文人

The creation method centralizes on brush tip writing has created the common sense of generations of literati towards ink effect.

以笔锋书写为中心的创作方法，建立起历代文人对笔墨效果的共同认知。

And inopportunity,for instance,a person who shows more interest in his professional skill rather than his political stance is given the title"baizhuan".White is related to failure,stupidness and profitless investment so the white flag signifies in a war as an intent to surrender.An mentally retarded person is called baichi,making a futilebaidingor baiyi,while a scholar without much experience is a "white-faced bookman".

白色的心理功能在其发展过程中由于受到政治功能的影响，又象征腐朽、反动、落后，如视为"白专道路"；它也象征失败、愚蠢、无利可得，如在战争中失败的一方总是打着"白旗"表示投降，称智力低下的人为"白痴"，把出力而得不到好处或没有效果叫做"白忙"、"白费力"、"白干"等，它还象征奸邪、阴险，如"唱白脸"、"白脸"奸雄；最后，它还象征知识浅薄、没有功名，如称平民百姓为"白丁"、"白衣"、"白身"，把缺乏锻炼、阅历不深的文人称作"白面书生"等。

But "" identity "" of word and improvement of "" status "" lie in scholar stratum the overbearing and insufferably arrogant overbearing proud spirit stimulate and create Song Dynasty even more.

但是，词的"身份"和"地位"的提高更在于宋代文人阶层那种不可一世的狂傲精神所激发和创造的。

Even so, it still displayed a traditional literary intelligentsia how to find the spiritual belief .

即使如此，它仍在一定程度上表现了一个传统士大夫气十足的文人寻求精神信仰的心路历程。

There is too much intercommunity between the cadence of four-word and seven-word sentences.

六朝前期文人对七言句式的轻视，自然也影响了骈文对七言句式的选择。

In traditional literati culture, one often encounters statements about the interpenetration of painting and poetry.

在传统文人文化中，"诗情"与"画意"的交融是一种理想的状态。

He was reputed a wit, an ironist, delighting in ambiguity, both pious and scatological, at home equally with the vernacular and the rhetorical, with the Greek philosophers and the early church fathers.

他被誉为一名智者，一位讽刺作家，在对与错的争论中高声欢唱，他虔诚却又听信流言蜚语。他的名声在家里如此，然而他同样也能与当地文人、文学大家、希腊哲人以及早期教堂神父们相媲美。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即"天人和一"、"弦外之音"以及"以象立意"等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

There is a very special relationship between knight-errant and Chinese antiquity literature.

游侠与中国古代文学有着非常特殊的关系。从先秦散文到清代游侠小说，游侠一直在文人笔下走动，并不时扮演着不同角色。

He said that he was a man of letters.

他说，他是一个文人。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。