放手

Another tip is to let go of your emotional attachments in the home.

另一端是放手，你的感情在自己家中。

Just go for it. I'll back you up.

放手去做吧，我会支持你的。

Just go for it. I will back you up.

放手去做吧，我会支持你的。

You can get stomped by Obie You thirty-six year old baldheaded fag, blow me You don't know me, you're too old, let go It's over, nobody listen to techno Now let's go, just gimme the signal I'll be there with a whole list full of new insults I been dope, suspenseful with a pencil ever since Prince turned himself into a symbol {*knife slices*} But sometimes the shit just seems everybody only wants to discuss me So this must mean I'm dis-gus-ting But it's just me, I'm just obscene No I'm not the first king of controversy I am the worst thing since Elvis Presley to do black music so selfishly and used it to get myself wealthy Hey!!

你可以踩，由奥比·您三十六年岁baldheaded fag ，打击我你不知道我，您太旧，放手它的过去，没有人听技术现在让我们去，刚才给我的信号我将有与整个名单充满了新的侮辱 i一直涂料， suspenseful与一支铅笔自从王子自首成为一个象征，但有时shit外围刚才似乎大家不仅要讨论我因此，这必然意味着我的存款保险计划- GUS的婷但它只是我，我只是色情没有我不是第一次国王争议我最糟糕的事，因为猫王这样做的黑色音乐，使自私并用它获得自己富裕

I stood hardly, catching baluster to dare not let go to death, fear again trip.

我艰难地站了起来，死抓着栏杆不敢放手，害怕再摔倒。

You can be mad as a mad dog about what went around, you can swear, and curse the fates, but when it comes to the end, you have to let go.

你可以像疯狗那样对周围的一切愤愤不平，你也可以诅咒命运，但是等到了最后一刻，你还是得平静地放手而去。

If I let go, you can beat me up.

如果我放手，你可以揍我一顿。

Take the blasphemer outside the camp. All those who heard him are to lay their hands on his head, and the entire assembly is to stone him.

把那咒诅圣名的人带到营外、叫听见的人都放手在他头上、全会众就要用石头打死他。

If it be right, do it boldly.

如果它是对的，放手去干。

But once embarked on this course with constant repetition you get more and more brazen in the attack.

但是一旦搞上了，重复搞几次，你就会越来越厚颜无耻，放手大搞了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。