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Since then he has worked on numerous photographic projects, developing an international reputation for his innovative approach to documentary photography, and his contributions to photographic culture both in the UK and abroad. In 1994 he became a full member of the Magnum Photographic Corporation. In 2002 a large retrospective of his work was held by the Barbican gallery and the National Museum in London, and in 2004 he was appointed Professor of Photography at the University of Wales Newport Campus.

之后,他参与了无数的摄影项目,并因在纪实摄影中发明的革新方法而逐渐获得了国际名声,他为英国和国外的摄影文化都做出了贡献。1994年,他成为了玛格南摄影组织的正式成员。2002年,堡垒艺术画廊和国家博物馆在伦敦联合为他举办了盛大的作品回顾展览,而在2004年,他被任命为威尔士新港大学的摄影教授。

There are many people who are working or interested in visual arts or photographic arts in Hong Kong, but most of them tend to take single pictures only. Not just pictorialism, Hong Kong documentary photography is also limited to snapshot in streets in one single place and time. Only a few people would process documentary photography continuously with one topic from different angles.

香港从事摄影视觉艺术工作或对摄影艺术有兴趣的市民虽然很多,但大部份都倾向拍摄单幅的照片,少有持续地、有选题地作较多角度创作,不单画意摄影如是,就连香港的纪实性摄影也大多属於街头即兴的拍摄,或单一地点、单一日期的纪录,懂得持续追踪进行多角度纪实摄影计划的仅属少数。

Presently, the studio has developed into a unity providing service in the fields of photography, design, processing and enterprise image improvement. With a professional studio and the most update ad photographing devices and good-sized professional photography lamps and lanterns, Tule can supply 4ⅹ5, 120 and 135 traditional film photographing, high quality digital photographing and late processing service.

目前工作室已发展成为集摄影、设计、制作、企业形象推广于一体的、具有一定实力的综合服务机构,拥有专业的摄影棚和当今世界上先进的广告摄影器材及大型的专业摄影灯具,可提供4X5、120、135传统胶片摄影,高品质的数码摄影及后期制作服务。

Project selected location is in Centre Business District of Baoan District, occupying a land area of 6.7 hectares, the total floor space covers 117,146 square meters; taking "Leading photography industrialization, accelerating photography internationalization" as a tenet, Building the High-level exhibition and business platform by the skyscraping specialty and brilliant feature, becoming a photography industrial park integrated Products and Equipment deal, Shot and Produce ,Exhibition, Vendue ,Picture Design ,Training, Copyright Protection, Industry Standard constitution, Information Communication.

该项目位于深圳市宝安区CBD中心区,占地面积为6.7公顷,总建筑面积117146平方米,以"引领摄影产业化、促进摄影国际化"为宗旨,以提升中国摄影作品价值为核心理念,形成一个集产品器材交易、拍摄制作、展览展示、精品拍卖、图片设计、行业培训、版权保护、行业标准制定与发布、公共服务于一体的摄影产业集聚区,提供完整摄影产业链配套服务并促成交易,打造中国摄影产业园第一品牌。

The overseas photographical expression and creation, which has broadened the vision of China's advertisement, means both a challenge and an opportunity for China to advance its advertisement photography and enter the international mar...

本文通过介绍广告摄影视觉语言发展和演变的历史和广告摄影的特性,重点围绕摄影的构图、光影、色彩的表现形式,对广告摄影的视觉语言展开深入分析,其中结合文化、历史、心理学等方面知识,力图找到影响广告摄影视觉语言表达的内在因素,以对广告摄影的创作实践起到参考和指导的作用。

The overseas photographical expression and creation, which has broadened the vision of China's advertisement, means both a challenge and an opportunity for China to advance its advertisement photography and enter the internationa...

本文通过介绍广告摄影视觉语言发展和演变的历史和广告摄影的特性,重点围绕摄影的构图、光影、色彩的表现形式,对广告摄影的视觉语言展开深入分析,其中结合文化、历史、心理学等方面知识,力图找到影响广告摄影视觉语言表达的内在因素,以对广告摄影的创作实践起到参考和指导的作用。

Project selected location is in Centre Business District of Baoan District, occupying a land area of 6.7 hectares, the total floor space covers 117,146 square meters; taking "Leading photography industrialization, accelerating photography internationalization" as a tenet, Building the High-level exhibition and business platform by the skyscraping specialty and brilliant feature, becoming a photography industrial park integrated Products and Equipment deal, Shot and Produce ,Exhibition, Vendue ,Picture Design ,Training, Copyright Protection, Industry Standard constitution, Information Communication.

