改写者

"Do you see him?" pursued my convict," Do you see what a villain he is? Do you see those grovelling and wandering eyes? That's how he looked when we were tried together. He never looked at me."

可以看出，三个翻译文本的译者尽管使用的具体词句不同，但显然都对"tried"的理解有一个共识，那就是"审讯"或"审判"；在简写本中，改写者Clare West用的是"tried"的名词形式"trial"，也应理解为"审讯"或"审判"。

You turned my life around, you picked me up when I was down, You're all that I ever known, when you smile on your face You picked me up when I was down You're all that I ever known, when you smile on your face You picked me up when I was down and I hope that you feel the same way too, Yes I pray that you do love me too All my life I've prayed for someone like you, And I thank God that I, that I finally found you All my life I've prayed for someone like you Yes, I pray that you do love me too All my life I've prayed for someone like you And I thank God that I, that I finally found you All my life I've prayed for someone like you Yes, I pray that you do love me too All my life by lune

你是我的全部和一切。当你对我微笑的时候，我看见的全是你的爱。你改写了我的生命。当我倒下时，是你在鼓励我。你是我的全部和一切。当你对我微笑的时候，当我倒下时，是你在鼓励我。你是我的全部和一切。当你对我微笑的时候，当我倒下时，是你在鼓励我。我希望你能和我有同样的感觉，没错，我希望你也一样爱我。-我全部的生命。我在为你祝福，我感谢上帝，让我最终选择了你。-我全部的生命。*Remake者-死。

" And "Alice's adventures of the rewriting is who?

"和"《艾丽丝奇遇记》的改写者是谁？

Of the Teutonic codes it is almost unnecessary to make this assertion, because those codes, in the form in which we have received them,were compiled or recast by Christian legislators.

对于条顿法典，我们几乎是毋庸作这样的说明的，因为我们所接受到的这些法典的形式，是经基督教立法者编纂或改写过的。

In representing the Other, Disney's animated feature Mulan replaces traditional Chinese culture embedded in the original Chinese ballad "Ode to Mulan" with individualism, the ideology of American mainstream culture by means of Orientalization and Americanization.

迪斯尼动画片《木兰》在再现&他者&的过程中对本土文化进行了东方化和美国化，以美国主流文化的个人主义价值观置换了原作《木兰辞》所蕴涵的中国传统文化，从而改写了本土文化的民族身份。

Their differences in form make this effect a complicated process of intersecting and dissociating, attracting and resisting.

日常叙事的风行是对曾经一统天下的宏伟叙事的偏执性反拔，是启蒙神话破裂之后的幻灭叙事，写物主义倾向和日常生活本身的封闭性与重复性使小说的主体性呈现为碎片状态；模糊审美作为叙事风格主要表现为内心光照逐渐黯淡的黑夜主题夺走了叙事者的存在基础，欲望化叙事和表象化叙事闪现着一种遗忘意志，作家相对主义式的犹豫表达模糊了必要的价值分野；小说的新闻化倾向作为一种文体现象，是对快速推进的信息时代和全球性的非虚构化潮流的文化回应，但它所标榜的真实性因为只能停留在表浅层次而显得暖昧和可疑；自我重复是反修辞和反诗学的命题，是指相同的叙事成分在同一作家的不同作品中的机械重复，自我重复有细节重复、情节与结构重复、扩写与改写等表现形式，媒体时代的强制性文化法则、作家的内在缺陷和叙事模式的局限性是其文化根源；反讽与讽刺相比，是一种相对温和却又更具普遍性的文化反抗形式，但九十年代小说的言语反讽、情境反讽和总体反讽都因为主体缺乏内在的价值支撑而陷入虚无，虚伪的反抗成为一种遮蔽现实的屏障；九十年代小说的叙事视角从传统的全知视角转向限知视角，具体表现为旁观视角和窥视视角，这种强调局部性和差异性的视角本来可以成为扩展个人话语空间的正当途径，但由于它们被过分地利用于渲染感官刺激和心理刺激，与大众趣味不谋而合。

The UN rapporteur who is supposed to be the global guardian of free speech has had his job rewritten -- to put him on the side of the religious censors.

本应是言论自由全球监护者的联合国报告员改写了自己的工作职责，站到了宗教审查者的一边。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。