提到...

But everyone I talk to seems to point to Ansel Adams.

不过，所有和我讨论这一问题的人都会提到Ansel Adams。

All the anthropomorphic statements of Scripture refer to this "majesty", not to God Himself, but to His representative.

所有的拟人化报表圣经提到这个"陛下"，而不是上帝，但他的代表。

From our conversation with XFX they mentioned that they have "yet to see whether the fermented launch will reach an inglorious anti-climax" and mentioned they want to "Ferm up to who really has the big Guns".

在和我们的对话中XFX提到他们"还不知道如此匆忙的发布是不是会导致一个虎头蛇尾的丢脸结果"，并且说他们要和"真正有实力的团结在一起"（相信这里应该是firm up，新闻稿笔误

I randomly checked 20 of them, and they were all referred to anti-Semitism in its original meaning.

随机检查20余人，和他们都提到的反犹太主义在其原来的含义。

In addition to these two types of folds, however, we must mention another one, which is not easily classifiable as either anticline or syncline and is referred to as a monocline .

然而，除了上述两种褶皱外，我们还必须提到另外一种，这种褶皱不易归类为背斜或向斜，而被称为单斜褶皱。

OEcolampadius placed James, Jude, II Peter, II and III John in an inferior rank. Even a few Catholic scholars of the Renaissance type, notably Erasmus and Cajetan, had thrown some doubts on the canonicity of the above-mentioned Antilegomena. As to whole books, the Protestant doubts were the only ones the Fathers of Trent took cognizance of; there was not the slightest hesitation regarding the authority of any entire document. But the deuterocanonical parts gave the council some concern, viz., the last twelve verses of Mark, the passage about the Bloody Sweat in Luke, and the Pericope Adulter in John.

厄科兰帕迪乌斯置於詹姆斯，裘德，二彼得第一，第二和第三约翰在劣势的职级，甚至少数天主教学者的文艺复兴式，尤其是伊拉斯谟和cajetan ，投掷了一些疑虑，对正规的上面提到的antilegomena ，至於整个书籍，新教怀疑是唯一屹立父亲的遄了认识，有没有丝毫犹豫就管理局的任何整份文件，但该次经零件给安理会一些关注，即，过去十二个月的小诗马克，通过关於血腥汗水在路加，和pericope adulter在约翰。

The result of this reckoning is confirmed by the fact that the author evidently lived before the persecution of Antiochus in 168, since he does not allude to it.

这样做的结果推算，证实了这一事实，作者显然生活的迫害之前，在168安提阿哥，因为他没有提到它。

We have not in these earlier examples any mention of the Hail Mary, which in England first became familiar as an antiphon in the Little Office of Our Lady about the beginning of the eleventh century (The Month, November, 1901), but it would be the most natural thing in the world that once the Hail Mary had become an everyday prayer, this should for the laity take the place of the more elaborate tres orationes recited by the monks; just as in the case of the Rosary, one hundred and fifty Hail Marys were substituted for the one hundred and fifty psalms of the Psalter.

我们并没有在这些早期的例子，完全没有提到冰雹玛丽，在英国首次成为熟悉作为antiphon在小小的办公室圣母约开始的11世纪（下一个月， 11月， 1901年），但它会最自然不过的事，在世界上，一旦冰雹玛丽已经成为每天祈祷，这应为俗人占据了更为详尽tres orationes吟诵由僧人；刚才的情况一样，玫瑰， 150冰雹。

Maria Antiqua; she is mentioned conspicuously in a list of relics belonging to S. Angelo in Pescheria, and we know that Pope St Leo III (795-816) presented a vestment to St Mary Major which was embroidered with the Annunciation and St Joachim and St Anne.

玛丽亚古；提到她是在一个显眼的文物清单属於美国安杰洛在Pescheria ，我们知道，教宗圣利奥三世（ 795-816 ）介绍一投资，以圣玛丽主要是刺绣与报喜和圣约阿希姆和圣安妮。

Several early 14th-century theorists referred to the idea of an Ars Antiqua, represented primarily by Franco, and an Ars Nova instituted by Philippe de Vitry(see, for instance, CoussemakerS, iii, 371,408),but in historical terms the usefulness of the idea is supported more by the treatise Ars novae musicae(c1320)of Johannes de Muris, the 1324-5bull lf Pope John XXII decrying the musicians who were 'novellae scholae discipuli' and the reference in Jacobus of Liege's Speculum musice to 'moderni cantores' and to'aliquinunc novi'.

一些十四世纪早期的理论家已经谈到以弗朗科为首要代表的古艺术的观念，新艺术是由维特利建立起来的，但从历史角度来看，这一观念的实用价值更多是由穆里斯的论文《新音乐艺术》、1324-1325年教皇若望二十二世贬斥那些"信奉新学派"的音乐家们的训令，以及列日的雅各布的《音乐明鉴》中所提到的"当代歌手"和"一些现在的认识"支撑着。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失