摄影

Christopher Phillips is a curator at the International Center of Photography in New York. Prior to joining the ICP, he was a senior editor of Art in America.

加入国际摄影中心之前，菲力普斯先生是《美国艺术》的资深编辑，他是摄影史学家，著述出版物很多。

As contemporary art blurs the line between various art forms and photography becomes a popular medium of contemporary art, we want to put the "I" that presses the shutter back in focus for a moment, and examine its unique relationship to the "fleeting reality", for no other medium makes as beautiful a statement as photography—that of bearing witness to the wondrous thing that is life.

在当代艺术日益模糊各艺术门类界限的时候，尤其在当代艺术中摄影媒体成为热潮的时候，我们企图强调&我&在按动&照相机&快门的霎那间，与&转瞬即逝的现实&的独特关系。对人生对日常和非日常生活的见证，也许永远是摄影艺术不可替代的语言魅力。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

There are pioneers around the world who have already provided a model for holding an artistic, photographic and academic forum or exhibition in a uniquely symbolic city with limited capabilities and a relatively peaceful environment: the Basel Art Expo, the Arle Photography Festival, and the Yamagata Film Festival.

举办艺术、摄影或学术上某种形式的会、展，在世界范围内，许多先行者已经作出了很好的榜样，如：巴赛尔艺术博览会、阿尔勒摄影节、日本山形纪录片节等。

This comparison includes photographic and photogrammetric studies of bas-reliefs, paintings, sculptures, etchings, and other forms of art.

我们所进行的摄影和摄影测距对比实验，包含浮雕，绘画，雕塑，蚀刻在内的很多种艺术手段，但它们都没法和都灵裹尸布比拟。

CHENGDU BIENNALE Chengdu Modern Art Exhibition Hall, Chengdu, China. CROSS-PRESSURES. Contemporary photography and video from Beijing Oulu Art Museum The Finnish Museum of Photography Finland L'ALBUM DE LA FAMILLE CHINE Nice Museum, France.

参加中国家庭照法国，尼斯博物馆；参加矛盾中-来自北京的当代摄影和录像芬兰，Oulu美术馆赫尔辛基摄影美术馆；参加成都双年展中国，成都现代艺术馆

The most complex stereo business card printing and membership card making even more of a five-story above, like overlapping, based on technology in photography at that time with two-like of photography.

最复杂的立体制卡和会员卡制作甚至五层以上的多像重叠，基于技术之需要，在摄影当时是采用两像式立体摄影法。

All his photographs in the series are directly gazing at the nature through the lens and the matte screen.

金平的作品没有运用任何当代摄影的夸张技巧和技术，完全是一种通过镜头与取景屏和大自然的对视，一种通过摄影胶片这个媒介将内心对于人类归宿这个终极的哲学思考反观到自己曾经熟视无睹现在荡然无存的景观画面中。

In the space of 20 weeks, the world's biggest photo contests, Digital Camera magazine's Photographer of the Year, received a massive 101,000 online entries from 126 countries.

&&在20个星期的空间，世界上最大的摄影比赛，数码相机杂志的年度最佳摄影，收到了126 countries。

But even at the point when conceptual photography was at the height of its popularity, some photographers remained loyal upholders of the fundamental nature of the medium.

但甚至在观念摄影最为流行的时刻，一些摄影家仍然坚持著摄影的基本性格。

This paper discusses design and realizable methods of remote test output interface from logical design angle.

本文从逻辑设计的角度讨论遥测输出接口的设计及实现方法。

This also 星体投射plies to buildings, structures and geological features.

这也适用于建筑物和地质特征。