撒开

I scarce knew in what Manner to receive them; but found to draw our selves in a close Line was the only Way: so we form'd in a Moment: But that we might not have too much Interval, I order'd, that only every other Man should fire, and that the others who had not fir'd should stand ready to give them a second Volley immediately, if they continued to advance upon us, and that then those who had fir'd at first, should not pretend to load their Fusees again, but stand ready with every one a Pistol; for we were all arm'd with a Fusee, and a Pair of Pistols each Man; so we were by this Method able to fire six Volleys, half of us at a Time; however, at present we had no Necessity; for upon firing the first Volley, the Enemy made a full Stop, being terrify'd as well with the Noise, as with the Fire; four of them being shot into the Head, dropp'd, several others were wounded, and went bleeding off, as we could see by the Snow: I found they stopp'd, but did not immediately retreat; whereupon remembring that I had been told, that the fiercest Creatures were terrify'd at the Voice of a Man, I caus'd all our Company to hollow as loud as we could; and I found the Notion not altogether mistaken; for upon our Shout, they began to retire, and turn about; then I order'd a second Volley to be fir'd, in their Rear, which put them to the Gallop, and away they went to the Woods.

放出第一排枪之后，我们的敌人就给枪声和火光吓坏了，马上停止了前进。有四条狼被我们打中头部，倒了下来；另外有几条受了伤，鲜血淋淋地跑掉了。这在雪地上可以看得一清二楚。我发现，狼群停止了攻击，但没有后退。这时，我忽然记起有人说过，就是最凶猛的野兽，听见人的声音也会害怕。于是我就叫大家拼命呐喊。这个办法果然很有效。我们一喊，狼群就开始后退，掉头跑掉了。我又下令朝它们背后开了一排枪。这样一来，它们才撒腿跑回树林里去了。

Men may profess faith in the truth; but if it does not make them sincere, kind, patient, forbearing, heavenly-minded, it is a curse to its possessors, and through their influence it is a curse to the world.

当他们看到了上帝被藐视，他的工作被毁谤，无辜的人被压迫，就不由得有一种义愤激动他们的心。这样的愤怒，是出于敏锐的道德理念，并不是罪。但是，那些每每自以为受人触犯而任性滥发怒气或愤恨的人，是向撒但开了心门。

The egg will cook delicately from the heat of the linguine, just enough for it to thicken and not scramble.

装盘子，撒上帕马赞粉，这也很重要，增色的，好了，开吃，包你满意。

Turns towards the sunlight, confinement nimble and resourceful both eyes, feared is burnt by the dazzling ray; Turns towards the sandy soil, bowed the head is reciting the former days sadness and the joy, the water used sound is filling the dry astringent dry sand nest; Turns towards the moonlight, I open the obscure ambiguous eye, opens the happy door leaf, was relating the deep Tibet long love, taking advantage of moon's ray, has been scattering according to the world dark quoin.

向着阳光，禁闭着灵动的双眼，怕被刺眼的光芒灼伤；向着沙土，低首吟唱着昔日的忧伤与快乐，用水的声音填充着枯涩干涸的沙窝；向着月光，我睁开蒙胧的眼睛，敞开心扉，诉说着深藏已久的爱情，借着月亮的光芒，撒照着世界黑暗的角落。

Csar proposed to his father, that they should either ask the cardinals to open the cupboard, or shake hands with them; but Alexander VI.

所以凯撒向他的父亲建议，或是请这两位红衣主教去开碗柜，或是与他们每人亲热地紧握一次手。

We left by ship from troas and sailed straight across to samothrace, and the next day to Neapolis .

我们坐船从特罗亚出发，直开撒摩特喇，第二天到尼亚坡里。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。