放手

Go back nearly 30 years, and few would have thought that any of the three cities were about to remake the world for the better. In September of 1982, the Hong Kong stock exchange lost a quarter of its value after Margaret Thatcher, flush from her victory in the Falklands War, annoyed the rulers of communist China by foolishly seeming to suggest that Britain might be able to hold on to its colony — which prompted China to insist that it would do no such thing. At the same time, London and New York City were bywords of urban decay. In 1981, London had seen some of the most bitter riots in a century. The city was run by a hard-left political clique whose understanding of capitalism came straight from Marx.

回顾近三十年历程，很少有人会想到世界上任意三个城市能够塑造出更加辉煌灿烂的世界。1982年9月，随着英国首相玛格瑞特撒切尔在弗兰克群岛一战大获全胜，精神振奋，香港联合交易所一季度股市走低，其市值下降了四分之一，英国可能不放手殖民地香港，中国共产党当局陷入困顿而竭力周旋此事，与此同时，伦敦和纽约市面临市区老化的问题。1981年，伦敦经历了最惨痛的暴乱，伦敦城由主张资本主义反对马克思社会主义的强硬政治党派统治。

You can feel free to let the grass clippings fall where they may.

你可以放手让基层剪报秋天那里可能。

While hanging out with the deejays, he taught himself their hand movements on the control panel.

在这生活的开端，我们听任自己的志趣驰骋，放手给它们一切满足的机会。

If you cannot put yourself in the battle of heights just because of the fear of defeat, you will never get s***esses.

因害怕失败而不敢放手一搏，永远不会成功。

And see no end to the landscape,new objects presenting themselves as we advan ce;so,in the commencement of life,we set no bounds to our inclinations.nor to the unrestricted opportunities of grastifying them.we have as yet found no obs tacle,no disposition to flag;and it seems that we can go on so forever.we look round in a new world,full of life,and motion,and ceaseless progress;and feel in ourselves all the vigour and spirit to keep pace with it,and do not foresee from any present symptoms how we shall be left behind in the natural course o f things,decline into old age,and drop into the grave.it is the simplicity,and as it were abstractedness of our feelings in youth,thatidentifie s us with nature ,and(our experience being slight and our passions strong)delu des us into a belief of being immortal like it.our short-lives connexion with existence we fondly flatter ourselves,is an indissoluble and lasting union-a h oneymoon that knows neither coldness,jar,nor separation.as infants smile and s leep,we are rocked in the cradle of our wayward fancies,and lulled into securi ty by the roar of the universe around us0we quaff the cup of life with eager h aste without draining it,instead of which it only overflows the more-objects p ress around us,filling the mind with their magnitude and with the strong of de sires that wait upon them,so that we have no room for the thoughts of death.

此时，但觉好风光应接不暇，而且，前程更有美不胜收的新鲜景致。在这生活的开端，我们听任自己的志趣驰骋，放手给它们一切满足的机会。到此为止，我们还没有碰上过什么障碍，也没有感觉到什么疲惫，因此觉得还可以一直这样向前走去，直到永远。我们看到四周一派新天地——生机盎然，变动不居，日新月异；我们觉得自己活力充盈，精神饱满，可与宇宙并驾齐驱。而且，眼前也无任何迹象可以证明，在大自然的发展过程中，我们自己也会落伍，衰老，进入坟墓。由于年轻人天真单纯，可以说是茫然无知，因而将自己跟大自然划上等号；并且，由于经验少而感情盛，误以为自己也能和大自然一样永世长存。我们一厢情愿，痴心妄想，竟把自己在世上的暂时栖身，当作千古不变、万事长存的结合，好像没有冷淡、争执、离别的密月。像婴儿带着微笑入睡，我们躺在用自己编织成的摇篮里，让大千世界的万籁之声催哄我们安然入梦；我们急切切，兴冲冲地畅饮生命之杯，怎么也不会饮干，反而好像永远是满满欲溢；森罗万象纷至沓来，各种欲望随之而生，使我们腾不出工夫想死亡。

Curse the fates, but when it comes to the end, you have to let go.

到最后一刻，你还是得平静的放手而去。

You can swear and curse the fates,but when it comes to the end,you have to let go.

但是等到最后那一刻来临之时，你还得平静的放手而去。。。

You could swear, curse the fates,but when it comes to the end, you have to let go.

你可以诅咒你的命运，但最后一刻到来之时，你只能轻轻放手。

You can swear and curse the fates, but when it comes to the end, you have to let go.

但是等到了最后一刻。。。你还是得平静的放手而去。

Motherfukkers wanna act loco, hit em wit, numerous shots with the fo'-fo' Faggots runnin to the Po-Po's, smoke em like cocoa Fuck rap, coke by the boatload Fuck dat, on the run-by, gun high, one eye closed Left holes through some guy clothes Stop your bullshittin, glock with the full clip Motherfukkers better duck when the fool spit One shot could make a ***** do a full flip See the ***** layin shocked when the bullet hit I hate my high youth, no niggaz wanna buy you But see me I wanna fuck for free Now I gotta let her take this ride, make you feel it inside your belly, if it's tight get the K-Y Jelly All night get you wide up inside the telly Side to side, til you say Jay-Z you're too much for me I am a little bit of loneliness A little bit of disregard Handful of complaints But I can't help the fact That everyone can see these scars I am what I want you to want, what I want you to feel But it's like no matter what I do I can't convince you to just believe this is real So I let go watching you Turn your back like you always do Face away and pretend that I'm not But I'll be here 'cause you're all that I got Got a condo with nothin but condoms in it The same place where the rhymes is invented So all I do is rap and sex, imagine how I stroke See how I was flowin on my last cassette?

motherfukkers不愿扮演买卖，击中在束手无策，无数镜头与fo'佛' faggots runnin向蒲圃的，烟在想可可他妈的说唱，焦炭，由船他妈的数据，对我们来说处，枪高，睁一眼闭一眼，左孔，通过一些家伙衣服停止你的bullshittin ，格洛克与充分剪辑motherfukkers更好的鸭当傻瓜随地吐痰一杆可以做出*****做了充分倒装看到***** layin震惊时，一颗子弹击中我恨我高青年，没有niggaz想购买，但你看我，我想他妈的免费现在，我的宝贝，让她在此转乘，使你感到这里面你的肚子，如果它的紧迫得到健扬果冻一整夜，你得到了广泛的内telly方方， TIL的，你说的Jay - Z你太多，我我感到一点点的寂寞一点点的漠视少数投诉不过，我可以帮不了事实，即每个人都可以看到这些伤疤我什么我要你想，我想你的感觉，但它的，不管是什么，我我无法说服你只是相信这是真实的，所以我放手看着你谈谈你的背部一样，你总是做脸去，假装我不是但是，我可以在这里'的事业，你都是我的一个共管与nothin但是避孕套在这同一个地方，而语言是发明所以，我要做的就是Rap及性别，想象我如何中风，看看如何，我flowin对我的最后卡式？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。