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I bound the base of the tree with sticky tape, making it impossible for the ants to reach the aphides.

我当即动手作了一项试验,这项试验尽管没有使我摆脱这些蚂蚁,却使我着迷了 24 小时。

If one often says such unhappy words as "terrible" and "painful", his life will be seized with the dark side of things.

应用:b。如果一个人经常说一些像"糟透了"、"痛苦死了"这样不祥的字眼,那么他的生活就摆脱不掉事物的阴暗面。

But in the seventeenth century the Gallican doctrine takes its revenge with Richer and Launoy, who throw as much passion as science into their efforts to shake the work of Bellarmine, the most solid edifice ever raised in defence of the Church's constitution and the papal supremacy.

但在17世纪的高卢圣学说考虑其报复与丰富和Launoy ,谁扔了热情,科学纳入他们的努力摆脱工作的贝拉明,最牢固的大厦以往任何时候都提出了维护教会的宪法和教皇的优势。

A masterpiece everyone can chant speaks for all of us and expresses that in the life's journey, people keep pondering and feeling for the manner of realization of life values in order to get rid of mental bemusement and confusion, and finally realize and recognize that "to make the limited individual melt into eternal natural law" is a crucial manner.

一首人人能吟的千古绝唱,道出了你我的心声,表达了所有人在生命的旅程中,为了摆脱精神的困惑与迷茫,通过不断思考与摸索人生价值的实现方式,最终体悟到"将个体有限之道融进整体永恒之道"才是唯一的途径。

She did, and left him and had her breast cut.

这部根据真实事例改编的电影讲述的是身患乳腺癌的长岛千惠在某次展览会上结识了太郎,并开始和他交往,但是她却摆脱不了自己心中的烦恼,觉得对太郎不能再隐瞒下去,于是诉出实情并离开太郎接受了乳房切除手术。

At fifty, I knew what were the biddings of heaven. At sixty, I heard them with docile ear. At seventy, I could follow the dictates of my own heart; for what I desired no longer overstepped the boundaries of right!

80后这个称呼被赋予了太多的涵义,他们摆脱不了这个时代赋予他们叛逆、幼稚的符号,但却又要承受亘古不变古训的桎梏,所以才有了30岁80后男人面临的尴尬。

He thought that "literariness" also enabled a work to be a literary work Russian formalists understood "literariness" from the form linguistics and pay attention to the form and skill of a work.

俄国形式主义对&文学性&的认识是从形式语言学出发,关注作品的形式和技巧,利用文学的&陌生化&,通过语言形式的强化、重叠、颠倒、浓缩、扭曲、延缓等方式,打破文学语言的正常节奏、韵律和构成,摆脱语言的&自动化&,使其与人们熟悉的语言形式相疏理相错位,并且进一步将&陌生化&运用到文学作品的形式,产生耳目一新的感觉;英美新批评派则从文本语义结构上所体现出来的多层次、多意义的朦胧性特征来探讨&文学性&;到了结构主义那里,他们主要强调在整体结构系统中来把握文学文本,突破了形式主义和新批评专注于具体作品分析的局限,通过具体作品去发现背后普遍的结构模式,同时也正是在对具有普遍意义的抽象结构的关注,使其进一步了认识&文学性&。

They thought symbolism is a deep existence, art is a methode. The human being can get rid of the vulgar in common life and access the other world in religion with symbolistic feeling way and symbolistic living way, in this way Russian symbolism reflects that human being conquers the objectivity as the subjectivity and he exceeds his spirit.As a symbolistic poet representing the characteristic greatness of his own nationality, the biggest difference between Blok"s works and other symbolists" consists in that he always and totally realized the tendency of sublimity in his symbolistic system, and developed the symbolistic degree in the fields of subjectivity and objectivity and the relationship between them.

认为象征是一种更深层的存在状态,艺术是手段,人只有以象征主义的感知方式和生活方式才能摆脱日常生活的庸俗而走向宗教化的彼岸世界,因此俄国象征主义反映了人作为主体对客体世界的征服和自我精神的超拔和更新勃洛克作为一位体现着本民族特色的伟大的象征派诗人,其创作与其他象征主义诗人最大的差别就在于在他的象征主义体系中始终而完满地实现了崇高的美学倾向,并且在主客体及二者的关系三个方面发展了崇高的象征主义维度。

This paper reviews the exploration of the subjectivity issues in the history of western philosophy ideology, and makes further research of the process of the establishment and development of methodology of the human sciences in the western philosophy, especially in the traditional literae humaniores of Germany philosophy. Besides, this paper deeply and thoroughly analyses and criticize the contribution of the objectivism research attitude which is gradually getting rid of the thoughts of "the dichotomy of subject/object" and "rational dogmatism" hi philosophy research, history research and pedagogy research.

研究系统考察了西方哲学思想史上有关主体性问题的探索,重点考察了人文科学方法论在西方哲学、尤其在有着人文思想传统的德国哲学中的形成发展过程,对哲学研究、史学研究和教育学研究逐步摆脱&主客二分&和&理性独断&思维方式及客观主义研究态度做出的贡献进行了比较深入、全面的批判分析。

Only its slender finger and the slightly bending posture suggest that was still under the influence of the international Gothic style.

多纳太罗是意大利文艺复兴早期最著名的雕刻家之一,他精通古典艺术,其作品大都雄浑有力、古朴自然,不带额外的装饰,向当时由国际歌特式统辖的艺术界吹进了一股清新之风,为文艺复兴雕刻的发展作出了很大贡献,他的学生吸收了老师风格的精华,这尊雕刻比例准确,朴实无华,只有那细长的手指和微微扭曲的姿势,才表明它并未完全摆脱国际歌特式风格的影响。

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