放手

I can see the edge but I can't take the fall, no

我可以看到边缘但我却不能放手，不能

Brent Thill of analyst of beautiful flag group is in Zhou Wu says in a report, We still believe it is to determination finishs those who trade, let go unlikelily temporarily.

花旗集团分析师Brent Thill在周五一份报告中说，"我们仍然相信是有决心完成交易的，不太可能暂时放手。"

Go ahead with it, and we will stand by you through thick and thin .

放手去做，我们永远站在你这一边。

According to Commire, the themes of reaching out, symbolized in song, holding on, symbolized in wood, and letting go, symbolized by the ocean and by sailing, guided Voigt as she crafted the entire Tillerman cycle.

据Commire ，主题伸出，象征着歌曲，举行，象征着在木材，并放手，象征海洋和帆船，引导她设计的福格特整个Tillerman周期。

If dare not to struggle under unconstraint, you will never achieve your own success.

因害怕失败而不敢放手一搏，永远不会成功。

Unhand Me, Woman.

放手 女人

In the commencement of life,we set no bounds to our inclinations.nor to the unrestricted

在这生活的开端，我们听任自己的志趣驰骋，放手给它们一切满足的机会。

In your behind, in the past are taking time, time to end unthinkingly taken away, memories do not let go.

在你的身后，时间把过去都带走，时间把尽头带走不假思索，回忆不放手。

Keeping love in your mind, and dont believe forever love in some loving stories, there is nothing lasting in the world, the most important thing is responserbility. but when womans love has changed , everthing become nothing, there is one thing you should do ,dont valu vacillatingly when love is coming ,and learn to give up when love is missing.though love is true, most of men has poor power to handle it , so

心中要有爱，但请别说也别相信那些琼瑶阿姨小说里面的山盟海誓，世上本无永恒，重要的是责任，但女人心海底针，心变了，一切都成枉然，你要做的就是该出手时就出手，该放手时别犹豫。30岁之前的爱情不是假的，但只是大多数人都没有能真正把握好的能力，所以学会量力而行。

I let you go on your wedding day because...

我放手让你去嫁给他。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。