故事书

The larges collection in his papers is 6158 pages for his final book, The Story of Human Communications: Cave Painting to Microchip, which was in press when he died.

该larges收集在他的论文是6158页的最后书，故事人力通讯：洞穴绘画到微晶片，这是记者时，他的死因。

When I have fears that I may cease to be When I have fears that I may cease to be Before my pen has glean';d my teeming brain, Before high-piled books, in charactery, Hold like rich garners the full ripen';d grain; When I behold, upon the night';s starr';d face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour, That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love;--then on the shore Of the wide world I stand alone, and think Till love and fame to nothingness do sink.

每当我害怕每当我害怕，生命也许等不及我的笔搜集完我蓬勃的思潮，等不及高高一堆书，在文字里，象丰富的谷仓，把熟谷子收好；每当我在繁星的夜幕上看见传奇故事的巨大的云雾征象，而且想，我或许活不到那一天，以偶然的神笔描出它的幻相；每当我感觉，呵，瞬息的美人！我也许永远都不会再看到你，不会再陶醉于无忧的爱情和它的魅力！－－于是，在这广大的世界的岸沿，我独自站定、沉思，直到爱情、声名，都没入虚无里。

Although The Charioteer is considered by many to be her best book, the stories that she wrote about ancient civilizations are her most popular works.

虽然Charioteer 是许多人认为是她最好的书，故事，她写的古代文明是她最受欢迎的作品。

It told the story of a girl who'd been in a concentration camp with her mother.

书中讲了一个女孩和她母亲在集中营里的故事。

In the Grapes of Wrath Steinbeck has achieved an interesting contrapuntal effect by breaking the narrative at intervals with short, impressionistic passages recorded as though by a motion picture camera moving quickly from one scene to another and from one focus to another.

在《愤怒的葡萄》一书中，斯坦贝克不时打断故事的叙述，插进一些简练的、印象式的段落，取得有趣的对位衬托效果，仿佛是在用一架电影照相机作纪录似的，很快从一幕场景换为另一幕场景，从一个焦点转到另一个焦点。

In the Grapes of Wrath Steinbeck has achieved an interesting contrapuntal effect by breaking the narrative at intervals with short, impressionistic passages recorded as though by a motion picture came

在《愤怒的葡萄》一书中，斯坦贝克不时打断故事的叙述，插进一些简练的、印象式的段落，取得有趣的对位衬托效果，仿佛是在用一架电影照相机作纪录似的，很快从一幕场景换为另一幕场景，从一个焦点转到另一个焦点。

Sentence structure is short, yet the vocabulary is conversationally modern ''This is awesome!

书中的故事简单易懂，语句结构简短，使用的词语也相当口语化。

When I replied that I had no book and therefore could not study sacred history, he adjusted his cowl and said

我说我没有书，我现在没有学《圣经故事》。他整了整高筒帽子，问道

In The Soul of Medicine, Dennet is a rare-books librarian at Canterbury University who had expressed regret that his stories about characters he had encountered would die with him.

在《医学之灵魂》书中，Dennet是坎特布里大学里一名未完成书稿的图书管理员，他很遗憾于自己故事里所遇到过的人物将会随着他的死而随风飘逝。

As in previous titles in the Can You See series, each meticulously constructed, double-page spread features a crisp photo (here the images have been digitally manipulated) of a scene filled with miniatures, and the accompanying, rhyming text offers a list of objects to search for in the picture.

与"眼力大考验系列"之前的图书一样，这本书的每张内页跨页上都有一张清晰分明的图片（书中的这些图片都是经过数码操作的），这些图片中的故事场景都是经过精心设计的，里面的物品都是微型的，然后紧随其后的文字部分使用的是押韵的词语，列出了读者应该在图片中找出的物品。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。