摄影

Whatever it grants to vision and whatever its manner, a photograph is always invisible: it is not it that we see.- Roland Barthes

不管照片给你看的是什么，也不管它以何种形式出现--摄影一直以来都是超视觉的--它永远不是我们眼睛所看到的那张照片。

It starts from photos, and can be shifted into the punctum and studium as Roland Barthes depicted. All this will not take effect until the concrete photography happens.

巴尔特所言及的拉丁文的"刺点"和"知面"，而这一切，也都必须在具体的摄影发生时才有效。

This post has been received flower: 0, flower basket: 1, brick: 0

摄影只有一个法则，你觉得自己应该怎么拍，那就怎么拍。

Examples include digital photography (the sharp decline in consumer demand for common 35mm print film has had a deleterious effect on free-riders such as slide and infrared film stocks, which are now more expensive to produce) and IP/Internet telephony, where the replacement technology does not, and sometimes cannot practically replace all of the non-obvious attributes of the older system (sustained operation through municipal power outages, national security priority access, the higher degree of obviousness that the service may be life-safety critical or deserving of higher restoration priority in catastrophes, etc).

例子 包括：数码摄影（急剧减少，消费需求的共同35毫米胶片打印了有害的影响免费搭车者，如幻灯片和红外电影股票，而现在更昂贵的生产）和IP /互联网电话，那里的更换技术不会，有时实际上无法取代的所有非显而易见属性老的系统（持续运作通过市政停电，国家安全的优先使用，在更高程度的显而易见，这项服务可生命安全的关键或值得更高的优先灾难恢复等）。

There will always be some systems better suited to some kinds of photography and some kinds of user.

总是会有一些系统更适合于某些种类的摄影和某些类型的用户。

Beadwork publishes beautiful projects in all types of beadwork-on- and off-loom beadwork, wirework, bead knitting and crochet presented with easy-to-follow directions and crystal-clear photography.

串珠出版的串珠上和非织机串珠，wirework各种美丽的项目，珠针织和易于遵循的方向和水晶般清晰的摄影介绍钩针。

During this period Warhol collected photographs by Man Ray, and was also interested in the fashion and portrait photography of Edward Steichen, Cecil Beaton and Irving Penn.

在这一时期，沃霍尔收藏了曼·雷的照片，并且对一些时装和肖像摄影照片也发成了兴趣，包括爱德华·斯泰肯，塞西尔·比顿，以及欧文·佩恩。

He uses the proceeds from his admired photographs to finance shoestring productions, looking benevolently on pirated DVDs of his work as "the only means I have of communicating with audiences at home."

他把从自己颇受欣赏的摄影作品中获得的收益用以资助制作低成本的电影，还善意地将他电影的盗版DVD当作他"与坐在家中的观众交流的唯一方式。"

By metaphorically invoking the photographic terminology in the spirit of Bergsonian / Deleuzian time-movement interpretation as inspiration, the exhibition Timelapse in which a dozen artists from both Switzerland and China will participate, attempts to examine the fundamental constituent of digital media: the concept of time and its embodiment in space, its evocation of passage and memory, its movement of differentiation and its state of representation in diverse formal grammars to reveal the social implications of the fast in the disguise of the slow, the multiplicity in temporality and disparity in spatiality, both psychologically and geographically, stirring up a desire to scrutinize the nuances and ramifications in regards to the construct of cultural being in the disparate framework of time in distance and space in locality and the potential collapse of such time-space duality.

本次展览以柏格森以及德卢兹（ Deleuze，均为法国哲学家）有关时间－运动的解释为契机，含蓄地缓引"延时"这一摄影术语，在瑞士和中国两国艺术家的参与中，试图检验数字媒体的根本构成因数，及时间的概念以及其在空间中的体现，其对于过程和记忆的启示，其运动所产生的差异，以及其在运用形式语言时所呈现的不同表象，从而揭示被缓慢所遮掩的亟速之社会内蕴，其在时空中之心理与地理间的多样化和差异性，激起我们对于细察在不同的时空概念的框架下文化的构建，以及对于这种时空二元性之崩溃的可能性的欲念。

The background of the sword is black, whose surface is bestrewn with silvery white multi-cycle and multi-line patterns. All of them are made of plane and natural patterns. Though pictures can be taken for them, they are not to he made into rubbings. They do not lack ease and grace, but they are still subjected to certain rules.

该剑底色青黑，其上满布银白色重圈纹和组丝纹；它们都是平面花纹、自然花纹；看得见，难触摸；可摄影，不可拓摩；既自然流畅，又有一定规则。

The concept of equivalent rotationally rigidity is offered and the formula of rotationally rigidity is obtained.

主要做了如下几个方面的工作：对伸臂位于顶部的单层框架—筒体模型进行分析，提出了等效转动约束的概念和转动约束刚度的表达式。

Male cats normally do not need aftercare with the exception of the night after the anesthetic.

男猫通常不需要善后除了晚上的麻醉。