数千年来

Relations between the neighbours for much of the past two millennia have been marked by brief bursts of mutual admiration interspersed with lashings of trouble, strife and, on occasion, total war.

两千年来，中日关系变幻不定，两国间有过短暂的互相倾慕，大量的纷争，也爆发过数次全面战争。

second,there is the problem of waste.all nuclear power stations produce wastes that in most cases will remain radioactive for thousands of years.it is impossible to make these wastes nonradioactive,and so they must be stored in one of the inconvenient ways that scientists have invented.for example,they may be buried under the ground

第二点，就是浪费的问题。多数情况下所有核电站废弃物都会存在核辐射数千年，要使这些废弃物不带有辐射又是不可能的，所以核废物必须用科学家们发明的一种方法来储存处理。例如，可以把它们埋在地下

All nuclear power stations produce wastes that in most cases will remain radioactive for thousands of years.It is impossible to make these wastes nonradioactive,and so they must be stored in one of the inconvenient ways that scientists have invented.

多数情况下所有核电站废弃物都会存在核辐射数千年，要使这些废弃物不带有辐射又是不可能的，所以核废物必须用科学家们发明的一种方法来储存处理。

All nuclear power stations produce weretes these in maximum cases be to remain radioactive to tho洛杉矶nds of ages.It is immaybe to do any weretes nonradioactive,or so you ought to be shopd in first of the inconvenient ways these scientists HAs invented.

多数情况下所有核电站废弃物都会存在核辐射数千年，要使这一部分废弃物不带有辐射又是不估计的，所以核废物必需用科技家们发明的一种窍门来储存处理。

I hope to use visualized language to probe the injuries and pains that inflict our bodies and souls, to probe the tininess of the individual and the vastness of the times. We encounter these conundrums and pressures in every era, and it seems that in our historical experience, every time we encounter massive social change and destruction, Chinese culture comes out with a shocking ability to recover, so that our spiritual roots have never totally collapsed but continued on to this day through the impermanent cycles of the millennia. Rebirth and transmutation from destruction seems to be the religion that universally connects us as a people.

我希望是用视觉化的语言来讨论我们的灵与肉的创伤和阵痛，个体的渺小和时代的漫无边际，在任何时代里我们都会遭遇这种相似的困境和压力，似乎在过去的历史经验中我们每遇重大社会变革和灾难中，中国文化总是有一种惊人的自我修复能力，才使我们的精神文脉并没有全面的崩溃，反而是在数千年无常的时间轮回中绵延至今，在幻灭中重生和蜕变似乎是我们这个具有现世宗教的民族的普遍性联系。

VSOP87 Functions used to Compute Planeta - These functions are a VB version of the complete VSOP87 planetary theory designed to be used to in a program to compute the heliocentric ecliptic longitude, latitude and distance of the planets Mercury to Neptune over a period of several thousands of years to about 1 arcsecond of precision.

这些函数是一个VB版本的完整VSOP87行星理论，旨在一个程序中用来计算以太阳为中心的黄道的经度，纬度，以及Mercury到Neptune行星的距离（从数千年到大约1arc秒精度的周期内）。

Each successive ruler of the city, the Romans, the Greeks, Arabs, Europeans, refrained from destroying the edifices of bygone eras, thus, preserving a long succession of monuments to the past; visible evidence of a city that has been conquered and reconquered several times over thousands of years.

罗马人、希腊人、阿拉伯人、欧洲人，每一个相继统治这座城市的统治者，都避免毁坏以往时代的高大建筑，从而保留了一连串历史的丰碑——一个城市几千年来数次历经沦落与再度沦落的见证。

Kui Wu Dong, founder of the art Guild has become the capital of a beautiful scenic art, from last year as a free public service to the public opening of the Art Guild has received some workers, artists, students, military personnel, public and the community to visit and related arts organizations, Dong Wu Kui first the first visit to the central leaders on Arts Guild, said:"After decades of our time and energy on building the arts Guild Hall is to use the brand to a cultural platform. architecture for building" a harmonious society "and" harmonious economy,"" a harmonious community "played a lead role of Arts Guild is the main arts, painting circles for greater returns, so that more artists can display their works of art out so that they can revive the traditional Chinese culture, Chinese culture and history of several thousand years orderly inheritance, more brilliant spectacular!"

吴东魁先生创办的艺术会馆目前已成为京城一道亮丽的美术风景线，从去年作为一个免费向公众开放的公益性艺术会馆已接待了有工人、艺术家，学生、军人、市民等社会各界的参观人员及相关艺术机构，吴东魁先生一次给中央领导人参观艺术会馆介绍时说：&我们历经数十年的时间及精力建这个艺术会馆就是想用会馆这个品牌来构架一种文化平台，为构建&和谐社会&、&和谐经济&、&和谐社区&起到一牵头作用，艺术会馆主要是对艺术界、绘画界抛砖引玉，让更多的艺术家能够把自己的艺术作品展现出来，这样才能够振兴中国的传统文化，让中国几千年的文化历史有序地传承，更加辉煌壮观&！

Chinese women were wakened from a thousands of years sleep by western civilization across the oceans. the time rhythm of sexual equality and freedom of personality pushed them out of boudoirs. the voice of falling in love in free, of independent marriage excited them indeed. women then possessed the most romantic, poetic,and brilliant youth. they paid no attention to but romantic loves. they took entitles love to the most profound beauty of personality, koa acacia ,and the most beautiful flower never rotted.

当飘洋过海而来的西方文明使沉睡了数千年的中国女子苏醒了的时候，当男女平等、个性解放的时代节拍把她们推出家门的时候，&恋爱自由，婚姻自主&的呼声确实令她们振奋，当时的女性作者们拥有最浪漫、最灿烂、最富有诗意的青春，她们只专注于情和爱，她们给情爱赋予了&人性最深妙的美&、&是相思的红豆&、&是最美丽、是永远也不会凋零的鲜花&。

Zhang Min:"TrumpJet" technology sets the dosing point of wet end chemical additives at the outlet pipe of machine screen of the head-box, and uses Booster pump to extract stock as dilution media, and uses "TrumpJet" mixing to inject chemical additives into Headbox loop, which dexterously uses energy of stock in Headbox pipelines, making a very low power consumption in Booster pump (only requires the energy of speeding up for chemical additives flow), eliminating large volume of chemical additives for fresh water dilution, and chemical additives and stock can be fully mixed within 2 seconds, and delivered to model for shaping at the maximum of chemical additives efficiency.

在数千年的造纸发展史上，传统的湿部化学品的加入和混合一直是利用加后稀释水的方法通过静态在线混合器来完成的，由于湿部化学品的加入量很小，，其流量仅为 0.1~1升/秒甚至更小，而要将如此之小的流量加入到纸机流浆箱300 ~2000 升/秒的工艺系统浆料流体中，同时达到化学品与造纸纤维均匀接触，即使是消耗大量的清水和使用在线混合器也很难达到&完全&且&有效&地混合，于是就又产生了将化学品的加入点，提前到远离流浆箱的工艺位置，这样可以延长混合时间，但人们忽略了在过早加入化学品的同时也带来了化学品的流失、化学品在短循环系统循环产生有害副产物生成浆管悬挂、化学品水解失效等一系列弊病。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。