放逐的

From Act III, he is beginning to overcome feelings of depression, lofty ideals and a sense of responsibility. made him aware of the need to take action to fight unreasonable fate, so he took a series of vigorous measures revenge, Jian Wang from the show taken from real crime to rewrite Mitsunobu undermining Jianwang his deportation to Britain then trying to plot the assassination of the final Jian Wang, a state minister to his like-minded cronies. This is all demonstrated his ingenuity, courageous, calm careful and superhuman knowledge.

从第三幕起，他忧郁的心情开始得到克服，崇高的理想与责任感，使他意识到必须以行动来抗争不合理的命运，于是他雷厉风行地采取了一系列复仇措施，从采取演戏的方法从实奸王的罪行到改写密信，破坏了奸王把他放逐到英国，然后借刀杀人的阴谋，最终刺杀奸王，把国事托给他志同道合的密友，这无不表现了他的机智勇敢、镇定缜密以及超人的智慧。

I am used to hide myself,dodge the covert sensation even it's happened,i will let it hide in the music book as a noiseless pause.i can flowing day and night as a river,seems unrestrained and unconstraint,no one can guess i just want to hide the sleeping fish on riverbed .i am used to consoled by loneliness,but a warm pair of hands,i defend for my self---always be exiled to a frontier by love,shall be realized desolate beauty which ignore easily ;i willing to be the flockmaster who shepherd far away ,what i shepherd alone is just the herd of inner .

我习惯隐藏自己，躲避隐秘的感情，即使发生，也让它像个寂静的休止符藏在乐谱里。我可以像河流日夜不止的奔行，看似恣肆而无所阻拦，谁也猜不到，我只为藏好沙床上那条睡觉的鱼。我习惯被孤独抚慰，而不是被一双暖意的手，我为自己辩护说——总是要被爱放逐到边界，才会体会出易被忽略的荒凉之美；我愿做远到天边的牧羊人，独自放牧的不过自己内心的兽群。

Romeo, there dead, was husband to that Juliet; And she, there dead, that Romeo's faithful wife: I married them; And their stol'n marriage-day was Tybalt's dooms-day, whose untimely death Banish'd the new-made bridegroom from the city, for whom, and not for Tybalt, Juliet pined.

死了的罗密欧是死了的朱丽叶的丈夫，她是罗密欧的忠实的妻子，他们的婚礼是由我主持的，就在他们秘密结婚的那天，迪伯尔特的死于非命，这位才做新郎的人也从这城里被放逐去；朱丽叶是为了他，不是为了提伯尔特，才那样伤心憔悴。

Because of the flux of individual and society, the characters of his novel are outside of their culture, and because they cant get rid of the conceptions their societies imposing on them they are also encaged by social barriers. Lengthwise they lose their relations with traditional culture, and breadthwise they lose their relations with other people, and therefore they are captured by loneliness.

他笔下的人物因为个人与社会的变迁而遭遇文化家园的放逐，因为社会观念的束缚而遭遇社会壁垒(如白人与黑人之间的壁垒)的囚禁；他们既失去了与传统文化之间的纵向联系，也失去了与他人之间的横向联系，并因而深陷孤独的处境。

Unacademic trend is gathering up because of intervention of mass media, one hand is civilian literatura criticism that is far from obscure modern and post modern concept or theory category, and gentle to readers, the other hand is banishing deepness so that animadversion on culture and literature leads to absence of real criticism.

大众传媒的介入，使文学批评的非学理倾向逐渐增强：一方面是平民化文学批评倾向明显，没有现代性和后现代性等晦涩的概念和理论范畴，注重文本对读者的亲和力；另一方面，深度的放逐，批评批判化的倾向出现，导致真正批评的缺席，没有比较中和的批评互补，不能推出新的典范。

By his own account he must have lived his life among some of the wickedest men that God ever allowed upon the sea; and the language in which he told these stories shocked our plain country people almost as much as the crimes that he described.

照他的说法，他一定是活在被上帝放逐到海上的一些最邪恶的人们中间的。他讲这些故事所用的语言，就像他所描述的那些罪恶一样，大大震动了我们淳朴的村民。

Not self-expressionist like slogans and unrelated to bitter wandering or self-exile, her painted works are filled with faint colors, vague images, gleaming lines and unconscious or occasional traces, which are separated from the hilarious reality and naked ideas with a big gap, being as if an old memory is flashing in one's mind.

她的作品不是口号式的自我表现，与苦涩的彷徨、自我放逐也没有关系。在她的作品中，幽微的淡淡色彩、暧昧模糊的形象，若隐若现的勾线，无意或偶然的痕迹，与热闹的现实以及赤裸裸的表象之间，隔着一个悠远的距离，仿佛一段浮现的记忆。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。