文人

This wine two literati called "Qu Xue Zi", the lower the people called "grains of wine", which is the direct predecessor of today Wuliangye.

此酒两名，文人雅士称之为"姚子雪曲"，下层人民都叫"杂粮酒"，这就是而今五粮液的直接前身。

People like us have absolutely no understanding of these events, and with us completely not understanding, you bring them these facts. They'll just suppose these are the grumblings of a down-and-out writer and nothing more.

象我们这样的人对这些事情完全不了解，而完全不了解的情况下你就拿这些给他们，他们只能认为这是你们这些落魄文人发的牢骚而已。

Years in the Tang and Song of the drinking environment, etiquette, tea and other practices have been very particular about the way Miriam, with some agreement, commonly known as the rules and ceremonies, have tea party tea party's court, temple tea party, tea literati Feast of the sub.

在唐宋年间人们对饮茶的环境、礼节、操作方式等饮茶仪程都已很讲究，有了一些约定俗称的规矩和仪式，茶宴已有宫庭茶宴、寺院茶宴、文人茶宴之分。

After discerning, making statistics and comparing the condition of the literary men inditing which was recorded by the historical bibliographic literary such as Preceding Qin Han Wei Jin South and North Dynasty poems, WeiShu and LuoYang Temple Recording, etc, I believe that compared with the actual condition of BeiWei poets and poems, the quantity of existent BeiWei poets and poems only shares the few specific weight. And these poems have not the sufficient elucidation on the quality. The dubiety is also existed on the poets' achievements.

在分别对《先秦汉魏晋南北朝诗》之"北魏卷"、"北齐卷"、"北周卷"和《魏书》、《洛阳伽蓝记》等历史文献所记载的北魏文人赋诗情形进行甄别、统计、比较之后，论文认为：现存北魏诗人及其诗歌与北魏实际的诗人诗作相比，在数量上只占很少的比重，在诗歌的质量上不具有充分的说明性，在诗人的成就上也存在可疑性。

Chapter Five The Custom Culture and Fiction of the Han Dynasty The fiction was mainly affected by the custom culture in four aspects in the Han dynasty: Firstly, the fiction originated chiefly in hearsay. And the necromancy culture and comedy culture were its nutrition. Secondly, Many fiction writers were necromancers, comedians or bookmen whose status were like necromancers or comedians. The contents of the fiction are mainly hearsay and legend including freaky stories and person anecdotes, etc. There are particularly many contents about supernatural beings and necromancy. Owing to the factors such as writer composition and content source, the fiction has the artistic features of absurdity eeriness, wittiness, rich imagination, emphasis on imagery and narration, which give it strong literary colors.

第五章汉代风俗文化与汉代小说汉代风俗文化对本时期小说的影响主要表现为：汉代小说主要是在民间传说的土地上萌生出来的，当时的方士文化和俳优文化则是滋养它们的阳光雨露；方士、俳优或身份近于方士、俳优的文人是汉代小说作者队伍中的重要力量；汉代小说在内容上主要是对各种传言俗说的汇合，其中既有神怪故事，又有人物轶事，尤多神仙方术之谈；由于作者构成、内容来源等因素的影响，汉代小说具有虚诞、怪异、谐谑、想像丰富、注重形象性和故事性等艺术特点，这些特点赋予其较强的文学意味。

Once they secured an official position, they set elementary demands on the subordinates and successors of their knowledge background and aesthetic judgment.

这样的人做官，对自己的下属和继任者也会有知识背景和审美水准的基本要求，文人的品味因而一以贯之，千年传续。

On this foundation, this text draws lessons from classification method and classification name of the ancients physically according to the creations of song text, for one hand, According to the subject matter , divided Song prose into the saint and wise minister , ancient wise ,and the miscellaneous of three types, and according to the people of the past, carry on a define to"miscellaneous",for the other hand, from the motivation of writing ,dividing the song text into"to be subjected to order","being request to someone"and"scholar independence writing"three types, try to follow the science , integrity and exclusively standard to classify , and under the premise of categorized, carried on an initial define to the song prose, explicite the song prose the content of this literary style, and finally, in remaining part, we talk about the cultural and literary value about song prose .

在此基础上，本文根据颂文的创作实际，借鉴古人的分类方法及分类名称，一方面，从创作题材入手，将颂文分为圣主贤臣颂、古贤颂、杂颂三类，并对"杂颂"进行界定；另一方面，从创作动机入手，将颂文分为受诏而作、受人请托而作、文人自主创作三类，力图体现分类的科学性、完整性、排他性，并在分类的前提下，对颂文进行初步的概念界定，明确颂文这一文体的内涵，最后在余论部分对颂文的文学与文化价值予以明确。

There are also some expostulation poems among works written by literati of Han dynasty.

汉代的文人诗歌创作，也有一些讽谏的作品。

At that time, it was very popular for the scholars to write extempore verse on the walls of the scenic places.

当时文人盛兴即兴吟诗题壁的风气，韦肇亦不免俗，也在大雁塔上提了几句诗以显示自己的才华。

Their admiration of nature and extolment of fine arts prepared cultural conditions for the development of figure painting into full bloom.

魏晋南北朝文人和艺术家受到玄学的深刻影响，思想上十分解放，个性上极为自由，行为上也很放达。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。