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Such an ideology has undoubtable theoretical and social value .which has ever stimulated many people with high ideals to develop the human society.influenced the following scholars" theoretical research and the rulers" dominating thoughts .

它所内含的积极入世精神使其有别于道家的自然主义,避免了消极避世、独上小楼以成就一己的倾向,能够激发人们治国平天下的热情,使人们有志于在改造现实和实现社会进步的过程中实现自己的人生价值,有助于未知世界的探索和社会前进;它贴近人文的理论特点则使其区别于法家的势术说,弱化了政治的工具理性,而致力于终极关怀,以人为目的,关注人的生命价值和存在意义,有利于&仁&的理念全面占领社会生活,人类因此而进入道德、文明的理想世界。

Picture heartily, Overstate the huge hands out of shape, Big mouth smiling unprincipledly, Confused fight scene, Whether no matter the society about politics or human one, Lin Lin who hints obliquely at out, always is always thought-provoking, Especially the artist compels admiration by humorous and humorous irony.

酣畅淋漓的画面,夸张变形的巨手,笑得肆无忌惮的大嘴,混乱的战斗场面,无论是有关政治的社会的还是人类的,影射出的林林总总是耐人寻味的,尤其是艺术家以幽默诙谐的反讽来无情剖析社会的锐智和勇气令人叹服。

The author believes that, Narrating in Vogue, a representative urban cultural style, first appeared in Shanghai in the second vicenary of last century.

笔者认为,&时尚叙事&是 20 世纪二三十年代出现于上海商业都市的一种时尚性的另类都市文化叙事,这类风格的叙事以时尚杂志或大众传媒手段为载体,借助时尚性、大众传播的传媒方式占领文化市场,直接驱入都市日常生活的各个时空,并且以生活政治的方式影响并左右着人们的思想行为和价值判断,在社会的现代化建设中发挥了亚意识形态的作用。

That Arnow's novel has fallen into relative obscurity whereas John Steinbeck's "The Grapes of Wrath", which covers similar ground with blunter prose and more heavily laid-on political concerns, has become a classic says much about what America chooses to romanticise: farming not industry, the lone hero rather than a harried working mother, California rather than Detroit.

与约翰?斯坦贝克的《愤怒的葡萄》相比,阿诺的这部小说黯然失色。《愤怒的葡萄》以更尖锐的言辞描述了类似的背景,同时包含了大量对政治的关注,已经成为一部经典之作,很大程度上能表明美国会浪漫化哪些东西:是农业而不是工业,是孤独的英雄而不是苦恼的工作妈妈,是加利福尼亚而不是底特律。

But in the East, as I have before mentioned, the ruling aristocracies tended to become religious rather than military or political, and gained, therefore, rather than lost in power; while in some instances the physical conformation of Asiatic countries had the effect of making individual communities larger and more numerous than in the West; and it is a known social law that the larger the space over which a particular set of institutions is diffused, the greater is its tenacity and vitality.

但是在东方,像我已在前面说过的,统治的贵族们逐渐倾向于变为宗教的而不是军事的或政治的,并因此不但不失去反而获得了权力;同时,在有些事例中,亚细亚国家的地理构造促使各个社会比西方社会的面积更大,人口更多;根据公认的社会规律,一套特定制度传布的空间越广,它的韧性和活力也越大。

Said's main critique is directed against the way in which the Western (defined more specifically as British, French, and to a certain extent more recently, North American) economic, political and academic powers have developed a dichotomized discourse in which an ascendant West is juxtaposed with a silent Eastern Other according to terms and definitions specified and determined by the West itself.

赛氏主要是在批判西方(准确的说是英国、法国和近来的北美)通过其经济的、政治的以及学术的力量、以及自身所规定的一套术语和规则来建立一套二元对立的话语,在这套话语当中,高高在上的西方对位于一个被规训的、沉默的东方&他者&。

At the crossing line of the minoritizing and universalizing of queer subjectivity between Korea and the West, I'd like to construct an argument and discuss a new possibility of "West Meets East" in queer politics as to how Korean queers achieve sexual citizenship by not assimilating heteronormative norms and values but liberating their own quotidian sexual subjectivities and reforming institutions to further recognition of sexual diversity and inequality.

