搭手

I turned to look into the friendly blue eyes of the tall German broad jumper.

忽然，我感到有一只手搭在我的肩膀上。

He had gone past one of the fire-cairns and out from under the Main Row awnings when he felt a hand upon his shoulder.

他从主街区的遮阳篷下出来，刚从一个火石标旁经过的时候，突然觉得一只手搭在他肩头。

At this time, a full-hand rings revealed to the desktop.

这时，一只戴满戒指的手搭到桌面上。

At this time, a full-hand rings revealed to the desktop.

这时，一只戴满戒指手搭到桌面上。

During foreplay, they'll do like they've seen in pornos: first kiss, then look for the bra clasp, unhook it, rub your breasts, sneakily move their hands down deep, take off your underwear-and enter the essential phase.

在前戏中，他们会按照毛片的套路来，先kiss，然后找内衣搭钩，解下来，摸摸胸，手越来越不老实的往下探，脱内裤--进入实质阶段。

Reporters saw Chen's control of the steering wheel position is staggering, and sometimes hand on the steering wheel alone, and sometimes cross the palm of your hand, elbow control of the steering wheel, and even from the hands of the crew took a few money Gouzhu finger steering wheel, The money and then neatly folded.

记者看到，陈某控制方向盘的姿势令人咋舌，时而单手搭在方向盘上，时而手掌交叉、用手肘控制方向盘，甚至在从乘务员手里接过几张钱，用手指勾住方向盘，然后把钱整齐折好。

And it came to pass sometimes that when Brother Leo was removing the bandage from the wound in the side, St Francis, because of the pain caused thereby, would lay his hand on Brother Leo's breast, and at the touch of that holy hand Brother Leo felt such sweetness of devotion as well-nigh made him to fall fainting to the ground.

后来， 有时候，当Leo弟兄正在帮助他从伤口处解下绷带时，圣方济各因为疼痛，把手搭在Leo的胸前，被圣方济各的手接触到的感觉如此甜蜜，以致于差点让他昏倒在地上。

The rest of the dinner, I was hellbent on getting him to eat French fries, drink wine, have dessert and say bad words.

后来，我们回到我家看电影，和他在一起就像两个孩子坐在沙发上，他的手搭在了我的肩膀上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。