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数字低音

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Six sonatas for 2 violas and basso continuo for harp, op.

六2中提琴和竖琴,运算数字低音奏鸣曲。4 (London, 1760) 4

Caccini's most influential work was a collection of monodies and songs for solo voice and basso continuo , published in 1602, called Le nuove musiche .

卡奇尼最有影响力的工作是一个monodies和独奏的声音和数字低音,在1602年出版的,名为乐新音乐歌曲集。

Six pieces for flute, oboe or viola, with basso continuo for harp or cello, op.

六件作品,供长笛,双簧管和中提琴,竖琴或与大提琴,同数字低音。3 (London, 1750) 3

Unlike Monteverdi's early operas, scored for the extravagant court orchestra of Mantua , Cavalli's operas make use of a small orchestra of strings and basso continuo to meet the limitations of public opera houses .

与威尔第的早期歌剧,为曼图亚,Cavalli的歌剧使一个字符串和数字低音小型管弦乐队使用,以满足市民歌剧院的限制奢侈法院乐团比赛。

A first inversion triad, expressed numerically as a 6-3 chord, has its original middle note as its bass, with the original top note a third above it and the original bottom note, the root, a sixth above it. Thus the tonic triad of C major is C-E-G in root position, and E-G-C in first inversion.

三和弦第一转位用数字6-3和弦来表示,以原中间音为低音,原最高音为其上的三音,原最低音,根音,为其上的六音。C大调主音三和弦在原位为C-E-G,第一转位为E-G-C。

A second inversion triad, expressed numerically as a 6-4 chord, has its original top note as its bass, with the original bottom note, the root, a fourth above it and the original middle note a sixth above it. Thus the tonic triad of C major is C-E-G in root position, and G-C-E in second inversion inversion.

三和弦第二转位用数字6-4和弦来表示,以原最高音为低音,原最低音,根音,为其上的四音,原中间音为其上的六音。C大调主音三和弦在原位为C-E-G,第二转位为G-C-E。

This type of playing is characterized by an ostinato bass figure, usually harply rhythmic, against which the right-hand rhapsodizes eely, the sections usually comprising 12 measures and the eatment often being contrapuntal {sometimes in only two dely-spaced parts, with repeated tones, broken-octave emolos, and short figures reiterated in great rhythmic variety.

这种类型的比赛是瀡特点是固定低音低音数字,通常harply节奏,对其中右手rhapsodizes ,通常由12人组成的部分措施,并经常被对位的eatment(部分有时只有两个德利行距),反复调,破八度emolos,并重申了很大的短数字艺术品种。

Inputs and Outputs Front Panel: Phones: Standard headphone output jack (gold-plated) Video 4: Gold-plated stereo RCA jacks, gold-plated RCA composite video jack and S-video jack Digital Optical 3 Input: Standard Toslink digital input with a plastic protective plug Digital Coax 3 Input: Standard gold-plated coaxial digital jack Back Panel: AM Loop Antenna Input: Two thumb screw connections FM 75-ohm Antenna input: Threaded "F" type connector Tape Input/Output: Stereo RCA jacks Video 3 Input: Stereo RCA jacks, RCA composite video jack and S-video jack Video 2 Input/Output: Stereo RCA jacks, RCA composite video jacks and S-video jacks Video 1 Input/Output: Stereo RCA jacks, RCA composite video jacks and S-video jacks DVD Input: Stereo RCA jacks, RCA composite video jack, and S-video jack CD Input: Stereo RCA jacks Monitor Output: RCA composite video jack and S-video jack Subwoofer Preamp Output: 1 RCA jack Digital Optical 1 Input: Standard Toslink digital input with a plastic protective plug Digital Optical 2 Input: Standard Toslink digital input with a plastic protective plug Digital Coax 1 Input: Standard coaxial digital jack Digital Coax 2 Input: Standard coaxial digital jack Digital Optical Output: Standard Toslink digital output with a plastic protective plug Digital Coax Output: Standard coaxial digital jack Remote Control In/Out Jacks: One mini-jack input and one mini-jack output Speaker Outputs: Binding post outputs for front left, front right, surround left, surround right, and center speakers (posts are not 5-way binding posts, because each post has a plastic collar that prevents used with spade lugs and the posts are too far apart to use dual banana plugs) AC Outlets: One unswitched AC outlet and one switched AC outlet

投入和产出接待小组:电话:标准耳机输出插孔视频4 :镀金立体声RCA插孔,镀金的RCA复合视频插孔和S - Video插孔数字光学3输入:标准Toslink数字输入与一个塑料保护插头数字同轴3输入:标准镀金同轴数字接口背板:上午环形天线输入:两个拇指螺丝连接调频75欧姆天线输入:线程的& F &型连接器,磁带输入/输出:立体声RCA插孔视频3输入:立体声RCA插孔,插孔的RCA复合视频和S - Video插孔视频2输入/输出:立体声RCA插孔,莲花复合视频插孔和S - Video插孔视频1输入/输出:立体声RCA插孔,插孔的RCA复合视频和S端子接口的DVD输入:立体声RCA插孔,插孔的RCA复合视频和S -视频CD输入端插孔:立体声RCA插孔监视器输出:复合视频的RCA插孔和S - Video插孔低音前置输出: 1的RCA插孔数字光1输入:标准Toslink数字输入与一个塑料保护插头数字光2输入:标准Toslink数字输入与一个塑料保护插头数字同轴输入1 :标准同轴数字接口数字同轴2输入:同轴数字接口标准数字光输出:标准Toslink数字输出塑料防护插件数字同轴输出:标准同轴数字接口远程控制在/输出插孔:一个迷你插孔输入和1个小型插孔输出扬声器输出:结合后产出的左前方,右前方,左环绕,右环绕和中心发言(职位不是5个具有约束力的方式,因为每个职位有一个塑料环,可以防止使用铁锹派和职位过于遥远使用双香蕉插头)交流插座:一个unswitched AC插座和一个开关AC电源插座

Roman numerals do not form a part of the normal figured bass, but may be used in analysis to indicate the root of a chord.

罗马数字通常不是数字低音的组成部分,但可用来分析和弦的根音。

Musically, the adoption of the figured bass represents a larger change in musical thinking- namely that harmony, that is "taking all of the parts together" was as important as the linear part of polyphony.

在音乐上,数字低音的使用代表着一个在音乐理念上的更大改变,这个理念被称为和声,这种&将所有部分合在一起&的想法与复调音乐的线性思维部分同样重要。

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