南韩的酷儿们要获得性方面的公民权不应该被异性恋的规范同化,而是要解放他们自己每天的性主体性,更多认识性多样性,认识实际存在的不平等。因此,在将酷儿的主体性少数派化和普遍化的过程中,在南韩和西方的交界线上,我希望建构一个新的论调,提出一种新的有关酷儿政治的&西方遇见东方&的可能性。

And although Boeing, for decades as synonymous with Seattle as rain, announced in 2001 that it was up and leaving for windier pastures in Chicago, the city's progressive politics, inventive culture and ready access to outdoor recreation continue to lure restless people like no place else on the West Coast.

而且虽然波音,十年同样同义字的与西雅图,当做雨,在 2001 年宣布它是向上的而且前往芝加哥、城市的前进政治的较多风的牧场,善于创造的文化和准备好的接触户外的娱乐继续在西海岸上别的像没有地方一样引诱不安静的人。

Based on the research done by previous scholars, the article dwellsupon the following aspects, with the main thread of the development ofXuantian Heaven Emperor belief: probe into the origin of XuantianHeaven Emperor belief and points out Xuantian Heaven Emperor belief isa product of celestial body worship, animal worship and water worship;discuss the relationship between the Xuantian Heaven Emperor belief andpolitics in the Ming Dynasty and points out the flourishing of XuantianHeaven Emperor belief in the Ming Dynasty results from the promotion bytheir rulers, esp, Emperor Ming Cheng Zhu; probe into the relationshipbetween Xuantian Heaven Emperor belief and civil secret society andtouch upon the influnce of Xuantian Heaven Emperor belief in civil secretsociety; discuss the relation between Xuantian Heaven Emperor belief andliterature and formatire arts, as well as elaborate the mutual influencebetween Xuantian Heaven Emperor belief and formatire arts.

本文在前人研究成果的基础上,以玄天上帝信仰的历史发展为主线,主要探讨了以下几个方面的内容:玄天上帝信仰的由来,指出玄天上帝信仰是天体崇拜、动物崇拜和水崇拜的产物;明代玄天上帝信仰与政治的关系,认为明代玄天上帝信仰之所以兴盛的原因在于明代统治者,特别是明成祖对玄天上帝的推崇;玄天上帝信仰与民间秘密社会的关系,初步探讨了玄天上帝信仰在民间秘密社会中的影响力;玄天上帝信仰与文学、造型艺术的关系,从文学与造型艺术两个方面,阐明玄天上帝信仰与文学、造型艺术之间存在着互动影响的关系。

Politics could have been the destructive element for Graham, since he started his rise in the age of Eisenhower and for a time was a fervent red hunter, an admirer of Senator Joe McCarthy and an overall basher of the left, as here in a radio broadcast of 1953:"While nobody likes a watchdog, and for that reason many investigation committees are unpopular, I thank God for men who, in the face of public denouncement and ridicule, go loyally on in their work of exposing the pinks, the lavenders and the reds who have sought refuge beneath the wings of the American eagle and from that vantage point try in every subtle, undercover way to bring comfort, aid and help to the greatest enemy we have ever known - communism."

自从Graham在艾森豪时代的崛起,而且一度是位狂热的激进主义者,他一直摆脱不出政治的纠缠,他崇拜参议员Joe McCarthy并且赞同对左派的痛击,就像他在1953年的广播节目中所说的:&当没有人喜欢看门狗的时候,许多检调单位将不受欢迎,我认为上帝对一个面对公众谴责与悉落的人来说,忠诚地出现在他们接触左派思想的工作上,同时对于在美国这头巨鹰的双翼下找寻庇护以及在微细处找寻有利位置的人而言,暗中替他们带来信心,以及帮助我们面对前所未有的敌人—共产主义。&

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This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

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