撒开

But before this, it is unhappy, because it has been buried in the solid soi and can't see the sun. In order to make its dreams come true, it makes great efforts to fight against soil's imprisonment.Although grass around it criticizes it, defames it, and blames it, it never lose heart and go on with its fighting, because it knows clearly it's impossible to change others. So do I.I decide to study hard, so I have to hide my cleverness and try to be foolish, must be so foolish as not to be able to play, to relax, or to entertain, but study only.

撒下一粒忧伤的种子，它便会长成希望之苗开出快乐之花，结下幸福之子，在这之前，它仍是忧伤的，它在厚实的泥土里，忧伤地，坚强地向上挺直腰杆，为了她心中的梦，那个充满希望与欢乐的梦，虽然她现在是忧伤的，虽然现在周围的草在说她坏话，批评她，责备她，甚至讥笑她，但她知道改变别人是不可能的，也是没有必要的。

Immediately his mouth was opened and his tongue was loosed, and he began to speak, praising God.

撒迦利亚的口立时开了，舌头也舒展了，就说出话来，称颂神。

And his mouth was opened immediately, and his tongue loosed, and he spoke, and praised God.

撒迦利亚的口立时开了，舌头也舒展了，就说出话来，称颂神。

And his mouth was opened immediately, and his tongue loosed, and he spake, and praised God.

撒迦利亚的口立时开了，舌头也舒展了，就说出话来，称颂神。

And his mouth was opened instantly, and his tongue loosed, and he began to speak, blessing God.

1：64 撒迦利亚的口立时开了，舌头也舒展了，就说出话来，颂赞神。

And his mouth was opened immediately, and his tongue loosed, and he ake, and praised God.

1：64 撒迦利亚的口立时开了，舌头也舒展了，就说出话来，称颂神。

And his mouth was opened immediately, and his tongue loosed

1：64 撒迦利亚的口立时开了，舌头也舒展了，就说出话来，称颂

Immediately his mouth was opened and his tongue was loosed, and he began to speak, praising God.

撒迦利亚的口立时开了，舌头也舒展了，就说出话来，称颂上帝。

And immediately his mouth was opened and his tongue loosed, and he spoke, blessing God.

撒迦利亚的口立时开了，舌头也舒展了，就说出话来，称颂神。

That was a gold meadow beside the valley of Xia Te river, we walked along the river, strong sunshine sprinkled like fleck at the small path through dense pine trees, there were some unknown wild flowers in the meadow, there were some moldered old trees falling down roadside, the bare roots seemed telling the waste of time and history.

沿夏特河谷边金黄色的草甸循溪而上，太阳透过密密的松林，将烈烈的光斑斑驳驳的撒在小径上，空地上零星的开着不知名的野花，时不时能见到早已腐朽的老树横倒在路边，裸露的根像在诉说着那万年的蹉跎与沧桑。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。