该项目位于深圳市宝安区CBD中心区,占地面积为6.7公顷,总建筑面积117146平方米,以&引领摄影产业化、促进摄影国际化&为宗旨,以提升中国摄影作品价值为核心理念,形成一个集产品器材交易、拍摄制作、展览展示、精品拍卖、图片设计、行业培训、版权保护、行业标准制定与发布、公共服务于一体的摄影产业集聚区,提供完整摄影产业链配套服务并促成交易,打造中国摄影产业园第一品牌。

China Photographers Association; Guangdong Photographers Association; Hong Kong Photographers Union; Guangzhou Photographers Association; Guangdong Young Photographers Association; Zhongshan University School of Communication and Design; Zhongshan University Anthropology Department; Press Photo Office of the State Council; Shenzhen Professional Photographers Association; Mois de la photo; FotoFest; The Photographers' Gallery; Moscow Photobiennale; World Press Photography Foundation; German Photographers Association; La Maison européenne de la photographie; The Federation of Asian Photographic Art; Royal Photographic Society; Drik Photo Agency; The University of Michigan; VU Agency; EVE Photographers; Robert Klein Gallery; Poc Project; Agence France-Presse; The University of Kansas; Otterbein College; The University of Massachusetts Lowell; O'Connor Studio; FotoFreo; NB Pictures; John Stevenson Gallery; Photography Criticism CyberArchive; Photographie.com; Les Rencontres d'Arles; Photo Swap; Museum of Fine Arts, Houston; Chris Boot Ltd; 'Aperture Magazine'; PHotoEspaa; Rhubarb-Rhubarb; Seeing the Light; Grazia Neri Agency; cole nationale supérieure des arts décoratifs France; Tendance Floue; Les Filles du Calvaire Gallery.

中国摄影家协会、广东摄影家协会、香港摄影家联盟、广州摄影家协会、广东青年摄影家协会、中山大学传播与设计学院、中山大学人类学系、国务院新闻摄影办公厅、深圳专业摄影家协会、巴黎摄影月刊、休斯顿FotoFest摄影节、英国摄影家画廊、莫斯科摄影双年展、世界新闻摄影基金会、德国摄影家协会、欧洲摄影之家、玛格南图片社、巴黎国际摄影双年展、休斯顿摄影节、俄罗斯国际摄影节、伦敦摄影师之家、亚洲影艺联盟、英国皇家摄影协会、孟加拉Drik图片社,美国密歇根大学,法国VU图片社,埃娃摄影师、美国波士顿Robert Klein Gallery画廊、欧洲艺术家组织、法新社、美国堪萨斯大学、美国麻省大学Lowell分校、O' Connor 工作室/ O'Connor Studio,澳大利亚FotoFreo摄影节、伦敦NB Pictures图片社、纽约John Stevenson Gallery画廊、美国摄影评论档案馆、法国Photographie.com 杂志、法国阿尔勒摄影节、法国VU图片社、英国 PhotoSwap、美国休斯顿美术馆、英国Chris Boot图书出版有限公司、美国《光圈》杂志、西班牙摄影节、英国Rhubarb-Rhubarb摄影节、英国Seeing the Light、意大利Grazia Neri图片社、法国国家高等装饰艺术学院、法国Tendance Floue图片社、法国Les Filles du Calvaire画廊

In this part, personal tales revealed in photography are placed in a parallel to that of the national narratives, thus emphasizing the respect of personal strifes and personal struggles. Professional shots are mixed with amateur shots to render different perspectives in story telling, and to make a showcase of the complex yet limited presence of photography in modern China society.

本单元把摄影对个人命运与事件的&个人叙事&放置于与摄影的&国家叙事&相对应的语境中,意在对人生问题以及时代中的个人经历的尊重;另外,通过职业摄影家的非职业摄影所记录的家庭与个人成长史,与国家立场的摄影表达相比较,力图呈现摄影在个体与政权两个向度上的叙事特征,呈现摄影在中国当代社会复杂丰富而又具有局限性的面貌。

This comes from the pursuit of truthfulness in documentary photography, rather than the selfconsciousness of local events. One might cry for a documentary element in concept photography and hunt for the concept in documentary photography, but this time they have two in one.

如果说它具有某种本土的自觉,不如说这是源自于摄影的纪录性本质;与其说之前的所谓&观念摄影&中没有&摄影&,而纪实摄影中缺乏&观念&的话,不如说在这种景观摄影摄影类型里——既有摄影又有观念。

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The concept of equivalent rotationally rigidity is offered and the formula of rotationally rigidity is obtained.

主要做了如下几个方面的工作:对伸臂位于顶部的单层框架—筒体模型进行分析,提出了等效转动约束的概念和转动约束刚度的表达式。

Male cats normally do not need aftercare with the exception of the night after the anesthetic.

男猫通常不需要善后除了晚上的麻醉。

Its advantage is that it can be used in smaller units.

其优点在于可以在较小的单位中应用。