提防着

My watchfulness has been effectual; and though I should certainly be a more interesting object to all my acquaintance, were I distractedly in love with him, I cannot say that I regret my comparative insignificance.

我的小心提防并不是枉然的；要是我狂恋着他，亲友们就一定会把我看作一个更有趣的话柄了，我决不因为人家不十分器重我而竟会感到遗憾。

One should be aware of straw beds because they are likely to contain vermin.

你得提防床上铺着的稻草里钻出来的虫子。

A silent suffering, and intense; 7 The rock, the vulture, and the chain, 8 All that the proud can feel of pain, 9 The agony they do not show, 10 The suffocating sense of woe, 11 Which speaks but in its loneliness, 12 And then is jealous lest the sky 13 Should have a listener, nor will sigh 14 Until its voice is echoless.

是默默的痛楚，凝聚心头；是面对着岩石，饿鹰和枷锁，是骄傲的人才感到的痛苦；还有他不愿透露的心酸，那郁积胸中的苦情一段，它只能在孤寂时吐露，而就在吐露时，也得提防万一天上有谁听见，更不能叹息，除非它没有回音答复。

Watch out for crooks who are waiting to use your credit card to do some big shopping.

提防小人的人正等着利用你的信用卡做一些大的购物中心。

Bawling in front of their booths, and yokels looking up at the tinseled dancers and old rouged tumblers,while the light-fingered folk are operating upon their pockets behind.

跳舞的穿着浑身发亮的衣服，可怜的翻筋斗老头儿涂着两腮帮子胭脂，引起那些乡下佬睁着眼瞧，不提防后面就有三只手的家伙在掏他们的口袋。

Bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind.

跳舞的穿着混身发亮的衣服，可怜的翻斤斗老头儿涂着两腮帮子胭脂，引得那些乡下佬睁着眼瞧，不提防后面就有三只手的家伙在掏他们的口袋。

Bawling in front of their booths, and yokels looking up at the tinselled dancers and poor old rouged tumblers, while the light-fingered folk are operating upon their pockets behind.

跳舞的穿着浑身发亮的衣服，可怜的翻斤斗老头儿涂着两腮帮子胭脂，引得那些乡下佬睁着眼瞧，不提防后面就有三只手的家伙在掏他们的口袋。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。