故事作者

I'm my own author, here's my story.

我是自己生命的作者，这就是我的故事

In this sense, I do not see how the fascinating game of producing collective, infinite stories through the Net can deprive us of authorial literature and art in general.

在这个意义上，我看不出创作集体的迷人游戏，互联网上无限的故事，如何能把我们与作者的文学和艺术割裂开来。

Therefore, in many Taiwan literary works, the family story is always the important source of inspiration for many authorial writings.

中文摘要「家」是个人生命的根源，更是启蒙个人对於「自我认同」之重要场域，因此在台湾文学作品中，家族故事一直是许多作者书写的重要灵感来源。

The authors, one an ornithologist, the other an archaeologist, integrate a wealth of archaeological data to illuminate and enliven the story, indicating the extent to which climatic, agricultural, and social changes have affected the avifauna.

该报告的作者之一的鸟类学者，其他的考古学家，集成了丰富的考古资料，照亮和活跃的故事，说明在何种程度上的气候，农业和社会的变化，影响了鸟类。

He tries to weave his book together with the story of Krishna Bahadur Thapa, a Nepali farmer who escaped poverty thanks to some of the techniques and strategies Mr Polak advocates.

作者设法将克里什那。伯哈德。塔帕的故事和作品结合在一起。

This is their story as told in a ballad written by Frank G.

这是一首讲述他们故事的歌谣，作者是福兰克。G。

Its on the oriental stage that a series of oncoming and dormant Oedipus tragedies-incest tragedies, with which the westerners are so familiar regardless of performance on the somewhere strange stage, are highlights, so that the western spectators not only can enjoy the different exotic cultural charms, but from the commanding perspective fell the superiority of their own culture in this fabricated cultural context featured with backward, isolation and far from the reality. In addition, Zhang prefers to the method of time lagging in the film text formation, so that the textual times usually drag back to the past on purpose such as 1930s, 1940s, per-anti-Japanese war period as well as 1960s and 1970s; apart from this, the far-off areas far from the cultural center are chosen as the film space, all which get together to set up a static, stagnate and hiding Chinese traditional cultural context symbolized by backward, barbarousness and ignorantness to satisfy the male desire.

为了营造这个虚拟舞台，张艺谋影片中的采用了时间的滞后性策略，影片中的故事本文时间均选择了过去：十九世纪三十、四十年代，抗战前期，六七十年代；影片中的本文空间均选择了远离文化中心的边缘地带，通过时间的滞后策略和空间的边缘策略来满足一个停滞的、凝固的、静止的落后而由愚昧野蛮的中国传统文化语境；将处于社会边缘的女性放置在其中，利用观众位置的双重性认同结构，巧妙利用女性这一表层可见视觉中心和读解影片时意义渐隐的策略来遮掩和移位其真正的作者意识形态：即重复再一次对女性的观看，满足东西方男性的窥视欲望。

Robert Louis Stevenson, one of the most undervalued authors in English literature, created in _Kidnapped_ a fast-paced adventure tale; a subtle examination of Scottish history and culture; and a pair of unforgettable characters -- the sensible young Lowland protagonist, David Balfour, and his "wild Hielandman" mentor, Alan Breck Stewart.

25日1999察：罗伯特路易斯斯蒂文森读者，其中最被低估作者英语文学，创造_kidnapped_高速历险故事；微妙审核苏格兰历史和文化；一双令人难忘的人物以及--明智低地年轻主人公，大卫贝尔福、"野生hielandman"指导员，艾伦冠名合演。

The most famous one,"Brer Rabbit and the Tar Baby," tells how a big-mouthed rabbit gets himself into—and then out of—trouble.

这些故事的作者乔伊。

The story, illustrated by the author, is set in Britain during the Middle Ages, as the bubonic plague is sweeping across the country.

这个故事，由作者所示，设置在中世纪，英国的是淋巴腺鼠疫席卷全国。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。