文化

Topics presented will include: cultures of commodification an commodification of cultures; the importance of design to capital today; architecture and the design of cities; interior design or the re-emergence of privacy and phantasmagorias of the interior; new media and digital technologies in the shifting terrain between book and web design; fakes, fashion, and global commodities; branding and packaging; cinema as critique of space and affectivity; music and cultural memory; visual arts and visual culture; censorship and other constraints on design.

本届研讨会将最大程度的在广义上探讨设计问题，议题包括以下各个方面：商品化文化与文化的商品化；设计对于当今资本的重要性；建筑与城市设计；室内设计或私秘空间的回复与致幻型室内设计；在书籍设计和网络设计的地盘不断变化中新媒体和数码技术的作用；冒牌货、时尚和全球商品；品牌打造和包装；电影对情感和影响效应的解读；音乐和文化记忆；视觉艺术与视觉文化；审查制度以及其他对于设计的制约。

This article through explaining "Western Chamber" which evolves to the classics production by reorganizing the subject, by the cultural esthetical criticism method, excavates "the wall" image which polymerizes and inherits in the Chinese classical esthetic culture and inquires into the culture connotation which contains the humanity emotion demand;promulgates the cultural production mechanism and esthetics value characteristic of the classical text;inspects the riddle of classical art which has eternal charm.

本文通过解读《西厢记》主题嬗变到经典生成的过程，运用文化美学的批评方法，发掘出了&墙&意象在中国古典审美文化中的传承聚合，探究其中蕴涵的人类情感需求这一思想文化意蕴，揭示经典文本的文化生成机制与美学价值特征，考察经典艺术的永恒魅力之谜。

This article through explaining "Western Chamber" which evolves to the classics production by reorganizing the subject, by the cultural esthetical criticism method, excavates "the wall" image which polymerizes and inherits in the Chinese classical esthetic culture and inquires into the culture connotation which contains the humanity emotion demand;promulgates the cultural productionmechanism and esthetics value characteristic of the classical text;inspects the riddle of classical art which has eternal charm

本文通过解读《西厢记》主题嬗变到经典生成的过程，运用文化美学的批评方法，发掘出了&墙&意象在中国古典审美文化中的传承聚合，探究其中蕴涵的人类情感需求这一思想文化意蕴，揭示经典文本的文化生成机制与美学价值特征，考察经典艺术的永恒魅力之谜。

Firstly he helped to facilitate the formation and practice of the basic Culture spirits. Secondly he noticed to spread ancient records and academic spirits of the culture, Next by the means of the Office of his Commanding General, he brought about a modern cultural talented group with a large scale. At last he richened greatly the academic intension in the fields of philosophy, literature and history. Furthermore he helped to prompt the course of culture turn of Culture and even the whole China culture with strive in the fields of diplomatic sense, industrial technology, educational pattern.

首先他促成了倔强励志、洋务经世、开放兼融等近代湖湘文化基本精神的形成与实践；其次他关注对湖湘学人及典籍的推介；再次他主要以幕府为途径，在其人才观的指导下促成一个规模庞大的近代湖湘文化人才群体；最后在哲学、文史等领域极大丰富了近代湖湘文化学术内涵，并通过在外交观念、工业技术、教育格局等方面的近代化努力来促使湖湘文化乃至整个传统文化进行近代转型。

Cultural exchange, I think, is by no means a process of losing one's own culture to a foreign culture but a process of richening each other's national cultures.

我认为文化交流不是让外来文化吞没自己的文化，而是为了丰富各民族的文化。

The development of national culture, not only absorbs alien culture, mixed together with national culture, but also sifts traditional culture, fitted to age development.

一个民族文化的发展，一方面要不断吸收外来文化，使其融入本民族即有的文化之中，另一方面还要不断扬弃本民族的传统文化，使其适应时代发展的需要。

There were also real herotic comedies and extolled comedies,the sad in the happy,and the happy in the sad,there was aesthetics style in the tragicomedies,it was a group of people with the aid of characters from the plays to give vent to their sad feelings,it was a art shape of dramatists who were at the bottom of the society at that time,those were the impacted sparks of the dassic.

从戏剧美学的角度观照，元杂剧三国戏中有典型的英雄悲剧，也有真正的英雄喜剧与歌颂喜剧，并且能悲中寓喜，喜中有悲，具有悲喜交集的美学风格，这是那个时代士人群体沉郁苦闷的人生悲剧借助历史人物的心理宣泄，是元剧家们在沉入社会下层的人生境遇中所吸取的民间三国故事中孕含的富有理想色彩的乐观主义精神的艺术投影，是经典文化与大众文化相碰撞的火花在元代文化土壤结出的艺术果实，这种美学风格大大扩展了元代三国戏的审美张力，也增加了其文化意蕴与审美价值。

Bride price and dowry is one of China's most distinctive cultural phenomena. As a country with a long cultural heritage of the country, every level of culture it has great content and the unique cultural background.

彩礼和嫁妆是中国的一个最具有特色的文化现象，作为一个有着悠久文化底蕴的国度，每一层次的文化都有着它特有的文化内容和背景。

Any one nation's culture is an integral part of world culture, although each country in which the geographical environment, climate, cultural traditions, customs, social and economic are different, which appeared in different countries, ethnic style, and it is exactly is because these differences would constitute bright-colored world of family, is to distinguish between identity, but also deep cultural imprint.

任何一个国家的文化是世界文化的一个组成部分，虽然每个国家的地理环境，气候，文化传统，习俗，社会和经济不同，在不同国家的出现，民族风格，正是因为这些分歧将是鲜艳的家庭世界，是为了区分身份，而且有着深厚的文化印记。

Only if we make a deep understanding of the dialectical relations between cultural globalization and national culture and construct mechanism for readjusting conflict of value can we absorb the scientific and rational elements of global multicultures value broad-mindedly to develop national culture, especially build new socialist culture with Chinese characteristics.

我们只有深刻把握文化全球化与本民族文化之间的辩证关系，科学地构建价值冲突的调适机制，才能以海纳百川的胸怀吸纳全球多元文化价值观中的科学合理成分，发展民族本土文化，特别是建设好有中国特色的社会主义新文化。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。