evaluates the position of Dreiser in the history of American literature, and points out Dreiser is the first writer among the contemporary writers to describe all kinds of the " American Dream " in width. The Broken " American Dream " in the Works of Dreiser is sublimated to the realization of aesthetic significance of tragicalness. It is explained that it is not only social tragedy, fatal tragedy and character tragedy, but also universal tragicalness in the thesis.

选题意义：本文较为全面地考察了美国文化与美国文学的中的&美国梦&母题；以德莱塞的五部长篇小说为研究对象，梳理、描述破碎的&美国梦&在其作品中三种主要的表现类型；在文学史上试图对德莱塞进行重新定位，指明他在广度上是表现破碎的&美国梦&的第一人；由德莱塞笔下破碎的&美国梦&上升至悲剧审美意义的认识，说明它既是社会悲剧、也是命运悲剧与性格悲剧，并且是人类普遍存在的悲剧。

The last part discusses the significance of this kind of influence and introspects the shortcomings of it.

由以上的论述，归纳总结出盛唐文化对日本文化所产生的巨大影响和重要意义，找出两国文化交流的继承和发展的关系，并对世界文化史上这一奇特的文化交流现象做进一步的探讨和研究。

To eliminate the temporized policy of teachers?culture so as to promote the matter-of-fact spirit in the teachers?culture; 2. To establish the learning organizations based on various fields to strengthen the establishment of coordination teaching culture; 3. Theme teaching is valued only in the significant meaning in education but not in the play of words.

本研究也提出几项建议以供参考：第一，破除「上有政策、下有对策」的教师文化，将「实事求是」的精神导入教师文化之中；第二，建立以领域为基础的学习型组织，加强协同教学文化的建立；第三，主题教学贵在达成教育的实质意义而非沦为形式的文字游戏。

On the way, By giving the example as the names of the thing (such as silk silks etc.) with color and the basic colorific phrase associated with it, this text demonstrated a fact that the basic colorific phrases were evolved from the names of the thing that include the color, under the function of the come from the method that is borrowing the thing assumes the color, and expatiated the condition of the basic colorific phrase in Chinese language. Take the synthesize colorific phrase implied compliment or dispraiser as an example, explained the imagism of Chinese thought method how to influence the synthesize the colorific phrase, and do it by taking the food, metals and nature scenery makes the ratio at other Chinese thought method that is take shape to analogy as too. It expatiated the influence that the Han ethnologic culture result in the acceptation of the colorific phrase, pass on analyze the diverse the diverse metaphor meanings of colorific phrase and the opposite phenomenon of acceptation among them of, and the colorific etyma metaphor of "yellow","vermilion","purple","blue","green" and "white", under the premise that distinct the different between themetaphor meanings of colorific phrase and colorific etyma metaphor.

由此本文通过例举有色彩含义的事物专有名称及相应的基本色彩词，分析了基本色彩词是在&借物呈色&思维方式的影响下，由有色彩含义的事物专有名称演变而来的事实，并阐述了汉语基本色彩词的状况；以含有褒扬、贬抑语义的合成色彩词为例说明了汉民族&意向性&思维方式对合成色彩词的影响，以取食物、金属、自然界景物作比的合成色彩词为例说明了汉民族&取象类比&思维方式对合成色彩词的影响；在区分色彩词隐喻意义与色彩语素隐喻意义的基础上，通过分析色彩词的多元隐喻意义及其中的语义对立现象，并分析&黄&、&朱&、&紫&、&青&、&绿&、&白&等色彩语素的隐喻意义，阐述了汉民族文化对色彩词语义的影响。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。