放在一边

17 And he ordered these also to be placed with those that had been cast aside.

94：17和他命令，也都必须放在与那些已被抛在一边。

Please put the excavators on Hatch No.4 deck, one on each side, and the road rollers in Hatch No.2 tweendeck hatchway.

请把掘土机放在四舱甲板，一边一个，并把压路机装在二舱二层舱舱口位。

If you don't want it, leave it on the edge of the plate.

假如你不喜欢的话，把它放在盘子一边。

Speed Ferries British company a 38-year-old senior captain Southcott, Yangyangzide of the work place Facebook, such as driving carrying 800 people and 200 cars catamarans from the English Channel, while his body of work, 800 Lives, but slow life to enjoy snack foods: potato chips to eat while Zhanjiang, a can of refreshing drinks on board next to the precision instruments, but also placed some snacks.

英国Speed Ferries公司一名38岁的资深船长索思，洋洋自得的把工作情况放上Facebook，例如驾驶搭载800人以及200台车的双体船往来英伦海峡时，虽然他工作时身系800条人命，但却悠然自得地享用零食：一边蘸酱吃薯片，把一罐提神饮品放在精密仪器板旁边，还放置一些小吃。

In his warped perception, he lost you to the "dark side," which is she.

他把你放在了黑暗的一边

Do not place the candle under wind, the flame will shake by sway; over firing on one side will break the candle balance.

尽量不要放在有风的地方，火焰会随风偏倒，影响美观；蜡烛只往一边烧，使蜡烛燃烧失去平衡。

A senior captain demand of company of British Speed Ferries of 38 years old is thought of, a self-satisfied working circumstance put Facebook, drive for example when the channel of catamaran come-and-go Yinglun that carries 800 people and 200 cars, although the body when his job fastens 800 human life, but enjoy snacks carefree and contently however: Dip in at the same time sauce eats potato piece, one canister life-giving drink is put in nicety on the side of instrument board, still place a few fastfood.

英国Speed Ferries公司一名38岁的资深船长索思，洋洋自得的把工作情况放上Facebook，例如驾驶搭载800人以及200台车的双体船往来英伦海峡时，虽然他工作时身系800条人命，但却悠然自得地享用零食：一边蘸酱吃薯片，把一罐提神饮品放在精密仪器板旁边，还放置一些小吃。

Hundreds of Tibetan exiles chanted prayers and sang songs in New Delhi and Dharmsala, the northern town where he lives, to mark the birthday, setting aside nagging worries about their aging leader's successor.

几百名流亡藏人在新德里和达赖居住的北部城市达兰萨拉为他祈祷、唱歌，庆祝他的生日，暂且将为这位老去的领导人寻找继承人的事放在了一边。

He walked up to her, and fumbling in his pocket, he said

他走到她底面前，一只手放在袋里，掏取着什么，一边说

Nobody loves you when you're down and out [00:18.29]Nobody sees you when you're on cloud nine [00:26.92]Everybody's hustlin' for a buck and a dime [00:35.16]I'll scratch your back and you scratch mine [00:44.54]I've been across to the other side [00:52.89]I've shown you everything, i got nothing to hide [01:01.46]And still you ask me do i love you, what it is, what it is [01:11.71]All i can tell you is it's all show biz [01:19.34]All i can tell you is it's all show biz [01:32.64]Nobody loves you when you're down and out [01:41.31]Nobody knows you when you're on cloud nine [01:49.88]Everybody's hustlin' for a buck and a dime [01:58.67]I'll scratch your back and you knife mine [02:07.40]I've been across the water now so many times [02:16.16]I've seen the one eyed witchdoctor leading the blind [02:24.87]And still you ask me do i love you, what you say, what you say [02:33.11]Everytime i put my finger on it, it slips away [02:41.46]Everytime i put my finger on it, it slips away [03:26.88]Well i get up in the morning and i'm looking in the mirror to see, ooo wee!

当你落魄潦倒的时候，没有人爱你 [00：18.29] 当你是在云九上的时候，没有人看见你 [00：26.92] 每个人 hustlin'为一块钱和一个一角硬币我将擦你的背面和你擦伤的我的 [00：44.54] 我有是横过到另一边我有显示你每件事物的， i 什麽也不得到到兽皮我做 i 的你问和剧照爱你，它是什么，它是什么所有的 i 能告诉你的是它所有的是演艺事业所有的 i 能告诉你的是它所有的是演艺事业 [01：32.64] 当你落魄潦倒的时候，没有人爱你 [01：41.31] 当你是在云九上的时候，没有人认识你 [01：49.88] 每个人 hustlin'为一块钱和一个一角硬币我将擦你的背面和你刀的我的 [02：07.40] 我有是横过水现在如此许多次 [02：16.16] 我有看眼的 witchdoctor 领先盲人我做 i 的你问和剧照爱你，你说的事情，你说什么 Everytime i 把我的手指放在～上它，它滑倒离开 Everytime i 把我的手指放在～上它，它滑倒离开好的 i 在早晨起床的和我正在顺便探访镜子看见， ooo 很小的！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。