收藏家

Flowers li-pass leaves, not Zhanshen friend took me to see a collector's collection,...

百花丛里过片叶不沾身。朋友带我去看一位收藏家的收藏，。。。

But ironically, it won't hit sales, as the botched items are likely to become collector's pieces.

有意思的是，这不会影响到销售，因为里面增加的内容很可能将成为收藏家们争相收购的宠儿。

I'm a collector of lives.

我是生命的收藏家。

He is a collector of Chinese art.

他是一名中国艺术品的收藏家。

This is useful for households with more than one collector.

这是有益的家庭有超过一个收藏家。

I can get from a private collector...

我可以从私人收藏家那里搞到。。。

It must have been in the possession of a private collector.

这肯定是一个私人收藏家的财产。

As a born art collector, his presence will not only allow us to open up ...

作为一个天生的艺术收藏家，他的存在不仅让我们开了。。。

I'm a collector.

我是个收藏家

It must have been in the possession of a ** collector.

它一定是属于一位私人收藏家的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。