撒开

But pretty soon he struggled up astraddle and grabbed the bridle, a-reeling this way and that; and the next minute he sprung up and dropped the bridle and stood!

不过并没有多久，他就用力一挣，跨上了马鞍，抓住缰绳，晃到这一边，又晃到那一边，坐立不稳。再歇了一会儿，他又一跃而起，撒开了缰绳，站立在马背上啦！

Little fat Pig-wig's petticoats fluttered, and her feet went pitter

两只小猪趁他不注意，撒开了腿就跑

When you ask them to work out a sum they take a piece of paper, cover it with rows of A's, B's and X's and Y's, scatter a mess of flyspecks over them, and give you an answer that's all wrong.

当你要他们算出总数时，他们拿出纸，在纸上画许多横线，并撒开混乱的小点在上面，并且给你一个那些都错了的答案。

Used to the "bone rubbing dust" action and "annihilation" of the intention to link the essence of their soul is also intended in the ash, the sub-cast of, you can disrupt its aggregation purposes.

过去常把&搓骨扬灰&的动作与&斩尽杀绝&的意图联系起来，其本意亦在于精魄在灰中，分撒开后，就可以阻扰其聚合的目的。

The company is casting its net wide in its search for a new sales director.

公司撒开大网到处物色新的销售主任。

The company is casting its net wide in its search for anew sales director.

公司撒开大网到处物色新的销售主任。

The company is casting its net wide in its search for a new sale director.

公司撒开大网到处物色新的销售主任。

Yu Niu forepaw cast off from the tail, hind legs after oblique dengzhe ground, head up two-angle open mouth, a gesture prance out of the ordinary momentum, life seems about to set off a roar of the powerful earth-shaking horses.

玉牛撒开前蹄甩起尾巴，后腿斜后蹬着地面，昂首张嘴竖起双角，一副腾跃的姿态气势不凡，栩栩如生，似是一匹怒吼着即将出征的战马惊天动地不可一世。

The duke he begun to abuse him for an old fool, and the king begun to sass back, and the minute they was fairly at it I lit out and shook the reefs out of my hind legs, and spun down the river road like a deer, for I see our chance; and I made up my mind that it would be a long day before they ever see me and Jim again.

公爵呢，就骂他是个老傻瓜，国王也马上还嘴，乘他们闹得不可开交的时刻，我便溜出了酒馆，撒开腿就跑，活象一只小鹿沿着河边大路往前飞奔――因为我看到机会来啦，我下定了决心，从此以后，他们要是想再见到我和杰姆，那就不知道是何年何月啦。

Yet before the floating impress of the woods could clear itself, suddenly the gladsome light leaped over hill and valley, casting amber, blue, and purple, and a tint of rich red rose; according to the scene they lit on, and the curtain flung around; yet all alike dispelling fear and the cloven hoof of darkness, all on the wings of hope advancing, and proclaiming,"God is here!"

然而，在树林的缥渺影象逝去之前，突然那欢悦的晨光跃过峰峦和山谷，照在琥珀色、蓝色、紫色又偏向红色的玫瑰上。光线所及，把照到的景致和撒开的帷幕分别绚染，而所有的一切都同样在驱散恐惧和黑暗的魔影，所有的一切都展开希望的翅膀，向前飞翔，并大声宣告，&上帝在此！&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。