文化意义上

Wu Xiuzhi applies vocalism of western beautiful tone what phonate at Henan opera to transform research, with the thinking of original creation, get on implant of her concept of vocal music education at fertile soil of culture of Central Plains earth, her this one practice is unprecedented, have initiate sexual meaning.

武秀之将西洋美声发声法运用于河南戏曲发声的改造探究，用独创的思维，把她的声乐教学理念深植于中原大地文化沃土上，她的这一实践前所未有，具有开创性意义。

The Chinese wine-shop and hotel industry must take advantages of the traditional Chinese culture and integrate it smoothly into modern wine-shop and hotel industry.

中国的酒店/旅馆业必须利用中国传统的文化和现代酒店/旅馆业结合起来，从某种意义上说，也就是说对原产于欧美的酒店/旅馆建筑、营销业进行消化和吸收，创立一些具有独特民族风格的特色，才能取得更大的突破。

Adopting Benjamin's designation of the traditional work of art by the concept of aura, the presence of that which is not present, the culture industry is defined by the fact that it does not strictly counterpose another principle to that of aura, but rather by the fact that it conserves the decaying aura as a foggy mist.

如果采用本雅明通过灵韵（aura，一种不在场的在场）这个概念所表达的对于传统的艺术作品的看法，那么，文化工业被这一事实界定了：它并非从严格的意义上使用另一个原则反对灵韵的原则；它更是被这一事实界定了：它保持着已经消逝成一层薄薄的雾的灵韵。

In Chapter Ⅲ and Ⅳ, the author examines almanacs, divine slips, juju, wishful messages and so forth, which played important roles in rural socio-cultural networks. This inquiry aims to show how the social memory of fengshui knowledge and ideas became possible, that is, how fengshui knowledge and ideas turned into popular belief and entered peasant life world by way of some correlative religious or mediumistic rituals.

第三-四章：从构成近世以来的乡土社会文化网络之环的通书、灵签、安镇符咒、竖造及丧葬仪式、乩示文本等入手，细部地探寻普遍意义上的风水知识、观念的乡土社会记忆是何以可能的，即分析风水知识、观念如何借助相关的巫术-宗教仪式，逐步&深耕化&为一种民俗信仰，从而成为民众&生活世界&的一部分。

The survey suggests that China has a long way to go before it is perceived as a multi-faceted power and that the country has not yet found a way to translate economic gains into soft power — or the ability to influence people and nations through nonmilitary means, like culture, diplomacy, politics and education.

调查表明中国还有很长的路要走，在中国认识到目前还有多方面的力量并且没有方法去改变经济收益到软力量中-或者在非军事意义上的影响人民或者国家的能力，像文化，外交，政治和教育。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expressions to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression_r, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expression_rs to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

Seen from this perspective, a seemingly particularistic study on sicilianamericanità could provide scholars of literary studies with precious insights about the meaning of cultural constructions of national identities and literatures.

由此观点视之，对西西里美国性的研究看来似乎是地方中心主义的，却能在国家认同与国家文学的文化建构意义上提供文学研究的学者可贵的见解。

Their worship of Confucius to some degree reflected that occidentals began to scan merits of Chinese culture and western culture renewedly after the First World War.

从这个意义上说，他们是一个文化群体。那么，他们眼里的孔子到底是什么形象？

The problem of the former is that China's contemporary art cannot achieve a real height in regard of cultural sense and spiritual expressions if it has not experienced the seedtime of modernism; while the latter's is that the interpretation of Vulgar Sociologism will overrun if the attention to the superficial reality is overemphasized-and that the so-called attention to the reality is nothing but the continuous reduplication of the symbols of reality.

前者的问题是，如果没有经历过现代主义的发展阶段，中国当代艺术不可能在文化意义、精神表达上具有真正的高度；后者的问题是，如果片面强调对表层现实的关注，则必然在庸俗社会学的阐释面前就范，而所谓的现实关注也无非是现实符号的不断复制而已。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。